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A brief history of the film industry
A brief history of the film industry
History of movie making essay
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The Culture of Hollywood Overview A new edition to the course lineup, this week's film classic, Sunset Boulevard. This film will focus on the culture and environment of the Hollywood studio system that produces the kind of motion pictures that the whole world recognizes as "Hollywood movies." There have been many movies from the silent era to the present that either glamorize or vilify the culture of Hollywood, typically focusing on the celebrities (both in front of and behind the camera) who populate the "dream factories" of Hollywood. But we cannot completely understand the culture of Hollywood unless we recognize that motion pictures are big business as well as entertainment, and that Hollywood necessarily includes both creative and commercial …show more content…
interests, which are sometimes in direct conflict with one another. One of the first film to address both sides of the culture of Hollywood is Sunset Boulevard (1950), directed by Billy Wilder and starring Gloria Swanson and William Holden. Sunset Boulevard is a commentary on Hollywood of the past (silent film) meets Hollywood of the future (sound filmmaking). The main character Norma Desmond represents a dark iconic figure of silent films eager for continued recognition in Hollywood. Director Billy Wilder's take on Hollywood, himself a former journalist and screenwriter, draws controversy in his depiction of Hollywood as he illustrates his sympathy for actors who failed to make the transition to sound filmmaking while simultaneously shredding the myth of the “magic of the movies” sparkle that the industry wanted to preserve. Sunset Boulevard is a Hollywood film about Hollywood. The film’s visual form takes on the style of film noir. Film noir is considered an aesthetic movement and often described as a genre, includes heavily shadowy, low-key lighting, wide-angle lenses, a femme fatale and a complex narrative structure, characterized by flashbacks and/or complex sequences of events. In addition, Sunset Boulevard uses first-person narration which reminds us that the story is told from the perspective of Joe Gillis’ relationship with Norma Desmond. The structure constantly reminds us through the use of voiceover that we have a mystery to solve. This early film also switches the dominant sexual role from male, as often seen in Hollywood films to Norma Desmond as she latches on to screenwriter, Joe Gillis, the man destined to revive her and her acting career. Sunset Boulevard is a great reflection on the economic value of Hollywood, the artistry of Hollywood and the actors, writers, directors and producers who define it. While screening Sunset Boulevard, reflect on some of the most famous one-liners, and how they may inform the culture of Hollywood then and now: "I am big, it’s the pictures that got small.” Norma Desmond (culture) “Audiences don't know somebody sits down and writes a picture; they think the actors make it up as they go along.” Joe Gillis (screenwriters) “We didn't need dialogue.
We had faces!” Norma Desmond (acting) Learning Outcomes After completing this lesson you should be able to: • Access online film reviews and critiques. • Recognize that the "Culture of Hollywood" is based on motion pictures as big business as well as entertainment. • Describe some ways in which business values and artistic values in Hollywood contend with one another. • Identify specific elements of a motion picture that film studios look for in a successful movie. • Use the Film Glossary to learn the meaning of cinematic terms and to use them appropriately in discussions about movies. • Analyze a film shot or scene to explain how filmmakers use cinematic techniques to tell a story, develop characters, create atmosphere, and evoke emotions. • Write the introductory paragraph for an analytical essay that includes a well-defined thesis statement. Readings • Read the online reviews and essays of Sunset Boulevard attached as MATERIALS on this session's Timeline. …show more content…
Screenings Sunset Boulevard. Dir. Billy Wilder, 1950. Discussion Questions DQ1: Comment on the overall tone, dialogue and characters portrayed in the film. What attitudes do they express toward Hollywood and the movie industry? What about the film caused actors and screenwriters to admire it greatly and studio executives to hate it? DQ2: The silent era of Hollywood filmmaking had only been over for about 25 years when Sunset Boulevard was made. Gloria Swanson had actually been a silent film superstar, although she retired from the screen voluntarily after making several sound films. Erich von Stroheim, who plays her butler, had actually been one of the greatest and most temperamental (as well as controversial) actor-directors of the 1920s, and was forced to turn strictly to acting after much-publicized extravagance on his productions and personality conflicts with his stars and producers. The movie they screen in her mansion was actually a never-completed epic he directed her in, and its disaster helped to end his directing career. How does knowing this information affect your reaction to the story of Sunset Boulevard? How do you think it affected viewers at the time (especially Hollywood personnel) who could still remember their earlier careers? DQ3: If you had to pinpoint the specific moment when Norma loses her grip on reality, when would it be? DQ4: Joe Gillis and Max, the butler, contribute to the web of lies that ultimately cause Norma’s downfall. How could they have avoided the tragic ending of the picture? At what point in the film is there no turning back? Assignment Write the introductory paragraph for an essay on the following topic: How does Billy Wilder’s Sunset Boulevard comment on the culture of Hollywood? (What does the film say about the people who want to be successful in Hollywood?) You do not have to write the entire essay, only the first paragraph. But this paragraph must set up the essay effectively and include a thoughtful, well-defined thesis statement that takes an arguable position on the question posed. The thesis statement must be detailed and specific enough to serve as a blueprint for the body of the essay. An empty generalization like the following is not an acceptable thesis: "Billy Wilder’s Sunset Boulevard provides a controversial observation of Hollywood movies and stardom." This statement needs to be fleshed out by defining more specifically what "controversial observation" means.
