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The role of women in different societies
Roles of women throughout history
Women in western culture
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The struggle for women to play an important role in history can be traced from the ancient Mesopotamians to the 1900’s. There has been a continuous battle for women to gain equal rights and to be treated equally in all aspects of life. The Epic of Gilgamesh is the oldest recorded account of the roles of women and their importance in a functional society. Women have been viewed as anything from goddesses to unwanted servants throughout history, regardless of a variety of changes in rulers, religions, and simply time periods. The Epic of Gilgamesh might lead one to consider the roles of women a small and insignificant part compared to the man 's role. In fact, three women; Shamhat, Ishtar, and Siduri, were able to create and maintain a civilized Mesopotamian society with using their uniqueness of their body, mind, and spirit.
In the Epic of Gilgamesh Shamat is the temple prostitute, she is not considered to be a main character in the
Sex is described as “the primitive task for women” (Epic of Gilgamesh 63). The definition of sex in the Epic of Gilgamesh is a way to show that a main role of women in ancient Mesopotamia times was to provide pleasure for men, but to also provide children (Grandfield). The temple prostitute, Shamat, was not in the story to portray mankind’s sin of lust, but to demonstrate the need for women so a society can survive. A goddess in ancient Mesopotamia is considered a woman who is of the highest ranking and deserves the highest respect to be considered by men (Thompson). Ishtar, the goddess of love and war, has a small, destructive role in the epic. She essentially lets all fire and brimstone loose, which leads to a battle with Enkidu and Gilgamesh, which in turn leads to Enkidu getting the death penalty from the gods, which sends Gilgamesh off to his failed quest for immortality (shmoop). One more
First in Gilgamesh women are really only talked about when Gilgamesh or Enkidu are using them for sexual interactions. In the beginning Gilgamesh would go around and just do whatever he wanted to the women in his city. He was disrespecting them and not caring about them in anyway what so ever. Another thing that added to the disrespect of women was when Enkidu was introduced to Shamhat (12). In the story she was
...n - (or ANU in the Babaylonian belief).He was the king of the Gods. Ishtar is Anu's second child, daughter of Anu and Antum. She is the goddess of love, procreation, and war. She is armed with a quiver and bow, and her sacred animal is the lion. Her temples have special prostitutes of both genders. The Eanna in Uruk is dedicated both to her and Anu. Even though Anu was a major god and Ishtar a minor goddess, they both were important were believed in heavily in order to build ziggurats for them.
...re treated poorly but they can overcome their circumstances so that they may still contribute to society in a powerful way. Although women in the epic Sunjata, Indian and Greek society are all seen as the subordinate gender, the women in the epic Sunjata are strong people by making the best out of situations. Some could say that women control the story. In the beginning, the hunters would not have killed the buffalo woman if not instructed to. Also, if Sogolon hadn’t pressured Sunjata to stand, he wouldn’t have walked his all his life.
The ancient Mesopotamian writing, The Epic of Gilgamesh, gives readers insight into the traditions and customs of the people who wrote it. Like all epics, The Epic of Gilgamesh is the story of a heroic national figure: this epic gives the story of the life of Gilgamesh from his birth as two-thirds god, one-third man to his death. Throughout the epic the importance of loyalty is addressed. In The Epic of Gilgamesh readers see that loyalty is the most important aspect of a Mesopotamian relationship and that there are always consequences for violating trust.
This paper will discuss the well published work of, Pomeroy, Sarah B. Goddesses, Whores, Wives, and Slaves: Women in Classical Antiquity. New York: Schocken, 1975. Print. Sarah B. Pomerory uses this book to educate others about the role women have played throughout ancient history. Pomerory uses a timeline to go through each role, starting with mythological women, who were called Goddesses. She then talks about some common roles, the whores, wives, and slaves during this time. Pomerory enlightens the audience on the topic of women, who were seen as nothing at the time. Men were seen as the only crucial part in history; however, Pomerory’s focus on women portrays the era in a new light.
