Modern Art of Hope, II Gustav Klimt, who was the symbolism artist, painted Hope, II on canvas in 1907-1908 using oil paint, gold, and platinum. It’s 43 1/2 x 43 1/2” (110.5 x 110.5 cm) in size. The painting is part of the collection of the Museum of Modern Art, New York. It is in the Painting and Sculpture I, Gallery 4, Floor 5. Klimt chose a nude pregnant woman with the unborn child and three women in the painting because he wanted people to analyze and feel his artwork. Therefore, Klimt’s symbolic is working with color tone, representative characters, and the image of the painting are influential to people’s feelings in Hope, II. The color tonality is important to show Klimt’s symbolism in the painting with a varied color scheme and shapes. …show more content…
Klimt commonly painted of females in the collection. The label says, “Although images of women and children are frequent in the history of art, depictions of pregnancy are rare.” Klimt liked to put a pregnant model on the canvas, that is a different form than the old classic. Moreover, all of the women are flat without shadows or three dimensions because the gold and colors in decorative are lots of details. The robe of the pregnant woman is too long and draped over the three women. When she looked down at the child’s skull on her stomach and closed her eyes, the image symbolizes death in the womb. Below, three young women are deeply prayerful with their hands and weeping for the mother and her child in the risk situation. They hope that if the child dies unborn will not influence the mother to get a sick or death, too. The mother is sad in her heart that maybe her baby is lost. Therefore, the characters representing a pregnant woman and the three sobbing women are praying for their hope on the canvas and that symbol is life or …show more content…
Klimt’s goal is painting in the natural environmental and drawing interest to a half of naked pregnant woman while beautifying the scene with various of colors, and shapes in a long robe with her unborn child’s skull on her stomach. Below, the weeping women in the cover of a robe are deeply prayerful for their hope because the mother and her womb can put their life at risk. Finally, Klimt was feeling pleasure for his artwork because he studied the painting of Japanese art, Byzantine gold leaf painting. Overall, this gives viewers an understanding of the mother has a baby in her belly and a small skull on her stomach, which symbol is life or death because the three young women are praying for both the mother and a baby to become hopefully
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
When that room is entered all voices are hushed, and all merriment silenced. The place is as holy as a church. In the centre of the canvas is the Virgin Mother with a young, almost girlish face or surpassing loveliness. In her eyes affection and wonder are blended, and the features and the figure are the most spiritual and beautiful in the world's art.
Spending time looking at art is a way of trying to get into an artists’ mind and understand what he is trying to tell you through his work. The feeling is rewarding in two distinctive ways; one notices the differences in the style of painting and the common features that dominate the art world. When comparing the two paintings, The Kneeling Woman by Fernand Leger and Two Women on a Wharf by Willem de Kooning, one can see the similarities and differences in the subjects of the paintings, the use of colors, and the layout
The Interpretation/Meaning (III) will be written without any guideline points, the aim of this part will be to determine what the painter wanted to express with his piece of work and what it tells us in a symbolic or not instantly clear way. This part will also handle why the artist drew the painting the way he did it and why he chose various techniques or tools.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
The colours used in the artwork are earthy tones with various browns, greens, yellows, blues and some violet. These colours create a sense of harmony on the...
Kahlo’s impassive face represents the mask she puts on for society and the tears streaming down her face are how she feels when dealing with all the trauma in her life. Kahlo feels broken and like the world is falling apart around her. The spinal cord is meant to support your whole body and Kahlo feels as if her’s is broken and full of cracks. Kahlo also feeling like the only thing holding her together is the many failed surgeries she was put through. The many failed spinal surgeries and fusions left Kahlo feeling as if she is just composed of broken pieces that are barely holding together. All the nails scattered throughout her body represent the pain she feels every day and her inability to escape from it because it has become part of her. The barren background canvas Kahlo’s inability to have children while the dark sky represents the dark and heartbroken feeling she has because of her inability to start a family. The colors set the painting up to have a darker tone because they are not very vibrant and do not convey positive emotions. Overall, The Broken Column is a representation of the inner pain Kahlo felt through her life, both internally and
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
The Madonna and Child, created by Cenni di Francesco di Ser Cenni between 1410 and 1415, is an iconographic painting of the Virgin Mary (left) and a chubby baby Jesus (right). The panel is painted with tempera and the halos around Mary’s and Jesus’s heads are made from goldleaf. La Toilette, painted by Richard Miller in 1910, is an Impressionist painting of a woman putting on her make up. He uses this subject to compare putting on makeup to applying oil paint on a canvas. In order to create the desired impact on the viewer of their paintings, Cenni and Miller use similar stylistic techniques to portray their female subjects.
Perhaps this is a direct response to the eroticization of owning a painting produced by a woman; the representation’s realism prevents the presumably male audience from viewing her face in entirety. Her body is shown in action and foreshortened, removing any possibility for it to be compared to the perfectly proportioned female figures so often used to
Color is used to draw attention to important characters and objects in the painting. The red of Mary’s shirt emphasizes her place as the main figure. A bright, yellow cloud floating above the room symbolizes the joy of the angelic figures. De Zurbaran uses warm colors in the foreground. The room, used as the background for the scene, is painted in dark colors utilizing different hues of gray and brown.
Hope theory defines Hope as; an individual’s perceived capacity to apply agential thinking and find motivation to implement strategies for achieving goals. Snyder’s research investigated cognitive thinking and the brain’s purpose of anticipating and comprehending causal sequences, proposing that cognition forms the foundation of hope; a way of thinking, including important contributions from emotions. Goals, agency and pathways are central concepts in Hope theory, emphasizing enduring, cross-situational, situational goal-directed thoughts, or a combination of the three. Goals include positive “approach” goals and goals that may prevent or delay negative goal outcomes, varying in duration, from short to long term. Agency thinking, a motivational
These works may be labeled objectifying also because a male painter painted them. Today, these works could be seen as empowering to women. The first painting gives off an emotional ride of one duplicated woman or two women. The second painting shows an emotional journey of prayer and relaxation of a woman sitting in the lotus position. The third painting could represent a strong and empowered women respecting herself and her body. Times have changed and so have views of women in society which have influenced a change in how people view nude women in
“There is always hope,” stands on the gray background of the concrete of the famous Banksy graffiti art. The art chosen is made of spray paint and stencil, on a concrete background. The image is a black and white portrait of a little girl, wind blowing through her hair and dress, holding out her arm towards a red, heart-shaped balloon. On the side of the image is the statement written in what appears to be the dirt and soot on the wall, “There is always hope.” The artwork stands out on the inner-city concrete walls, with the bold of the black and white image of the little girl and the brightness of the red balloon, certainly catching to the eye of parents and children in these inner-cities that have little to no hope. It portrays the message
In this interesting topic of the psychology of colors, the most crucial pattern is the meaning of each color and his impact on the individual as it is represented as the following: