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Representation of gender in media
Media representation of gender stereotypes
Representation of gender in media
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The research question I intend to look into is how female driven narratives differ from male centric shows, and how critics and fans have reacted to shows in turn. Two of the shows I would like to focus on are Buffy the Vampire Slayer, which ran from 1997 until 2003 with a total of seven seasons, and Supernatural, which started in 2005 and is still going strong, having just been renewed for its tenth season. Buffy, which was created by Joss Whedon, is lauded as one of the greatest pieces of feminist television in recent times. It focuses on Buffy, a seemingly normal high school girl who is actually a “slayer” (a chosen one of sorts) who fights vampires and other supernatural creatures, keeping her town safe. This is in contrast to Supernatural, created by Eric Kripke, which goes through female characters like tissues, and focuses on the relationship between Dean and Sam Winchester, two brothers who also fight against the supernatural (hence the title). Both shows aired on The WB, which is now known as The CW and have rabid, borderline obsessive, young fan bases that have kept Supernatural going, as well as make sure that Buffy remains a pop culture staple. Supernatural has even paid homage to Buffy, bringing in some of the actors from the show to guest star in one of the season seven episodes.
However, the numbers don’t lie. Besides the fact that Buffy ran for seven years as opposed to the nine years and counting that Supernatural has been on air, Buffy has more of an ensemble cast, with other characters supporting and helping Buffy, while Supernatural relies only on Sam and Dean, with the majority of the supporting cast dying throughout the season, or never being mentioned again. Part of this comes from the difference in...
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...f the women who have a significant relationship with the Winchesters (i.e. last more than one episode) are often able to hold their own in a male dominated storyline. It is because of this, and because traditional gender roles are sometimes villainized by the writers, putting women who portray these qualities at odds with the other primary female characters, painting them as a rivalry rather than the coexisting groups that they should be.
With the research I would be doing, I would be comparing the leading characters of the shows, and comparing the supporting casts, and trying to see where they overlap and what difference there are. In the case of Buffy and Supernatural, I would be trying to see how a woman doing some of the same things that the men are leads to her needing strong emotional response, and how the stoicism of the men is played as heroic.
Duck Dynasty still feeds into the same old gender basis of women not being strong enough or intelligent enough to do the things men do and illustrates to other men how to put her in her place. The show also gives men a clear conscious because it their house and their rule. Duck Dynasty's family values are too rule their family with an iron-fist because after all it is family unit above everything and everyone else.
I chose to analyze the sitcom That 70’s Show, a show that follows the lives of a group of teenage friends: Jackie, Donna, Hyde, Kelso, Eric, and Fez. The show addresses several social issues of the 1970s, including: sexism, sexual attitudes, drug use, politics, and the recession. I selected certain episodes from Season One based on their titles and descriptions; ones I thought may deal with sexism more in-depth than other episodes.
What is gender? The answer to that is not so simple. “Gender is what culture makes out of the ‘raw material’ of biological sex,” (Unger and Crawford, 1995). Also, there is a difference between what is gender identity and what is a gender role; a difference which seems to be even more difficult to differentiate between than the words “gender” and “sex”. Media and other parts of our culture seem to believe they know the difference, yet up until a certain period in time, the same stereotypical characters were portrayed and used as role models for others in most media. Women characters being the helpless victims, while the strong men would come to save them (including television shows such as Miami Vice or Three’s Company). Today there is a whole slew of shows and movies, which are redefining and re-categorizing the stereotypical language in relation to gender. One such television series is Buffy, The Vampire Slayer (starring Sarah Michelle Gellar). And although it may seem like a typical teen-angst show, and the main character is a “whiny, rich” girl who fights demons , many people believed it would be exactly like the film (of the same name) which came out five years before the television show first aired in 1997. The film (starring Kristy Swanson) was trite and “airy”, and yet the television series proved those non-believers wrong. In a stereotypical world within the culture that the show represents, Buffy is doing a man’s “job”. She is fighting creatures double her size, and killing them. She is aggressive, outgoing, and determined. Words which are not “normally” used to describe women (without, of course, the word “bitch” trailing right behind them). In other cultures, women being the more aggressive and “take-charge” kind of person is the “norm”, but because we are living in a society, a culture, where even with the whole women’s suffrage being long passed, many people would still like to see women behave as dainty, quiet, and passive characters. Buffy, The Vampire Slayer has taken the issue of “normal gender roles and behavior” and switched them around, allowing the women to be more aggressive, having most of the power and ability, while the men take on the more passive role, watching from the “sidelines”, or at least simply trying to help. Although, at times, the stereotypical views of how a...
...oday. Taking for granted a "normal" life that revolves around school, parties and friends. The Crucible and The Matrix exhibit more cultural and social values than Buffy and they are both done exceptionally well, covering many different themes and aspects without taking away from the plot or story.
One of the biggest lessons in the that Grey’s shows through their complex female characters and that they don’t need a man to
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
The stereotypical valley girl would have to be one of my longstanding favourite characters in both television and film. With the valley girl known for often being the quintessential popularity queen, it may not seem so obvious to include the Buffy we know today as part of the valley girl hall of fame. But one only has to go back to the 1992 film, Buffy the Vampire Slayer to observe the full extent of Buffy’s bleach blonde valley girl roots. To place Buffy within the larger category of the valley girl, first one must have an understanding of what exactly this means. Undoubtedly, the valley girl is a product of the eighties, or at least a character that was crystallised and labelled during this period, and she has been a significant presence in teen films and television ever since. It has come to my attention that there has been a definite change, or evolution over the last two decades, of the living, breathing barbie doll otherwise known as the valley girl. And, it seems, this evolution of the valley girl within teen film and television can be traced through the character of Buffy Summers, starting from her first appearance on the big screen in 1992.
Today, only 16% of protagonists in movies are female, and the portrayal of these women is
context out of which a work of literature emerges molds the interpretation of gender in that work.
In most horror films women seem to be slower, less powerful, and simply less dominant. Men in the same films are going to die too, but are not shown as being so defenseless. Females are commonly shown getting killed slowly and getting carried off into the night screaming. On the other hand males will be killed quickly with fewer struggles. For example in The Texas Chainsaw Massacre when the men go into the house where the butcher lives, they are killed with one smash of a sledge hammer with the camera at a distance. Where as, when the first girl goes in she is seen grabbed and put on the shoulder of the butch and carried off kicking her legs and screaming. She is then hung on a butchers hook and is forced to watch her boyfriend get sawed in half. Same incident happens with the next two men, they are quickly killed, but the girl barely gets away and you get to see her running away screaming the entire time. This helps show how women are portrayed as being defenseless where most of the time men are also, but are not given the seen of...
The feminist perspective of looking at a work of literature includes examining how both sexes are portrayed
Have you ever watched a TV show that has a lot of supernatural in it, like vampires, witches, and werewolves? I have, I have watched The Vampire Diaries and The Originals. The Vampire Diaries is a supernatural drama that deals with revolving around one girl. The Originals is about the oldest vampire family and their point of view. The Vampire Diaries and The Originals are very similar and different in many ways including the older, younger, and stronger teenagers that are vampires, witches, and werewolves.
If you have never seen the TV show Supernatural you need to start watching it then. Why, you ask? Only that it is the most remarkable TV show of time. Well in my opinion it is. Supernatural has magnificent characters and a storyline that just spits out action and drama in every episode. The creatures and ghost are the nightmares you hope will never come true . Here are some main reason on why I watch the show and recommend you to do the same.
I am currently doing research in the area of Cognitive Psychology with Dr. Jack Yates, Professor of Cognitive Psychology, University of Northern Iowa. This research is related to how people conceptualize concrete and abstract terms, but my research interests vary widely. Other research interests include gender differences in the workplace and how socialization affects stereotypic gender roles among the sexes.
I think that any female you see in mystery stories and tv shows are all femme fatale or the victim. Most would say that you can't assume that women can only be those archetypes, but after witnessing each of these stories, I can confirm that all female characters are either the femme fatale or the victim.