Yet, despite the fact that no two women in this epic are alike, each—through her vices or virtues—helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks. Before we delve into the traits of individual characters, it is important to understand certain assumptions about women that prevailed in the Homeric Age. By modern standards, the Ancient Greeks would be considered a rabidly misogynistic culture. Indeed, the notoriously sour Boetian playwright Hesiod-- who wrote about fifty years before Homer-- proclaimed "Zeus who thunders on high made women to be evil to mortal men, with a nature to do evil (Theogony 600).
Women, on the other hand, play many more roles than men in this classic. Take Ninsun, the mother of Gilgamesh, for example. She plays the role of the loving, caring mother and also that of the wise counselor that provides guidance. From the very beginning of the book, Gilgamesh seeks guidance from his mother. When he has two dreams about an axe and a meteor, full of concern, he seeks the advice of his mother. At this point, she plays the role of the guiding, comforting mother by analyzing his dreams and relating the two objects to something good, Enkidu, that will soon come into Gilgamesh's life. "My son, the axe you saw is a friend...and I, Ninsun, I shall make him your equal. A mighty comrade will come to you, and be his friend's saviour..." (George, I, 288-291).
Athena was the Greek Goddess of many ideas, but she was famous mostly for her superior wisdom, her cunning skills in times of war, and her implausible talent for household tasks, such as weaving and pottery. She was celebrated more than any other God in ancient mythology, was the supposed inventor of countless innovations, and her figure gave reason for Greek woman to gain rights long before others of their time. The goddess of war, the guardian of Athens, and the defender of Heroes; Athena’s impact on the lives of Ancient Greeks is outstanding.
Mortal and immortal women inspire many of the events that take place in The Odyssey and The Epic of Gilgamesh. For example, without the harlot, who “tames” Enkidu, the story of Gilgamesh would not be, as we know it. A chapter entitled, “Women in Ancient Epic” from A Companion to Ancient Epic by Helene Foley compares Ishtar in Gilgamesh to Calypso and Circe in The Odyssey. By comparing the role of immortal and mortal women in both The Odyssey and The Epic of Gilgamesh, one will be able to discern how the feminine figures have played a pivotal role in shaping the destiny of the epic heroes, as well as, understanding the interrelation amongst the female figures of both ancient epics.
Women in antiquity did not have an easy lot in life. They had few, if any, rights. Surviving early records of the civilizations of antiquity from ancient Greece, Egypt, China, and Rome suggest the diversity of women’s roles differed little from region to region. There were a few exceptions, mostly concerning women of nobility and the city-state of Sparta. Excluding the rare instances mentioned most antique women were generally limited on education, mobility, and almost all possibilities interfering with domestic or childbearing responsibilities. The limited social roles of women in antiquity suggest the perceived c...
Mortal females cause struggles among men and are portrayed as wicked in Greek Mythology. In the story of How the World and Mankind Were Created, the Father of Men and of the Gods, Zeus, swears to get revenge upon mankind because of the poor sacrifices made to the altars. Therefore, he “[makes] a great evil for men, a sweet and lovely thing to look upon… they [call] her Pandora… the first woman… who are an evil to men, with a nature to do evil… is the source of all misfortu...
These three goddesses represent three different types of women in Greek society. Sarah Pomeroy, author of Goddesses, Whores, Wives, and Slaves, believed that “the goddesses are archetypal images of human females, as envisioned by males” (8). Pomeroy understands the significance of the differences between Hera, Athena, and Aphrodite, and what those differences meant for the women of Greece who were required to follow three important rules. The first rule was for the women to live a life of domesticity and motherhood. This was very important to the men in the society.
The goddesses Played a vital role in Greek society for they were responsible for many aspects of Greek. life, i.e., a life of a child. birth, harvest, etc. Accompanying the 6 major goddesses (Hera, Athena, Aphrodite, Hestia, Demeter and Artemis) we have the lesser divinities such as the Muses, the Graces, the Fates, etc. The second level of women used in Greek mythology is that of the human.
Ishtar 's role in the Epic of Gilgamesh was a very powerful one in which she manipulated both men and gods to get what she wanted, in one way or another. The name goddess normally would represent a majestic and noble woman of power. Ishtar however, is portrayed as the
Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.