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Gender's role in literature
Gender's role in literature
Gender's role in literature
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The Significance of Female Identity within Gothic Literature through Clara, Catherine and Judith In Charles Brocken Browns novel Wieland, he presents us with two obvious themes in his novel Wieland, one being gender and the other gothic and when reading, one can identify with female identity when reading it through a gothic lens because of how many perspectives Brown offers the reader to see through. Brown presents women in a way that often changes the reader’s perception of the women characters through gothic reading. We find when reading Wieland, women are presented as maternal figures, supernatural creatures, and objects of desire. It is the transition and mesh of these stereotypes that make the reading quite interesting. Brown allows the …show more content…
The Wieland’s were also influenced by religious imagery because of their father. One of the themes we often see in Wieland is religious fantasies because of the Wieland’s father and Carwin. Catherine and Clara were not super religious. Catherine was of course the typical 18th century mother and Clara applied religious theories to the voices she heard. Clara also describes in the text about her father “A Bible was easily procured, and he ardently entered on the study of it. His understanding had received a particular direction….. His morals, which had never been loose, were now modelled by a stricter standard. The empire of religious duty extended itself to his looks, gestures, and phrases. All levities of speech, and negligence’s of behavior, were proscribed” (Wieland). Clara tells the reader that her education was not modeled by any particular standard but that through society they developed their own understanding on how to perceive religion. “It must not be supposed that we were without religion, but with us it was the product of lively feelings, excited by reflection on our own happiness, and by the grandeur of external nature. We sought not a basis for our faith, in the weighing of proofs, and the dissection of creeds. Our devotion was a mixed and casual sentiment, seldom verbally expressed, or solicitously sought, …show more content…
“In many Gothic novels, we see the author try to manipulate the lines between feminism and masculinity for a dramatic effect, and Brown often changes the role of Clara and her female identity” (Hinton). Women of this time are usually considered to be graceful, elegant and put together and so the Gothic predator of this novel would be terrifying for the women. The various way in which women are presented through the gothic lens of Browns Wieland are used to depict how individual women are and that they reflect many different characteristics woman have in the eyes of the gothic novel. They all signify bravery, intelligence, weakness, irrational, posed and perfect and clearly never under
Whittier begins his story by writing, “Woman’s attributes are generally considered of a milder and purer character than those of man. ”(348) Right of the bat, the reader has a stereotypical idea in his or her mind about how a woman should act and what characteristics she should hold. Whittier does this to show how different and unique his main character, Hannah Dustan, will be seen throughout his piece of work. Whittier then goes on to say, “Yet, there have been astonishing manifestations of female fortitude and power in the ruder and sterner trials of humanity; manifestations of courage rising almost to sublimity; the revelation of all those dark and terrible passions, which madden and distract the heart of manhood.
‘Rebecca’ and ‘The Bloody Chamber’ convey the gothic theme of isolation by employing the embodiment of dominant male characters. The femme fatal persona in ‘Rebecca’ creates a stigma about how Mrs de Winter should act. The Fairy-tale form causes development of female power and causes a sense of resilience throughout the collection of short stories. The use of controversial issues of feminine empowerment exercises the idea that women should have more power within heterosexual relationships. There are several Gothic conventions within both texts, for example setting is vital because the authors use immense, reclusive places like Manderly and the Castles causing physical entrapment for the feminine roles. Violent characteristics from Maxim and
This essay explores the blurring of gender roles within Bram Stoker’s Dracula and Angela Carter’s The Lady of the House of Love, focusing on the presentation of a sexually assertive female and its threat to the patriarchal society, and the duality of the female characters as they are presented as enticing and thrilling, but also dangerous and somewhat repulsive.
The women in both Hardy’s Tess of the D’Urbervilles and Conrad’s Heart of Darkness are seemingly presented with traditional feminine qualities of inferiority, weakness and sexual objectification. However, the power that they hold in male-female relationships, and their embodiment of traditional male roles, contests the chauvinistic views of society during Conrad and Hardy’s era. While Conrad presents powerful female characters through their influences over men, the reversal of traditional gender roles is exemplified more by Hardy’s character, Tess, yet both authors present revolutionary ideas of feminism, and enlighten readers to challenge the patriarchal views of society towards women.
Fisher, Jerilyn, and Ellen S. Silber. Women in Literature: Reading Through the Lens of Gender. Westport, Conn: Greenwood Press, 2003. Print.
