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Feminist literary criticism an introduction summary
Feminist literary criticism thesis
Literature and gender equality
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In order to understand the effects that ideas of femininity have on literary texts, we must first acknowledge what the term means. Clearly both terms derive from the original sex of the being, whether male or female, and can be similarly tied in with notions of gender, either masculine or feminine, which are said to be constructs, or labels, created by society. However `masculinity' and `femininity' become, on some levels, dislodged from the idea of the biological makeup and gender constructs, and instead tend to be described in terms of discourse. It is not just the sex and gender of a being that determines their actions, but instead their thoughts and opinions. This essay will assess ideas of femininity in reference to James' The Turn of The Screw, and Shakespeare's Othello. In order for us to deal with how a consideration of femininity can effect our understanding of a literary text, we must also be able to grasp the notion of `feminism' and `Feminist Literary Theory'. A dictionary definition of `feminism' is: `the advocacy of women's rights on the grounds of the equality of the sexes.' Although this leans towards feminism in the historical sense of the word, it still provides the grounds, or foundations, from which feminist literary theories were created. Feminists argue against the stereotyping and social construction of female norms, seeing them as created by men in order to establish their own sense of power. It is thought that while males suggest that gender is sex and not actually a construct, the female role will become much more passive, stereotyped and controlled. `The aim of feminism must be to break down the public/private split and the binaries of masculinity/femininity, mind/body, reason/f... ... middle of paper ... ...o the fact that Iago conspires in such deceitful ways against Othello and possible women in general. Her ignorance can again be reflected by Bianca, Cassio's mistress, who has been described as a whore. In conclusion, we can see that feminist criticism can be applied better to certain texts than others. Henry James' The Turn of the Screw, I feel, somewhat contradicts feminist literary theory, simply due to the fact the James writes so convincingly as a woman. The governess shows both masculine and feminine attributes to her character while also displaying passive and active traits, which seems to be what feminist critics appreciate in the literary canon. Shakespeare's Othello, on the other hand, is a text ready for feminist damnation. Femininity in the text is measured against other male roles, for example, Desdemona's fate is largely in the hands of Othello.
In today’s society, gender issues are often discussed as a hot topic. In literature, feminist views are used to criticise “societal norms” in books and stories. Two popular pieces by authors Kolbenschlag and Hurston paint two very different views on women. One common assumption in the use of a feminist critical perspective is that gender issues are central. Kolbenschlag who wrote the literary criticism “Cinderella, the Legend” would most likely disagree with this statement, she feels that women bare greater burdens in society and are more largely affected by social norms.
Gendered strategies, in the criticism of early fiction, made feminine fiction incapable of excellence. By using conventional heterosexual relationships in their prefaces, authors only succeed in supporting the masculine control over fiction. The appraisals women gained only reinforced their inferior status. "Criticism placed female authors in a specific and confined critical sphere, while it located male authors in an other, more respected field" (375). By aligning their works with popular male literature, women inadvertently strengthened male authority. Women were only granted recognition in terms of their limited social stature. It is these gendered values and strategies that makes the history of the novel and feminine achievement difficult to assess.
To understand feminism in the novel, one must first understand the feminist lens itself. OWL Purdue describes the lens as “the ways in which literature (and other cultural productions) reinforce or undermine the economic, political, social, and psychological oppression of women” (Purdue). Feminism acts as both a commitment and a political movement that wants to end sexism in all forms. Most feminists generally disagree on many topics of the subject, however all have one common goal. These aspects affect The Things They Carry in a plethora of ways, mostly due to the fact that gender roles is a main theme. There are negative and positive aspects of the feminist lens. Positive contains the empowering of women and equality, whereas negative pertains to oppression and unequal rights. Both are covered in The Things They Carried from sex symbols to battle tor...
In summary, the account for a woman’s femininity is primarily encouraged by man. Wollstonecraft inspires readers as she debates the right for woman equality to man, with most, if not all females agreeing with her argument and powerful ideas. Thus it is possible to conclude that the influence of academic literature does complicate everyday contemporary understanding, as reality of the day has differing points of view in writing. According to the referenced literature, woman in contemporary society are considered are flaw of nature however observed by women unreasonably.
One of the most fascinating elements that female authors bring to light is their use of perspective—something that’s most commonly illustrated through the eyes of a man, a male author, or, more often than not, both. Women writers offer a different voice than their male counterparts, even if it’s simply by the subtle inclusion of their own experiences within the narrative of the central character. With that in mind, the question must be asked—how do these female authors present their male characters? It’s common for male authors to stick to stereotypes and caricatures of the women they include in their works; but do female authors choose to follow this style as well? How do they represent the “modern man” within their texts? Through Woolf’s
Feminist literary criticism looks at how literary works portray women. They look to see if there is any social power exerted by females. Feminists also see our culture as a "patriarchal society organized in favor of the interest of men." (HCA...
The two main approaches to this type of criticism are very different, but help make distinctions in the text. Essentialists focus on the biologically determined sex of a character in literature, while others focus on constructivism or the qualities determined by society as strictly male or female. Constructivists argue that patriarchal gender roles harm women’s confidence and assertiveness, promoting stereotypes and false binaries. Gender constructivism favors the idea that gender and sexual categories are a societal construct that prefers men and restricts women. The application of this literary criticism to a text looks into the character and their relevance to the plot. Focusing on how the character promotes or rejects the imposed gender roles is a significant part in the use of this lens (Hildreth January
Shakespeare is debatably the greatest poet and writer of all time. However, that does not mean that these plays adapt to the changing times. In Shakespeare’s, Othello, gender plays a large role in understanding the culture of the time and makes the play out of date, if not used properly. Understanding the gender roles and how they are defined in Shakespeare’s culture, looking at each individual women in the play, and the way Shakespeare should be taught today in order to adapt to the times allows readers a deeper appreciation of Shakespeare’s work. Shakespeare is a wonderful artist and writer. Used properly, students today can learn thousands of lessons and insightful ways to insult one another from the great play writer. “Students have trouble
Conclusion: Evaluate how the texts challenge or subvert patriarchal conventions of the literary representation of gendered
In the Eighteenth and Nineteenth centuries, the idea of patriarchy ruled the many societies all over the world. Particularly in Britain, its “overarching patriarchal model” (Marsh) had “reserved power and privilege for men” (Marsh). Also during this time period feminist literature began to arise and was invaded by, “the complex social, ethical, and economic roots of sexual politics… as testimony to gender bias and the double standard” (“Sexual Politics and Feminist Literature”). In Jane Austen’s writing, readers have been aware of her constant themes of female independence and gender equality. However, many have criticized the author for the fact that many of her “individualistic” female characters have ended up
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
Neely, Carol. "Women and Men in Othello" Critical Essays on Shakespeare?s Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 68-90)
feminist criticism focuses on the role of women in literature. it is based on an assessment of the roles of women in a story or occurring from the opinion of supporting equality among genders. Charlotte Perkins is one writer whose work include feminist criticism. feminist literary criticism before the 1970s was worried with the politics of women's writing and the illustration of women's state within literature, this comprises the representation of imaginary female women's characters. according to the Victorian web " from the 1970s on, most feminist critics reject the genderless mind, finding that the "imagination" cannot evade the conscious or unconscious structures of gender. Gender, it could be said, is part of that culture-determination which Oates says serves as inspiration. Such a position emphasizes "the impossibility of separating the imagination from a socially, sexually, and historically positioned self." This movement of thought allowed for a feminist critique as critics attacked the meaning of sexual difference in a patriarchal society/ideology. Images of male-wrought representations of women (stereotypes and exclusions) came under fire, as was the "'division, oppression, inequality, [and] interiorized inferiority for women." this means that Female stereotypes increased in early literary works. women were powerless and unintelligent. They were basically portrayed as being different from men; however, not distinguished for any involvements to society.
Feminism is a global movement that affects women all around the world either directly or indirectly because of the discrimination that it defends. Over the years women have been limited to living in a male dominated world. Women have been alienated from educational opportunities, workforce or labor opportunities and most importantly financial opportunities. Being oppressed by these factors and others has left women with the little option of becoming a housewife or a servant, or inheritor. Feminism has proven to be a controversial yet present point in the works of literary giants such as William Shakespeare, Jane Austen, Charlotte Bronte and many others. Charlotte Bronte phenomenal novel Jane Eyre is developed with ample evidence that is a direct
As they write their works from the perspectives of male viewpoints, the image of women is found in a very derogatory condition. In their works, all main incidents take place around the male protagonist; contrary to that, voices and feelings of the women are suppressed and marginalized. They are also provided a very minor role only to fulfill the criteria of a story. Women are not allowed to choose writings as their profession and to take participant in the public places like market, pub or park. But these marooned images of women get revamped in the beginning of the twentieth century, and are solidified at the middle of that age by the hands of some female figures, especially by Virginia Woolf, Simone De Beauvoir, Kate Millett, Helene Cixous etc. At that time female sensibility gets upper hand position, and they start to find their own voice and definite cultural identity in the society. The main focus of this paper is to show how female characters are able to find their definite self, voice and cultural identity in the social arena, and how female sensibility gets due importance in Virginia Woolf’s novel “Mrs