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Buffy the vampire study of feminism
Gender analysis of buffy the vampire slayer
Buffy the vampire study of feminism
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Buffy the vampire slayer is a television show that aired in the 1990s. it summers the life of a teenage girl with super power that withstands the hardships of society. Although women are overly sexualized in modern television, Buffy the vampire slayer stands up for feminism as Hill says in her article: “Feminism is central to the television show Buffy the Vampire Slayer (1997–2003)” (Hill, 2012).
This series portrays Buffy as the super strong heroin who is and charge and saves the day. Her character combines strength with her feminine side. “She is the slayer.” However, Buffy holds on to her markers as a girl (e.g. ice-skating, fashion)” (Bercuci, 2017). During the first season Buffy struggles with two other female characters, Cordelia Chase
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and Faith Lehane. Those two characters represent the ways in life in which Buffy as a heroin could have been. Cordelia is the mean girl that hates buffy and competes with her over cheerleading and fights her for prom queen position. For Cordelia, buffy is the strong freak who is odd and out of the ordinary. “The mean girl stereotype represents normative fears that the pressure on young girls to combine masculine assertiveness with feminine ways of relating may cause them to slip into the pathological:” (Bercuci. 2017). Bercuci aims to point out how mean girl character is an outcome of social pressures on women to make them think that being assertive is masculine and negates their femininity and they should not acquire both. It also shows the competitive nature in female society that unfortunately stands as an obstacle in the way of feminism. On the other hand, Faith (who is also a Slayer) is considered the bad girl character who is ruthless, violent and sexually charged (man-eater).
Faith in the show is the reflection of buffy in a mirror, you could say she is the dark slayer and what buffy could have become. They both come from different back grounds, Buffy from a middle class and Faith from a working class. This makes their lives completely different. This shows how social pressures and social problems such as poverty takes part in the shaping of feminism. Later in the show, buffy starts becoming like Faith, and a scene comes where the two of them are holding knives to each other’s necks. Faith draws her knife away and kisses buffy on the forehead and tells her not to become like her. This scene shows a deep bond of sisterhood that hints in favour of feminism. It is trying to deliver a message that women’s friendship and bond is very important in empowering each other. And it also teaches that women should not confine themselves in the stereotype of being a mean or a bad and that those attributes and in favour of their power not against it. “Buffy and Faith’s connection is constantly acknowledged throughout the show – it is often suggested that they speak a language that only the two of them can understand, and while there is rivalry between them, there is also affection. This sisterly bond (which some have very convincingly argued has lesbian undertones) is symbolically depicted in the scene in which Buffy
and Faith each hold a knife to the other’s neck, which makes it seem that if one dies, so will the other. As they release each other, Faith kisses Buffy on the forehead and tells her that Buffy is not ready to become her yet.” (Bercuci, 2017). At the end, problems between buffy and the two girls are resolved and they unite together. Faith gets elected for leadership and that shows that both masculine and feminine attributes should be an empowerment for women. Strength plays a major role in feminism “thus acknowledging in a way the role that physical conformism to gender roles plays in accommodating behaviours typically considered masculine, such as physical strength and assertiveness.” (Bercuci, 2017). And at the last episode Buffy shares her power with the next generation of female slayers; that portrays the way how women partake in the support of each other “In the finale, Buffy literally shares her strength with all girls who have the potential of becoming Slayers, creating an army of women just like her and dismantling her status as aberration. Half conformism becomes the sacrifice that Buffy makes in order to empower the next generation of women.” (Bercuci,2017). Power on television should not be gendered, the misconception that women are supposed to retain in specific spot is the core reason behind sexism “The superhero is first and foremost a man, because only men are understood to be protectors in US culture and only men have the balls to lead” (Stabile, 2009). Buffy the vampire slayer remains a great example for feminism and female empowerment. And this shows message aimed and successfully managed to highlight the dangers of sexism and the importance of women role.
