Analysis Of Intense And Covert Ideas Of Love

Intense and Covert Ideas of Love

Love is portrayed in numerous mediums: song, history, rhythmic dance, or poetry. These four instruments of love typically identify the notion as subjective, lifeless, and static. Song writer of this age often convey love as a goal in life not as an element of living. While people from different periods in history used love to gain power giving love a bare and emotionless personnel. And lastly dance and poetry perceives love as inaudible and plain, because the vary performers and authors have not experienced love on an intimate or divine level. However William Shakespeare is one of few to frequently incorporate simple, yet complex terminology in sonnets to convey different concepts of love. The comprehensive

The speaker has a depressed and refuted soul, which explains the tone of the sonnet and gives the overall mood of the passage. “This man 's art and that man’s scope” (Sonnet 29, line 6) which he enjoys “…contented least…” (Sonnet 29,line 7), however these thoughts he despises, because they appear to be out of his reach. The speaking is comparing himself to a bird singing at the gates of heaven escaping the dreadful earth in line eleven. However still presenting contrast with the ending couplet “For thy sweet love remembered such wealth brings, that then I scorn to change my state with kings.” where the audience is introduced to what motivates the speaker to be positive. His sweet love as described is spoken highly of, while negating all of the unhappy ideas represented in the previous quatrains. Contrast is vivid through Sonnet 29, because of the last two couplets that concludes the author’s feelings and explains what encourages

Like in quatrain three of Sonnet 116 where personification is used to show that love is not vulnerable to time, despite that beauty fades with time. Then he goes on to say that true love does not change instead it last until Judgment Day and so on. Sonnet 116 concludes with lines thirteen and fourteen saying, “ If this be error and upon me proved, I never writ, nor no man ever loved.” Here the speaker expresses pure confidence in the words written that he professes if an error has been made then he has not written a word, and no man has ever loved. The romantic concept that love does not change, but has the ability to outlast death and admit no flaws is the comprehensive theme of the passage (Shakespeare 's Varying Views of Love). Related structures and devices illustrated in Sonnet 116 were also common is Sonnet 29 and continued to be relevant in Sonnet 130. In fact, the contrasting strategies of Sonnet 29 and extreme claims made in Sonnet 116 combine in a intellectual manner throughout Sonnet 130. The speaker of this sonnet incorporates numerous ironic contrasts with his love’s beauty and a few unattainable measures (SHAKESPEARE’S SONNETS). Unlike in previous sonnet the author does not directly state the true beauty of his love, however he expresses what she is