There’s always those movies you see the trailer of and instantly know it’s gonna be bad. However, there are also those movies that seem like they could qualify for movie of the year, based off the trailer alone. But, in reality, they’re just as bad, if not worse than the ones that looked bad from the start. Below is a list of five prominent ways to tell if a movie will be bad before it comes out. The Movie is a Sequel If the movie is a sequel to a classic, or based off a movie already renowned for its greatness, you might immediately be weary from the start. Which you should be. Many remakes or sequels of movies end up with some of the lowest ratings of the year, and make fans of the original asking “what were they thinking?” for deciding to desecrate the original movie. These sequels are usually bad for two reasons, one usually being because they take away what was so good about the first movie unknowingly, and two, being that there just wasn’t any real need to add to a story that was already concluded. An example can be found in the sequel to The Blair Witch Project. The reason the original Blair Witch movie was so good is because it was marketed to look like the movie was real, but in the sequel, the movie lost all its charm when it was made to look like a real movie. …show more content…
Where both their screenings had an overall negative reception, and they had to push back the release date because of said screening. Case in point, Jupiter Ascending. Jupiter Ascending had a rather unanimous rating among movie critics. With a 26% on Rotten Tomatoes and actors best known for comedies coming over to sci-fi, this movie was terrible. Directed by the Wachowskis, creators of The Matrix, a groundbreaking movie with amazing graphics and spectacular actors, the Wachowskis really let people down on this one. And, as stated before, this movie did have a pushed back release date, a major hint that this movie probably wouldn’t live up to any expectations
When the trailer for this film was first introduced to the public, many expected The Matrix to be just another science-fiction film with phenomenal special effects which lacked an intriguing plot. The majority of the reviews definitely put an end to this misconception. Most of the reviews written on this film eloquently complement the Wachowski brothers on their excellent story line. The Biblical references of this film incorporated with the phenomenal cinematography distinguish The Matrix from all other science-fiction films in which the main characters are on a race to save humanity. "The script, written by the Wachowski brothers is intelligent but carefully not geeky."2
Identify specific elements of a motion picture that film studios look for in a successful movie.
In my research I came upon an interesting trend in nearly every review for movies produced by Simpson and Bruckheimer. Most critics tend not to criticize their films for their merits (be it artistic or visceral), but instead critique the producers themselves.
The book that I read and the movie that I watched is Harry Potter and the Goblet of Fire. The book was written by the British author, J.K Rowling, and the movie was directed by the English director and producer, Mike Newell. The main characters are Harry Potter (portrayed by Daniel Radcliffe), Ron Weasley (Rupert Grint), and Hermione Granger (Emma Watson). The book was first released in the United States of America and the United Kingdom on July 8, 2000 . The movie had its premiere in London on November 6, 2005. It is classified as a mystery/fantasy genre for both the movie and the book. The story starts with Harry returning to Hogwarts for his fourth year, where the Triwizard tournament between the three well-known schools of magic, Hogwarts, Beauxbatons, and Durmstrang, is about to begin, wherein 1 champion aged 17 and above,
Originating from a 1905 novel written by Frances Hodgson Burnett, A Little Princess was first released in the United States in 1995 (Barnes & Noble). Richard LaGravenese and Elizabeth Chandler created this classic screenplay. Alfonso Cuarón, winner of The New Generation award at the Los Angeles Film Critics Association Awards, directed this film (IMDb). Family drama and fantasy is the genre. The main character is Sarah Crewe, followed by sub-characters Captain Crewe, Miss Minchin, Ermengarde, Lavinia and Becky (IMDb). Sarah is an intelligent, polished, motherless, wealthy child living in India with her father, Captain Crewe. Captain Crewe toke Sarah to a Victorian style boarding school in New York while he was away at war. Miss Minchin, the headmistress, takes a disliking to Sarah immediately, as does the school bully, Lavinia. Sarah immediately bonds with her classmate Ermengarde, an awkward, fat, rather dull gal and Becky, an obedient, colored and articulate servant girl. Most importantly the primary theme of A Little Princess is perseverance through social class changes. A Little Princess effectively represents the theme because Sarah’s spirit is not broken when she experiences jealousy, isolation, death of a loved one and poverty (Shmoop Editorial Team).