In conclusion, this show focuses on many aspects, particularly gender roles and sexism. Although this show could have more diverse characters, it focuses on male and female stereotypes very well. I appreciate that there are several strong female characters who aren’t afraid to stand up for themselves and perform typically masculine
What is gender? The answer to that is not so simple. “Gender is what culture makes out of the ‘raw material’ of biological sex,” (Unger and Crawford, 1995). Also, there is a difference between what is gender identity and what is a gender role; a difference which seems to be even more difficult to differentiate between than the words “gender” and “sex”. Media and other parts of our culture seem to believe they know the difference, yet up until a certain period in time, the same stereotypical characters were portrayed and used as role models for others in most media. Women characters being the helpless victims, while the strong men would come to save them (including television shows such as Miami Vice or Three’s Company). Today there is a whole slew of shows and movies, which are redefining and re-categorizing the stereotypical language in relation to gender. One such television series is Buffy, The Vampire Slayer (starring Sarah Michelle Gellar). And although it may seem like a typical teen-angst show, and the main character is a “whiny, rich” girl who fights demons , many people believed it would be exactly like the film (of the same name) which came out five years before the television show first aired in 1997. The film (starring Kristy Swanson) was trite and “airy”, and yet the television series proved those non-believers wrong. In a stereotypical world within the culture that the show represents, Buffy is doing a man’s “job”. She is fighting creatures double her size, and killing them. She is aggressive, outgoing, and determined. Words which are not “normally” used to describe women (without, of course, the word “bitch” trailing right behind them). In other cultures, women being the more aggressive and “take-charge” kind of person is the “norm”, but because we are living in a society, a culture, where even with the whole women’s suffrage being long passed, many people would still like to see women behave as dainty, quiet, and passive characters. Buffy, The Vampire Slayer has taken the issue of “normal gender roles and behavior” and switched them around, allowing the women to be more aggressive, having most of the power and ability, while the men take on the more passive role, watching from the “sidelines”, or at least simply trying to help. Although, at times, the stereotypical views of how a...
In Buffy the Vampire Slayer episode 410 “Hush” A group of demon like creatures known as the Gentlemen take over Sunnydale by stealing everyone in the towns voice, and then stealing seven random people’s heart. Leading up to that part Buffy and Willow have started college and Buffy has met a boy name Riley who is a teacher aid in their class. During class Buffy has a dream of a little girl holding a wooden box who is singing a cryptic rhyme about the Gentlemen that says things like “Can’t even shout” and “Can’t say a word.” After class Riley tries to get Buffy to tell him about her dream, but she tells him “I’m not saying a word.” After the episode goes to Xander and his girlfriend Anya who is upset with Xander for never asking about how she feels and tell him “we never talk.” All these scenes are foreshadowing that the group uses their voice for granted and how overwhelming each get when they are misinterpreted. When the Gentlemen steal the their voices it causes them to not be able to talk to each other, and they realize how important communication really is. In chapter nine “Tough Enough”: Female Friendship and Heroism written by Sharon Ross focuses on the importance of a new vision of heroism, by discussing epistemic negotiation. The chapter also discuss how important both a female friendship, and a group friendship can help while fighting crime. The main idea of epistemic negotiation is shown throughout the show of Buffy the Vampire Slayer because Buffy “almost always consults with her friends before taking action.” (240) In the episode “Hush” without the help of her friends, Buffy wouldn’t have been able to figure out who the Gentlemen were, what they came to Sunnydale for, or how to kill them.
In this movie the characters started a certain way but by the end they were completely different. Starting with George the father, at the beginning he was a very stereotypical dad from a nuclear family. He came home from work to his wife who came to take care of him, the dinner would be ready and all he would do is relax since he already worked all day. In the feminist theory he played the role of one of the person who does not want any change in the status quo, George did not want his wife to have her own life. To George his wife was an object who cooked, cleaned and came to greet him every day after work. George was one of the last men standing but soon enough he realized that he missed his wife and realized
There is a quote that goes "behind every successful man there is a woman”. This implies that the sexes are not credited equally, and gender shadows over success. Men and women are separated not only physically, but in other aspects. A male-dominated culture exists although women are capable of performing just as well as men. There are different situations where men overpower women. There is a stereotype that divides the sexes, ultimately harming both genders. Literary works brush upon the subject of men versus women, touching these components as storyline progresses. There is not a black and white division among the sexes; however, novels such as Geek Love by Dunn and Maus by Spiegelman expose the underlying power struggle among the genders,
Krzywinska (2002) notes that BtVS demands a sophisticated level of engagement by viewers, and that this is encouraged by a number of strategies, including intertextual references. She notes that the show makes many references, for example to shows such as Xena and the novels of Anne Rice, and that these are 'Part of a common cultural vocabulary that connects characters to a broader "real" world culture. Such references lend the series a greater sense of meaningfulness, and textual richness, further encouraging discussion between viewers and helping to interlace the Buffyverse with everyday life' (p 190). Other references to the 'real' world (for example the fact that Giles is said to have brought many of his books from the British Library, and the frequent use of the Internet):
The research question I intend to look into is how female driven narratives differ from male centric shows, and how critics and fans have reacted to shows in turn. Two of the shows I would like to focus on are Buffy the Vampire Slayer, which ran from 1997 until 2003 with a total of seven seasons, and Supernatural, which started in 2005 and is still going strong, having just been renewed for its tenth season. Buffy, which was created by Joss Whedon, is lauded as one of the greatest pieces of feminist television in recent times. It focuses on Buffy, a seemingly normal high school girl who is actually a “slayer” (a chosen one of sorts) who fights vampires and other supernatural creatures, keeping her town safe. This is in contrast to Supernatural, created by Eric Kripke, which goes through female characters like tissues, and focuses on the relationship between Dean and Sam Winchester, two brothers who also fight against the supernatural (hence the title).
In the articles that have been presented, the commonalities center within feministic characteristics, domesticity and home life, and gender roles in the animated television series The Simpsons. We learned that there was a lack of articles that examine feminism in the series. There was a great amount of information on gender roles and home life. We found that there needs to be more studies and research done on the topic of feminism with more characters than just the Simpson family. We propose to further examine feminism within The Simpsons including the different cultures and groups in the show and comparing them to the Simpson family. A good example of characters to analyze would be the Nahasapeemapetilon family. They are Hindu and could have similar or different religious practices that influence their feminism, domesticity, and gender roles.
Buffy the Vampire Slayer as Horror Genre The horror genre has very set conventions and rules and horror films
The female characters in Wieland’s gothic novel are presented as victims or gateway characters that lead to the victim, either way, Brown did not present them as predators. Clara Wieland is often seen as a strong character but she is nonetheless a victim in the novel. Catherine is considered a meek, proper women while both Teresa and Judith were merely patsies to the predator, allowing access to Clara. Theresa’s voice is replicated by the predator, assumedly Carwin. Judith’s is used by Carwin in order to get to the victim, Clara. These female roles are often seen in Gothic Literature.
For several years, there has been a dispute when it comes to the similarities between Buffy the Vampire Slayer and the latest vampire infatuation. Many television shows and films have been compared to the iconic vampire slayer. Although, it is The Vampire Dairies that is constantly scrutinized among admirers. Buffy the Vampire Slayer and The Vampire Diaries have several similarities, but the way each show is written and executed set them apart.
The aim of such a method is to target a younger demographic than traditional critique would usually focus upon. The television program Buffy the Vampire Slayer is such a vehicle, presenting feminism in a postmodern form 'for the masses'. While this works to reveal an 'acceptable', albeit feminist, perspective of gender and identity, following such an avenue problematises both feminism and ...
Popular culture is becoming increasingly consumed by a moralistic tone, and Buffy the Vampire Slayer is the perfect example. Ever since Stoker wrote his highly publicised novel in 1897, Dracula has had a large effect on today’s society.
My research question is, “How does the cultural movements involving feminism affect female characters in television series until today?” The aim of this research is to investigate the role of cultural events regarding feminism and their influence on the female characters’ personalities in popular television series.
Henrik Ibsen is the greatest artist who has handled the play form we call modern drama, in which the centre of dramatic interest has shifted from violent action to what is happening in people’s minds. It follows that the dramatist who would do for our times what the older dramatists did for theirs, must be a poet and explorer of the inner life, and such Ibsen was. One of the most significant themes in Ibsen is the woman’s question. The standards for a life superior to the `existing state` are set by women in Ibsen’s plays. Women fare badly in a society where economic and social functions are almost exclusively male prerogatives. They represent, in a sense incomplete men. Ibsen has condemned modern society saying that it is not a human society