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Ramayana portrayal of women
Ramayana portrayal of women
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The Ramayana as retold by R.K. Narayan, explores the roles and duty of women and what it takes in order to be a good woman in Indian society. He explores these roles through the women through out the epic whether it is the wife of a King or some form of deity. While in general women were viewed as subpar to men and were seen as second-class citizens, the women in the book shape the men into who they become and account for much of the manipulation of the individuals and the caretaking of the individuals. Women such as Sita and Kausalya demonstrate those women that are good. These women were regarded as beautiful, not only for their physical attributes, but for their behavior in regards to the males in the epic. They are everything women should be- they are kind and respect the males in their lives above all else. However these women are also met with their opposites, those women who have much improvement to make before being recognized as good women in the Indian society. These women, like Kaikeyi and Soorpanaka go against all Indian ideals. They use their sexuality in order to attempt to manipulate the men of the epic. They do everything in their power in order to get their way, even if it is at the cost of others.
Kaikeyi is first introduced in The Ramayana as the wife of the King along with the mother of Bharatha, she is taking up her son’s claim that he should in truth be the valid king. Kaikeyi is overcome by this fact, a fact that does not truthfully involve her as she is the mother and has no true role in this type of politics. She is manipulated through Kooni because she is so overcome by her own ego: “And you owe your position as the queen of a world conqueror to your beauty?” . She is further more manipulated into fear...
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R.K. Narayan’s translation of The Ramayana brings out the characteristics of an ideal Indian woman and everything that these women shouldn’t be. The women of respect and those that should be looked up to have beauty that is both physical and spiritual. The good women make loyal, thoughtful wives and have a sense of maternal instinct. The bad women are those that rely solely on their physical beauty and are manipulative. They do not respect men and in fact go against all the advice the men in their life give them, even if it is good advice. The ideal Indian woman is beautiful, respectful, and puts the men in their lives above all other individuals. The women in The Ramayana portray everything about society’s ideals about Indian women, both the good and the bad characteristics.
Works Cited
Narayan, R.K., trans. The Ramayana. Penguin, 1972. Print.
Like in Gilgamesh and the Iliad, women help encourage and influence the protagonists to be the heroes and protectors they are meant to be. Adventures and wars
In the Epic of Gilgamesh, gender plays a very significant role. While women were not the most powerful gods nor the strongest or wisest of humans, they still had tremendous influence. Though the main characters of the story, Gilgamesh and Enkidu, are male, women did not play a necessarily minor role. With all the women that play a role in the Epic of Gilgamesh, gender is a topic worthy of discussion.
They portrayed both good and bad pictures of women, including the Goddesses. Some of these stories were funny and some sad, but every single one had a lesson which could be learnt and acted upon. For example, the Amazons were a legendary race of warrior women who despised all men. They killed all the male babies that were born, and kept the female ones. In fact, it was said that the Amazons used the men from a nearby village as sex slaves, so that they wouldn't die out.
Mortal and immortal women inspire many of the events that take place in The Odyssey and The Epic of Gilgamesh. For example, without the harlot, who “tames” Enkidu, the story of Gilgamesh would not be, as we know it. A chapter entitled, “Women in Ancient Epic” from A Companion to Ancient Epic by Helene Foley compares Ishtar in Gilgamesh to Calypso and Circe in The Odyssey. By comparing the role of immortal and mortal women in both The Odyssey and The Epic of Gilgamesh, one will be able to discern how the feminine figures have played a pivotal role in shaping the destiny of the epic heroes, as well as, understanding the interrelation amongst the female figures of both ancient epics.
The struggle for women to play an important role in history can be traced from the ancient Mesopotamians to the 1900’s. There has been a continuous battle for women to gain equal rights and to be treated equally in all aspects of life. The Epic of Gilgamesh is the oldest recorded account of the roles of women and their importance in a functional society. Women have been viewed as anything from goddesses to unwanted servants throughout history, regardless of a variety of changes in rulers, religions, and simply time periods. The Epic of Gilgamesh might lead one to consider the roles of women a small and insignificant part compared to the man's role.
"From the Ramayana." Prentice Hall Literature. Trans. R. K. Narayan. Upper Saddle River: Pearson Prentice Hall, 2004. 190-98. Print.
