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Essays on portrayals of women in media
Essays on portrayals of women in media
Female representation in media
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My research question is, “How does the cultural movements involving feminism affect female characters in television series until today?” The aim of this research is to investigate the role of cultural events regarding feminism and their influence on the female characters’ personalities in popular television series.
Until the early 1990s, representation of women characters in television series was considered as secondary and passive. With the third-wave feminism, the situation began to alter but the ambivalence women faced regarding their roles in daily life and their individualistic identity continued to resurface. Thus, although female characters in television series gained more attention and equality, the gap between the gender
The classic network era is one of the most easily recognizable and distinct eras in television history. Both Bewitched and I Love Lucy were huge sitcoms that took up issues of gender representation and patriarchy in their programs through the representations of the main male and female characters of their respective series. While both of these series pushed boundaries when it came to the representation of women, in the end, the costuming of these men and women, how the main characters are introduced, and the domestic environment that the atmosphere takes place in, all serve to reinforce traditional gender norms and reveals that patriarchy is dependent on maintaining dominant ideas about masculinity and femininity.
Elizabeth Montgomery was an American actress who lived from 1933 to 1995. Of her five decades of work in the entertainment industry, her most renowned role was as Samantha in the comedic-fantasy TV series Bewitched which aired from 1964 to 1972. During the period when Americans were experiencing trying events such as the assassination of President John Kennedy and the civil rights movements, Samantha’s magical powers and almost perfect life served as a means for the stressed public to periodically dismiss reality. In real life, Elizabeth Montgomery was an empowered activist. However, this paper will explore the influence of social and cultural aspects in regards to gender and women’s leadership roles as observed through the character Samantha, which Elizabeth Montgomery developed and brought to life.
On September 20, 1984 a show aired that changed the way we view gender roles on television. Television still perpetuates traditional gender stereotypes and in reflecting them TV reinforces them by presenting them as the norm (Chandler, 1). The Cosby Show, challenged the typical gender stereotyping of television, daring to go against the dominant social values of its time period. In its challenge of the dominant social view, the show redefined the portrayal of male and female roles in television. It redefined the gender role in the work place, in social expectations, and in household responsibilities. The Cosby Show supported Freidan in her view of “castigating the phony happy housewife heroine of the women’s magazines” (Douglas 136).
In American culture today, women continue the struggle of identifying what their roles in society are supposed to be. Our culture has been sending mixed messages to the modern day female, creating a sense of uneasiness to an already confusing and stressful world. Although women today are encouraged more than ever to be independent, educated, and successful, they are often times shamed for having done just that. Career driven females are frequently at risk of being labeled as bossy, unfeminine, or selfish for competing in many career paths that were once dominated by men. A popular medium in our culture such as television continues to have significant influences as to how people should aspire to live their lives. Viewers develop connections with relatable characters and to relationship dynamics displayed within their favorite shows. Fictional characters and relationships can ultimately influence a viewer’s fashion sense, social and political opinion, and attitude towards gender norms. Since the days of Bewitched and I Dream of Jeanie, where women were commonly portrayed as being the endearing mischievous housewife, television shows have evolved in order to reflect real life women who were becoming increasingly more independent, educated, and career oriented throughout the subsequent decades. New genres of television are introduced, such as the workplace comedy, where women are not only career oriented, but eventually transition into positions of power.
Considering that traditional society looked down on women as inferior to men, the female roles in each work challenge the status quo and make their audiences’ eyes wearier to the society they might have previously backed without question.
Disney has portrayed women in movies by the use of animation characters for over a century since the 1900s. There has been a very big change since the early 1900’s to modern day in Disney’s depiction of the personalities of the women, their attitudes and ideologies towards men, and the way they are portrayed in the movies. This progression has had a distinct development, from passive damsels in distress in need of the help of men, to being superheroes. Therefore, the evolution of women in Disney movies will be analyzed through the use of university level feminist essays, as well as a research paper written about gender roles in Disney animation. The evolution will also be analyzed through examination of the clips of the movies themselves.
The influence of the media on women is not unknown, but it was especially prevalent in the 1960s. According to David Croteau and William Hoynes, both professors of sociology, “Media images of women and men reflect and reproduce a whole set of stereotypical but changing gender roles” (quoted in Mahrdt 1) and, as society changes and opinions are altered, television shows adapt. However, the television show Mad Men is unique because it does not show life today, but the life of the 1960s. It shows what life was like for the women who lived during a time when the “feminine mystique” controlled society.