Before the civil rights movement could begin, a few courageous individuals had to guide the way. Dr. Vernon Johns was one of those individuals. Dr. Vernon Johns was a pastor and civil rights activist in the 1920s. Johns became the pastor of Dexter Avenue Baptist Church in Montgomery, Alabama in the late 1940s. During his time as a pastor, Johns preached many sermons on how African American people were being treated not only in the community but in society. Johns on multiple occasions upset his community through his ideas on social change. Through a sociologist perspective, many sociological concepts were displayed in The Vernon Johns Story. Some of those concepts included: ascribed status, conflict theory, deviant behavior, alienation, and
What components make a movie successful in cinema? Filmmakers have crafted a formula to successfully deliver the hero narrative. This formula consists of the hero’s journey and archetypes. Hero films typically follow a ten-step sequence to properly set up and execute the hero’s journey. These movies range from stories of transformations, searches, or a journey back home. Archetypes are used to employ character profile as well as add variety and depth to these stories. Ridley Scott directed Alien, in which Ellen Ripley embarks on a journey where she must survive an alien who is out on a murderous rampage and return back to Earth. Alien adds originality to its storyline by choosing a female lead instead of a male, but the film still incorporates the same heroic attributes that make a story successful. In this “going home journey” film, Scott is able to incorporate the hero’s journey and the official hero archetype towards the heroine Ellen Ripley.
These and other developments have led some to a common criticism that they are all special effects without the ability to tell a compelling story. Many newspaper reviews of the latest blockbusters are filled with statements that they contain impressive special effects but the film fails to tell a good story or unfortunately there are no interesting characters. Critics claim that digital special effects caused story telling standards to fall rapidly, mainly in big-budget blockbusters.
Dracula, the most famous vampire of all time, which readers were first introduced to by Irish author Bram Stoker in 1897 with his novel Dracula, which tells the story of the mysterious person named Count Dracula (Stoker). The book is an outstanding masterpiece of work, which is why it has been a prototype for various movie releases over the decades. Whenever a film director decides to make a movie on behalf of a novel the hope is that the characters concur from the novel to the movie, which leads to the exploration of the resemblances and modifications between the characters in Dracula the novel by Bram Stoker and Bram Stoker’s Dracula 1992 movie directed by Francis Ford Coppola.
In the history of movies, there are great movies that come out. Then, filmmakers try to recreate the brilliance of that movie with a sequel, sometimes many sequels. All to make more money with something that is familiar to everyone. It very rarely works as well a second or third time around. Because the films usually completely dumb down the first movie 's premise and drop the important parts, in favor of something a lot simpler. In some cases, there are some exceptions; sometimes the sequel is better than the original. This is my list of the top ten great movies with bad sequels. I hope you enjoy reading this list.
Launching a creation in the opportune moment can make or break the movie. This argument has been discussed and analyzed by numerous authors. Getting the moment right is every production firm’s aim to maximize on revenues. Disney has produced many films, some major successes and others a total failure. A film that suffered from poor moments of release albeit being a good production was The Lone Ranger. The film featuring Jonny Depp and Gore Verbinski was supposed to be a hit. It relied on the premise that the similarities in characters portrayed by Johnny Depp in the Pirates and The Lone Ranger would appeal to the audience. This was not the case. The Pirates moment was over and forgotten therefore leaning on that success was fallacious. Disney knows all too well that the right moment count, but this is a business out there to make money and be successful. This is why some of their major movie flops in the box office may seem influenced by timing among other factors but they still manage to plough in profits. This is discussed in detail by (Sahagian para 1-4)
Movies are everywhere. They are a part of everyone’s life. Think about it, how many movies do you
This essay will seek to outline my findings on movie and theatre by looking at still image and moving image. I will discuss the relationship between cinema and film, and also compare some works of artists in order to answer the question which how might photography be contextualized as image on the threshold of still and moving – as an object incorporating the temporal and the narrative, the writing of history, or the presentation of documentation as record.
Equally, the film’s visual effects are stunning without being overwhelming or redundant. We do not see action sequences repeated from the first movie but fresh new twists that appear as visual candy. Many sequels simply mirror their predecessor in hopes of striking gold twice, only to fall short. Not so with X2. The filmmakers have taken what was essentially a good movie and built on its foundation to create a second movie, which is not just a flat reflection of the first, but a movie which can stand on its own.
First of all, I would like to go over my expectations of movies in the future: