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Ramayana portrayal of women
The traditional status of women in India
Ramayana portrayal of women
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The Ramayana of Valmiki is one of the great Hindu epics in literature and has had a profound influence in Indian society. The influence of the epic poem appears in the domestic familial relations of the people and its characters are the models which the culture yearns for. According to M.V. Kamath, a veteran Indian journalist “The Ramayana is not just a story: it presents India 's culture, its philosophical foundation in all its variety and glory. As Hinduism spread in South-east Asia, so did the Ramayana, in countries like Indonesia, Philippines, Thailand, Vietnam, Cambodia, Myanmar and Malaysia.”
The story explores the theme of human values and virtues, and many of its characters portray ideal figures of society. The titular character Rama,
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There is a perceived lack of parity in Rama and Sita’s relationship and between men and women in general in the context of the poem and many other ancient texts like it. The problem stems from the patriarchal social systems in the underlying themes of the story. Historically, in patriarchal social systems males predominate in roles of political leadership, moral authority, social privilege and control of property; and in the domain of the family, fathers or father-figures hold authority over women and children. It implies the institutions of male domination and entails female subordination. The western view is that this an unjust social system that is oppressive to …show more content…
The men; however, are portrayed as kings, princes and powerful warriors and the world revolves around their actions, and the women just happen to be a part of their world. This is most evident when Rama disowns Sita after successfully rescuing her from the clutches of the demon Ravana and he declares that “Please understand I did not undertake this great war effort—on your account. Instead I did this all in order to protect my reputation and in every way to wipe clean the insult and disgrace to my illustrious lineage.” (Page 644) He then accuses her of adultery when stating “Since, however, you virtue is now in doubt, your presence has become as unbearable to me as a bright lamp to a man afflicted with a disease of the eye” and “For surely, Sita, once he had seen you with your heavenly beauty so enchanting, Ravana would not long have left you unmolested while you were dwelling in his house”. (Page 644) Rama sees his wife disgraced because a woman’s purity is considered her most sacred characteristic and it is shameful for a woman not to be considered pure, all the while men are able to engage in polygamous relationships, and in fact, such behavior was
In the Epic of Gilgamesh, gender plays a very significant role. While women were not the most powerful gods nor the strongest or wisest of humans, they still had tremendous influence. Though the main characters of the story, Gilgamesh and Enkidu, are male, women did not play a necessarily minor role. With all the women that play a role in the Epic of Gilgamesh, gender is a topic worthy of discussion.
Both believe that there is the “absence of women’s voices…” which implies that women’s opinions do not matter due to the notion that women are not as intelligent as men. Rama and Menchu both resist the idea that women are not supposed to have aspirations. The only goal in a postcolonial society for a woman is marriage, Menchu renounces marriage while Rama believes that her fiancée will not be a polygamist. These women participate in a larger goal that is much more important than a single serving person. The goal is to achieve equality amongst everyone. Menchu is shown to have achieved this due to her Nobel Peace Prize, while Rama was still resisting. These characters are also different in many ways. Rama has had an education and goes out with Pathe in public as well as fighting for her own language; Wolof. She translates from French to Wolof so her people would not read and write in the colonizer 's language. While, Menchu is not educated, but has taught herself Spanish, also she is not even allowed to talk to men on the street since this causes women to be ‘dirty.’ Menchu is shown to have more hardships due to her growing up poor and having to work for everything. Rama does not really know the life of a poor person because she grew up in a wealthy
The struggle for women to play an important role in history can be traced from the ancient Mesopotamians to the 1900’s. There has been a continuous battle for women to gain equal rights and to be treated equally in all aspects of life. The Epic of Gilgamesh is the oldest recorded account of the roles of women and their importance in a functional society. Women have been viewed as anything from goddesses to unwanted servants throughout history, regardless of a variety of changes in rulers, religions, and simply time periods. The Epic of Gilgamesh might lead one to consider the roles of women a small and insignificant part compared to the man's role.
All of us have heard generalizations about the opposite sex. Most of us have said our share of them when the phone does not ring at the appointed hour or the love of our life mentions those dreaded words: “open relationship.” Men have trouble understanding women, and women have trouble understanding men. This problem is universal, extending through different cultures and time periods. The Egyptian folktale “The Promises of the Three Sisters” reflects the division between the sexes, a theme which is as relevant in our modern society as it was then.
“Ramayana.” The Language of Literature Ed. Arthur N. Applebee, et al. Boston: McDougal Littell, 1983. 130-140. Print.
The roles of women was an issue in medieval times and in The Canterbury Tales. In A Knight 's Tale, the women were portrayed as objects. To men they didn 't mean much. Women for them were there to help only when needed and didn 't hold an important role in society. Women were treated differently and had not much of importance.
The epic hero’s journeys hold the hopes for future of ordinary people’s lives. The Epic of Gilgamesh was written in approximately 2000 B.C.E which is highly enriched with Ancient Mesopotamian religions, and The Ramayana was written by ancient Indians in around 1800 B.C.E. The stories were written in two different parts of the world. However, these two stories etched great evidence that show people from generation to generation that different cultures and religions are interconnected; they share ideas with each other. Both Gilgamesh and Rama traveled long journeys in these tales. These epic journeys played a role in the creation of different archetypes. We can clearly see that these two tales share similarities between these archetypes. Although
Discuss the importance of the themes to the story, especially dualism and reputation, but also some others.
The Ramayana is the most famous and well-known of all Indian epics, originally based on an epic poem it has taken many variations and forms over the centuries. Traditionally the story centers on the hero Prince Rama, who is the embodiment of virtue and perseverance, as he is wrongfully denied his birthright of being crowned king and instead is unjustly exiled into the forest where he encounters his fair share of dilemma. In R. K. Narayan’s condensed, modern version of The Ramayana the classic conflict of duality is a predominant theme, as Rama faces many instances of uncertainty and trivial chaos which are eventually balanced by order and goodness under the laws of karmic causation and dharma alike which he virtuously strives to uphold. Nina
To begin our comparisons, we must first look at each character and recognize their separate journeys. Through summarization of the characters and their story, we will begin to see Rama's role and Sita's role. By this process, I will demonstrate how they correlate, differ and combine to form the Ramayana. Rama, the hero of the Ramayana, is a god known as Vishnu who has been reincarnated and sent to earth in mortal form. Rama must take an archetypal journey known as the "quest." During the quest, a hero must conquer obstacles to save the kingdom (Guerin et.al.154). Rama's obstacle is Ravana, an evil monster who is slowly taking over heaven and earth. Because Ravana never asked for protection from a human being, he can only be destroyed by a human being and this makes Rama's need for success especially important (Narayan 5). a the beginning of the narrative, Rama is forced into exile from his kingdom into the forest for 14 years. This exile begins his quest.
The Ramayana as retold by R.K. Narayan, explores the roles and duty of women and what it takes in order to be a good woman in Indian society. He explores these roles through the women through out the epic whether it is the wife of a King or some form of deity. While in general women were viewed as subpar to men and were seen as second-class citizens, the women in the book shape the men into who they become and account for much of the manipulation of the individuals and the caretaking of the individuals. Women such as Sita and Kausalya demonstrate those women that are good. These women were regarded as beautiful, not only for their physical attributes, but for their behavior in regards to the males in the epic. They are everything women should be- they are kind and respect the males in their lives above all else. However these women are also met with their opposites, those women who have much improvement to make before being recognized as good women in the Indian society. These women, like Kaikeyi and Soorpanaka go against all Indian ideals. They use their sexuality in order to attempt to manipulate the men of the epic. They do everything in their power in order to get their way, even if it is at the cost of others.
Women in The Epic of Gilgamesh plays a very significant role. Women were not considered as the most powerful gods nor the strongest or wisest of all humans but they still had great influence over others around them, at that time of Mesopotamia. Though the main characters of the story, Gilgamesh and Enkidu were men, women did not necessarily play a minor role. The roles of women in The Epic of Gilgamesh were mixed. Women are represented as harlots (Shamhat), wise (Ninsun) and as gods (Ishtar. In the epic of Gilgamesh, it can be seen that while men were considered to be the most powerful and wisest humans and gods, women had the power to significantly influence these men. Several women mentioned and described in the Epic of Gilgamesh carried roles that had important effects on the men they encountered. One woman I found very interesting is Ishtar, the goddess of love and fertility. I will discuss how women were being portrayed in the story using her character to support my analysis and how the creators of this epic portrayed women in Mesopotamia through this character.
To many cultures the purpose of women is to be the wives and baby makers, while the purpose of men are too bring in the food and money. This principle of being the means of well bringing for a family is what determines the value of a person to society. The man has a large responsibility, by caring materially for the family, including food, shelter, and other belongings. The woman continues to produce offspring, and is mostly vulnerable through out the year, especially during pregnancy. This power difference brings about an abused amount of force enough to break the spirit of another. “What is the conqueror’s wife, if not a conquest herself?” A woman is not worthless. Truly both sexes are equal. What is different, what actually affects the actions of others is how a person is treated. If a person is treated inferior, then the person becomes inferior. Often what we are is not determined by us as many hope and believe. What we are is predetermined by society. It does not matter if it is right or wrong. The popular belief is the only belief.
Comparatively men are not subject to gender constraints. Rama asserts that, “I am a king and my first and final dharma is toward my people”(Valmiki,649). In contrast Sita endures extreme events of calamity dependent upon Rama. Rama mentions, “Do not think of a moment Sita that I came for your sake” (Valimiki, 494). Therefore women are portrayed as secondary to honor and status of men. The role of women is predetermined to exemplify a paradigm wife, with contrastingly miniscule reciprocal behavior from the role men. Women are viewed as property of men vulnerable to suffering and hardship at the demands of the male characters. The men are liberated from gender constraints whereas women are sexually oppressed with a role dependent upon their relationship and subordinate nature to their
Fight for gender equality is not a fight against men. It is a fight against traditions that have chained them – a fight against attitudes that are ingrained in the society – it is a fight against system – a fight against proverbial laxshman Rekha which is different for men and different for women. The society must rise to the occasion. It must recognize & accept fact that men and women are equal partners in life. They are individual who have their own identity.