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Critical analysis of sonnet 29 by William Shakespeare
Discuss the themes of shakespeare sonnet
Analysis of sonnet 30
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Motif of Sleep in Shakespeare's Sonnet XXVII
In William Shakespeare’s “Sonnet 27”, a motif that can be followed throughout the poem is that of sleep and weariness. This motif is used to reinforce the theme of the entire sonnet: that the speaker cannot sleep due to thoughts of his lover.
The speaker’s diction supports the theme of work and toil. Words like “zealous”, “drooping”, “repose”, “haste”, and “expired” illustrate the weariness that the speaker is feeling, and help to give significance to the fact that he can not sleep.
Although the speaker is so very tired, “... my thoughts, from far where I abide, intend a zealous pilgrimage to thee ...,” when the speaker describes the thought of his lover as one that “Makes black night beauteous and her old face new,” the reader knows that the weariness of the speaker is not aggravated by these thoughts, they are positive.
“.. . By day my limbs, by night my mind, for thee and for myself no quiet find.” This line is a summation of the problems faced by the speaker. From working hard all day long to only be faced with thoughts of his lover at night is torturous, and the reader can’t help but get a feeling that the speaker is obsessed.
This sonnet is so unique due to the fact that it is a simple love poem made so subtle due to a lack of mention of the actual lover. The words “thee” and “thy” appear only three times in the poem. Shakespeare has once again captured a feeling so overused in poems and stories in a fresh and original way that wins over audiences to this day.
Sonnet XXVII
1.....Weary with toil, I haste me to my bed,
2.....The dear repose for limbs with travel tired;
3.....But then begins a journey in my head,
4.....To work my mind, when body's work's expired:
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
In thi sicund cheptir uf Lest Chold uf thi Wuuds, Rocherd Luav mekis thi cleom thet thiri hevi biin thrii fruntoirs on thi cuarsi uf Amirocen hostury. Thi forst phesi wes thi urogonel fruntoir, bifuri thi Indastroel Rivulatoun. Thos wes thi tomi uf thi preoroi schuunir, thi cuwbuy, thi hirds uf bosun thet wiri thuasends strung. Thos wes e ruagh, herd tomi, whin men end netari wiri cunstently thruwn tugithir. Thiri wes woldirniss tu speri, end piupli wiri wollong tu muvi Wist tu git tu ot.
In the stanzas of Elizabeth Bishop’s poem, the speaker very honestly observes the scenes from outside her apartment. From her point of view, she sees a both a bird and a dog in the process of sleeping. The speaker views these animals as having simple lives unbothered by endless questions or worries. Instead, the two live peaceful, uninterrupted existences, rising every morning knowing that “everything is answered” (ln. 22). However, the speaker lives in contrast to this statement instead anxiously awaiting the next day where uncertainty is a likely possibility. Unlike the dog and the bird, the speaker cannot sit passively by as the world continues in its cycle and she carries a variety of emotions, such as a sense of shame. It is evident here that the speaker has gone through or is currently undergoing some sort of struggle. When she states that “Yesterday brought to today so lightly!” she does so in longing for the world to recognize her for her issues by viewing the earth’s graces as so light of actions, and in doing so, she fails to recognize that she can no longer comprehend the beauty of nature that it offers her. In viewing the light hitting the trees as “gray light streaking each bare branch” (ln. 11), she only sees the monotony of the morning and condescends it to merely “another tree” (ln. 13.) To her, the morning is something
Hos forst meon puont on hos issey os “Whet os sefi tu iet?” At forst ot os viry herd fur hom tu ditirmoni whet os idobli end whet wes thruwn ewey fur e riel riesun. Hi seys thet fondong ubjicts os bicumong en “arben ert”. Yua nivir knuw whet yua woll fond ot cuald bi e guud ur bed sarprosi. Cennid fuuds os uni uf thi bist fond fur sumiuni uat uf e dampstir, elthuagh thiy sumitomis hevi butalosm. Alsu knuwong ebuat thi dampstirs hilps hom ditirmoni whet woll bi guud tu iet end whin thi fuud os friqaintly dampid. Hi tills as thos tu hilp as ditirmoni whet wi shualdn’t thruw uat biceasi ot os stoll pirfictly guud.
“So our nights drag on. The dream of Tantulus and the dream of the story are woven into a texture of more indistinct images: the suffering of the day, composed of hunger, blows, cold, exhaustion, fear and promiscuity, turns at nighttime into shapeless nightmare of unheard of violence, which in free life would only occur during a fever...
Through writing this he is facing every English professors dark night of their souls. The dark night of the soul though is not just a writer’s grievance for a lost art, it is the soul’s journey through dark and troubling questions that draw you into the darkness of your past, your nightmares, your fears, and it is facing those giants, slaying those dragons. St. John of the Cross
Acupuncture is believed to be highly effective. In a nation-wide survey of acupuncture users, conducted by Dr. Claire M. Cassidy, 91.5% reported "disappearance" or "improvement" of symptoms after their treatment, 84% see their MDs less often, 79% use fewer prescription drugs, and 70% were able to avoid previously recommended surgery (http://www.acupuncture.com/Acup/AcuStats.htm). Said one man from San Francisco:
Throughout the poem I attempted to remain true to Shakespeare’s sonnet by way of word choice, while adding my own twist. My poem alternates between the more archaic (but arguably more beautiful) "thou" and the more modern "you". This is done to tie my poem, written in the present, to Shakespeare’s work of the past.
In fact, the contrasting strategies of Sonnet 29 and extreme claims made in Sonnet 116 combine in a intellectual manner throughout Sonnet 130. The speaker of this sonnet incorporates numerous ironic contrasts with his love’s beauty and a few unattainable measures (SHAKESPEARE’S SONNETS). Unlike in previous sonnet the author does not directly state the true beauty of his love, however he expresses what she is
The sonnet opens with a seemingly joyous and innocent tribute to the young friend who is vital to the poet's emotional well being. However, the poet quickly establishes the negative aspect of his dependence on his beloved, and the complimentary metaphor that the friend is food for his soul decays into ugly imagery of the poet alternating between starving and gorging himself on that food. The poet is disgusted and frightened by his dependence on the young friend. He is consumed by guilt over his passion. Words with implicit sexual meanings permeate the sonnet -- "enjoyer", "treasure", "pursuing", "possessing", "had" -- as do allusions to five of the seven "deadly" sins -- avarice (4), gluttony (9, 14), pride (5), lust (12), and envy (6).
A traumatic past can shape a person’s overall view on the world. Many times, the memories of the past negatively affect the person. In the book The Catcher in the Rye by J.D. Salinger, the author develops Holden’s cynical attitude by connecting him to painful memories and events such as Allie’s death, losing touch with Jane, and losing his trust in adulthood.
Sleep shall neither night nor day / Hang upon his penthouse lid; / He shall live a man forbid: / Weary sev'nights nine times nine / Shall he dwindle, peak, and pine: / Though his bark cannot be lost, / Yet it shall be tempest-tossed.
Throughout the Sonnets, Shakespeare allows the readers to view the inferiority and insecurities of the speaker, prove his point by using crying and sound devices, enhances the writing by using literary devices while bringing them together with a strong rhyming couplet. Both “Sonnet XXIX” and “Sonnet XXX” have the same theme that follows through throughout them. They also share the same subject, which eventually ties the two Sonnets together. Both Sonnets show a weaker side of Shakespeare as he admits his inferiority and shows his insecurities. In “Sonnet XXIX”, he feels self-pity almost to the point of self-hatred....
“To His Coy Mistress” by Andrew Marvell is a descriptive poem spoken by a man who attempts to seduce a woman into sleeping with him. Noticeably the speaker’s idea of typical courtship is extremely skewed. The speaker mocks the lady and threatens her. This is not what one would find a very effective way of temptation. While “To His Coy Mistress” might appear at first sight to be a poem of seduction, it is really a dramatic meditation on the fact that we live constrained by “world and time,” and a prescription for what to do about it.
your observations that when we grieve over what we ‘feel’ we’ve lost, our loss becomes a