The work's topicality is characterized by the existence of the gender stereotypes in society, having generalization, and does not reflect individual differences in the human categories. Meanwhile, there is still discrimination on the labour market, human trafficking, sexual harassment, violence, women and men roles and their places in the family. Mass media offers us the reality, reduces the distance, but we still can see the negative aspects too. TV cultivates gender stereotypes, offering ideas about gender, relationships and ways for living. Such media ideas attach importance to many people in the society. Consequently, it is quite important identify gender stereotypes in the media, in order to prevent false views relating to gender stereotypes.
The media, through its many outlets, has a lasting effect on the values and social structure evident in modern day society. Television, in particular, has the ability to influence the social structure of society with its subjective content. As Dwight E. Brooks and Lisa P. Hébert write in their article, “GENDER, RACE, AND MEDIA REPRESENTATION”, the basis of our accepted social identities is heavily controlled by the media we consume. One of the social identities that is heavily influenced is gender: Brooks and Hébert conclude, “While sex differences are rooted in biology, how we come to understand and perform gender is based on culture” (Brooks, Hébert 297). With gender being shaped so profusely by our culture, it is important to be aware of how social identities, such as gender, are being constructed in the media.
Throughout the 21st century we have been immersed in a world in which is almost wholly dominated by the media. It is appropriate to say that many ideologies have been indeed challenged by the media, including the ideology of feminism, which I aim to focus on in this essay. Firstly, it is necessary to think about what the founding concepts of feminism actually are and how the ideologies of post feminism and antifeminism are using the contemporary media to question feminism. Texts such as Bridget Jones’ Diary and Desperate Housewives are fitting examples of how post feminism has penetrated through the media challenging feminism. Similarly elements of anti-feminism are evident when looking at films such as the new adaptation of Cinderella .
A second example of how women are muted according to Kramarae is the depiction of them in mass media. Women are rarely the heroes of television shows, and in cartoons they appear "emotional, apologetic, or just plain wishy-washy" (Griffin, 459). Breakthroughs for feminism on television have come with shows like Mary Tyler Moore and the current Murphy Brown. Both main charac...
Feminism is a movement that supports women equality within society. In relation to film, feminism is what pushes the equal representation of females in mainstream films. Laura Mulvey is a feminist theorist that is famous for touching on this particular issue of how men and women are represented in movies. Through her studies, she discovered that many films were portraying men and women very differently from reality. She came up with a theory that best described why there is such as huge misrepresentation of the social status quos of male and female characters. She believed that mainstream film is used to maintain the status quo and prevent the realization of gender equality. This is why films are continuously following the old tradition that males are dominant and females are submissive. This is the ideology that is always present when we watch a movie. This is evident in the films from the past but also currently. It is as if the film industry is still catering to the male viewers of each generation in the same way. Laura Mulvey points out that women are constantly being seen as sexual objects, whether it is the outfits they wear or do not wear or the way they behave, or secondary characters with no symbolic cause. She states that, “in traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote it-be-looked-at-ness.”(Mulvey pg. 715). Thus, women are nevertheless displayed as nothing more than passive objects for the viewing pleasure of the audience. Mulvey also points out through her research that in every mainstream movie, there is ...
How and to what extent does contemporary science fiction television challenge or reaffirm the traditional positions of women within the genre?
Another major factor that influences millions of impressionable females and males is television. Not only does the television teach each sex how to act, it also shows how one sex should expect the other sex to act. In the current television broadcasting, stereotypical behavior goes from programming for the very small to adult audiences. In this broadcasting range, females are portrayed as motherly, passive and innocent, sex objects, or they are overlooked completely or seen as unimportant entities. Stereotyping women is not only rampant in the adult world; it also flourishes in the kiddie universe as well.
“In the 1950s, 1960s and 1970s, only 20 to 35 per cent of characters in TV show were female.” (Gauntlett D. 2002, p43) These figures generally illustrated the status of female role in the media which were ignored by people. So situation was similar in the films, but the gender role in the film was more complex. Unsurprisingly, gender role was changing with the new notion about femininity and masculinity, the traditional idea of female character was emotional, in need of protection and they offering love to support male role, and male character was still confident, taken the dominant position, they made decisions and lead the story developing. I am going to take James Bond as my example, because it is a long-running series film since 1962 to today and it still filming, so it is a good example to make us see the changing of gender role in the movies. My point of view is they don’t developed so much on the male character-Mr. Bond, he is always charming and attractive when he wear the perfect suit in the film, he is the typical here characters which reflects masculinity is already mature in the