The roles of women are central to the story and in maintaining a civilized society. The hostess serves as a political instrument that brings hospitality and order to the land, while the peacemaker weaves herself between lands to form alliances. At last, the monster is a complex female that opposes the social expectations of a female and utilizes the law of man to solve problems. The epic does not exalt the women in the story for their influence over men, however, it should be considered in order to fully grasp the purpose of the actions (made by the women or all characters?) taken throughout the story.
As a result, these characters have significant religious meanings and serve as a form of inspiration to other women. This would mainly apply to those women who were in attendance. This would include women of all classes that simply wanted to watch a play. Their limitations amongst society can also be noticed by the amount of education that they are entitled to. Plato’s Republic mentions how the role of women is determined by the status of their spouse.
At first glance, the reader sees the women shown as malicious, conniving adulterers. But, if one looks deeper into the stories, in reality, the women are rather clever and tactful. In the Prologue, a women who is the prisoner of a jinnee threaten Shahriyar and Shahzaman to do her bidding
In considering the relationship between the meanings of myths and their representation of women, we learned that the major role in shaping the narratives was played by men. Myths reveal to us the experiences of women living in the patriarchal society and we gain the symbol value accorded to women and we come to realize what the term "Woman" meant to the ancient Greek man. Reading through the various stories on Goddesses and queens, monsters and more. Princesses, we learn that there are three major levels of women in Greek mythology. The first level is composed of the divine beings known as the goddesses.
Valmiki's Ramayana was written around 300 B.C.E. (Carrier 207). Typically, the character of Rama is seen as the hero and the character of Sita is seen as the hero's wife. In this essay, I will compare Sita's journey of capture and inner growth with the "save the kingdom" journey of Rama, show how the two correlate, and eventually connect in the influential chastity scene. I will also prove that Sita is the "hidden hero" of this epic even though she is seen as taking a secondary role to Rama and show how this reflects women's secondary roles in society today.
Women in The Epic of Gilgamesh plays a very significant role. Women were not considered as the most powerful gods nor the strongest or wisest of all humans but they still had great influence over others around them, at that time of Mesopotamia. Though the main characters of the story, Gilgamesh and Enkidu were men, women did not necessarily play a minor role. The roles of women in The Epic of Gilgamesh were mixed. Women are represented as harlots (Shamhat), wise (Ninsun) and as gods (Ishtar. In the epic of Gilgamesh, it can be seen that while men were considered to be the most powerful and wisest humans and gods, women had the power to significantly influence these men. Several women mentioned and described in the Epic of Gilgamesh carried roles that had important effects on the men they encountered. One woman I found very interesting is Ishtar, the goddess of love and fertility. I will discuss how women were being portrayed in the story using her character to support my analysis and how the creators of this epic portrayed women in Mesopotamia through this character.
In contemporary society, feminism is emerging as a theory of social construct. In literature it is often challenging to discover female characters that go beyond the limits of marginalized female stereotypes and roles as a means to transgress beyond societal norms. Women are characterized as subordinate objects, amid the dominant patriarchal nature entrenched amid the epic. In The Ramayana, women are portrayed as powerless objects that succumb to the manipulation of men as the text portrays a false empowerment of women, which ultimately succumb to common archetypes accustomed to women in literature; implementing a hierarchy of gender that institutionalizes male dominance amid female inferiority. The women of The Ramayana struggle to oppose the systemic patriarchy and pursue a pathway towards attaining dynamic elements of power, that enable their ability to embody autonomous authority. In Valmiki’s The Ramayana, while women appear to be empowered, ultimately they are feeble instruments utilized to fulfill the desires of men.
With such a variance in rights and the way women were treated it is a glimpse into our very nature as humans. Both sexes play a role in our societies from mothers and home makers to pristesses. It is the very nature of female to bend and flex with the times and perservear. Each society has a different view of women and what role they will play in society. It is interesting to ponder the idea as to why certain culture hold women in such high esteem and some opress their women. Women have grown and diversified themselves over time and will continue to change the world. Holding a place in this universrse that is pecial and powerful no matter how society views them. As future societies come woemn will surely have some place in society wether it is good or bad only those societies may choose.
In R.K. Narayan’s version of The Ramayana, Rama used dharma to represent the ideal qualities of kingship by adhering to the social conventions of constructs like caste, class, gender, and race, and set an example for all as to how to form a cohesive society.