This description creates a conflicting idea of her, on one hand there is this fascinating, beautiful and innocent woman, yet on the other hand there is this figure with gothic qualities and frightening “wild” eyes referring to nature. This is comparable to Catherine, “A wild, wick slip she was—but she had the bonniest eye, the sweetest smile, and the lightest foot in the parish.” (Chapter V, page42)
Bram Stoker and Sheridan Le Fanu’s texts, Dracula (1898) and “Carmilla” (1872), use gothic tropes in similar ways to captivate readers with horror and terror. This essay will illustrate how, in comparison, both texts include gothic tropes: the New Woman, sexuality and setting, in order to provoke emotions and reactions from the readers. To achieve this, this essay will focus on the women that challenge traditional gender roles and stereotypes, and deconstruct each text in regards to the very strong undertones of homosexuality; specifically between Carmilla and Laura, and Dracula and Harker. By discussing the harshness and darkness of the environments described, including ruined castles and isolated landscapes; this essay will also explore the
Jane Eyre has been acclaimed as one of the best gothic novels in the Victorian Era. With Bronte’s ability to make the pages come alive with mystery, tension, excitement, and a variety of other emotions. Readers are left with rich insight into the life of a strong female lead, Jane, who is obedient, impatient, and passionate as a child, but because of the emotional and physical abuse she endures, becomes brave, patient, and forgiving as an adult. She is a complex character overall but it is only because of the emotional and physical abuse she went through as a child that allowed her to become a dynamic character.
"The Giant Wistaria" is a story in two parts. The first, which takes place at least one hundred years before the second, concerns the punishment of a young woman by her parents, especially by her father, for having borne an illegitimate child. The second part takes place in the present, that is, in the late nineteenth century, as a group of young people--Mr. and Mrs. Jenny, their "pretty sisters" and their sisters' suitors--discover the house's horrific secret. Gloria A. Biamonte's interpretation of "The Giant Wistaria" implicitly casts the young set as a community of readers and emphasizes the divisions of that community by gender. It is the women who are at first convinced that the house must have "a story, if we could only find it," while the men merely scoff and tease until the house will no longer permit that careless attitude. In addition, at the story's end it becomes clear that the women will be the house's most sensitive and skillful readers, as it is perhaps also clear that its gothic tale is intended as a warning for themselves.
According to “The American Heritage Dictionary of the English Language”, the word “feminity” is defined as “the quality or condition of being feminine or a characteristic or trait traditionally held to be female.” Further speaking, feminity is formed by various socially-defined and biologically-created gender roles played by women influenced by a number of social and cultural factors. For example, the traditional gender roles of women include nurturer, birth giver, homemaker and caregiver. However, marked by a series of women's rights movements starting from the 19th century, women’s gender roles, as well as the ways how society and men perceive women, have been largely changed. This significant change, described as a process of female awakening, was widely reflected in many contemporary literature works. This essay will specifically focus on the construction of feminity in two short stories, “Hills Like White Elephants” by Ernest Hemingway and “The Stoy of an Hour” by Kate Chopin through examining how the authors define “feminity” in their treatment of female characters.
In conclusion to this essay, having examined these 19th century gothic texts, it is fair to say that normative gender behaviour and sexuality pervades them. This element gives the reader a deep insight into the culture context of the time in which these stories are situated. It enables the reader to delve into the darker sides of humanity at that time, that they would not have been able to do otherwise.
These women authors have served as an eye-opener for the readers, both men and women alike, in the past, and hopefully still in the present. (There are still cultures in the world today, where women are treated as unfairly as women were treated in the prior centuries). These women authors have impacted a male dominated society into reflecting on of the unfairness imposed upon women. Through their writings, each of these women authors who existed during that masochistic Victorian era, risked criticism and retribution. Each author ignored convention a...
From the beginning of the novel, the main character, Jane encounters the supernatural. Charlotte Bronte uses both supernatural and gothic themes to enhance situations for the reader and to develop the characters. In particular natural imageries have been used to convey a human connection with the natural world and human nature (Franklin, 1995). Eyre portrays the intrinsic struggle between supernatural and the effects of nature. Branflinger and Thesing (2002) argue that Bronte used Gothic and the supernatural to explore and portray the darkest alleys of her own psyche which Bronte was deeply disturbed by (p309).
Historical facts are cleverly infused into the body of the novel that gives the reader an authentic and classic impression of the story. A clear view of the discrimination that existed in that time period against non-whites and women was evident by the time the conclusion of the book was reached. For instance, a conversation takes place between characters in the novel in which civilization is said to be going to pieces as a result of "The Rise of the Coloured Empires". Women are also constantly referred to as "girls".
In order for us to deal with how a consideration of femininity can effect our understanding of a literary text, we must also be able to grasp the notion of `feminism' and `Feminist Literary Theory'. A dictionary definition of `feminism' is: `the advocacy of women's rights on the grounds of the equality of the sexes.' Although this leans towards feminism in the historical sense of the word, it still provides the grounds, or foundations, from which feminist literary theories were created. Feminists argue against the stereotyping and social construction of female norms, seeing them as created by men in order to establish their own sense of power. It is thought that while males suggest that gender is sex and not actually a construct, the female role will become much more passive, stereotyped and controlled.