One way to do this is to mind map and then list or itemize several specific comments that Sunset Boulevard makes on Hollywood. For example: "Sunset Boulevard reveals the complexity of the movie business by dramatizing how important X, Y, and Z are to the movies that Hollywood creates." X, Y, and Z would then be developed in more depth in the body of the paper. You could also use the film technique, style and/or dialogue to talk more specifically to Wilder’s intent in storytelling. Or, balance comparisons in your explanations, sample ideas could be based on failure and success, or opportunity and
exploitation. What is important is that your thesis statement take a position on the essay question that can be explained, illustrated, and argued in the body of the paper. Read about thesis statements in an English grammar handbook if you would like more examples and explanations, or view the uploaded pdf taken from Writing About Movies, W.W. Norton & Company, 3rd edition, October 2012. When you have written your introductory paragraph for this assignment, post it as an ASSIGNMENT to the instructor. Due Monday, September 21. Writing a well-focused thesis statement for the essays assigned in this class is the single best thing you can do to get good grades on these papers!
Sunset Boulevard directed by Billy Wilder in 1950 is based on how Norma Desmond, a huge Hollywood star, deals with her fall from fame. The film explores the fantasy world in which Norma is living in and the complex relationship between her and small time writer Joe Gillis, which leads to his death. Sunset Boulevard is seen as lifting the ‘face’ of the Hollywood Studio System to reveal the truth behind the organisation. During the time the film was released in the 1950s and 60s, audiences started to see the demise of Hollywood as cinema going began to decline and the fierce competition of television almost proved too much for the well established system. Throughout this essay I will discuss how Sunset Boulevard represents the Hollywood Studio System, as well as exploring post war literature giving reasons as to why the system began to crumble.
Hollywood is not simply a point on a map; it is a representation of the human experience. As with any other location, though, Hollywood’s history can be traced and analyzed up to present day. In 1887, Harvey Henderson Wilcox established a 120-acre ranch in an area northwest of Los Angeles, naming it “Hollywood” (Basinger 15). From then on, Hollywood grew from one man’s family to over 5,000 people in 1910. By then, residents around the ranch incorporated it as a municipality, using the name Hollywood for their village. While they voted to become part of the Los Angeles district, their village was also attracting motion-picture companies drawn in by the diverse geography of the mountains and oceanside (15). The Los Angeles area continues to flourish, now containing over nine million people, an overwhelming statistic compared to Wilcox’s original, family unit (U.S. Census Bureau 1). However, these facts only s...
“There once was a time in this business when I had the eyes of the whole world! But that wasn't good enough for them, oh no! They had to have the ears of the whole world too. So they opened their big mouths and out came talk. Talk! TALK!” (Sunset Boulevard). The film Sunset Boulevard directed by Billy Wilder focuses on a struggling screen writer who is hired to rewrite a silent film star’s script leading to a dysfunctional and fatal relationship. Sunset Boulevard is heavily influenced by the history of cinema starting from the 1930s to 1950 when the film was released.
Film noir, by translation alone, means dark film, and by that measurement Sunset Boulevard certainly fits the genre. A gloomy story that follows a jaded and sarcastic protagonist, Joe Gillis from his initial dire circumstances to his untimely death, Sunset Blvd. earns the description “dark” several times over. But there is more to film noir than crushingly depressing plotlines. There are common motifs and icons that are found in most film noirs, such as crime, dark alleys, guns and alcohol. Deeper than this, film noir features certain visual elements, character archetypes, and themes that create a unique style of film. Although some have argued that Sunset Blvd. fails to represent some of these elements, it has become known as one of the most iconic film noirs ever made. Sunset Boulevard (1950), written and directed by Billy Wilder exemplifies the film noir style through its use of visual elements (lighting, shots and angles), memorable characters, themes and overall structure of the film.
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
‘12 years a Slave, award winning film director Steve McQueen associates making a film to, "writing a novel – you're telling a story. " This message is powerful and defines the true purpose of filmmaking that is, ‘to tell a story.’(Victorino) Hollywood has capitalized on the aspect of visual storytelling first introduced in 1985 by the Lumiere brothers with their first movie ever made for projection -- Workers Leaving the Lumiere Factory. They (Hollywood), then designed a Studio System called Classic Hollywood Cinema to Finance, Organize, Produce, Market, Distribute, and Exhibit movies for financial gain while entertaining movie goers. This term was coined by David Bordwell, Janet Staiger and Kristin Thompson to define Hollywood’s film making during the period of 1913 to 1960. From the D.W. Griffith successful 1913 first movie ever shot in Hollywood, ‘In Old California’, to the James Cameron’s 2009 movie Avatar grossing over 760 million in the box office, this process continues to be effective and lives on today.
Sterritt, David. “HOLLYWOOD'S HOLOCAUST”. Tikkun 24.3 (2009): 60-62. Literary Reference Center. Web. 10 Oct. 2013.
In Hollywood today, most films can be categorized according to the genre system. There are action films, horror flicks, Westerns, comedies and the likes. On a broader scope, films are often separated into two categories: Hollywood films, and independent or foreign ‘art house’ films. Yet, this outlook, albeit superficial, was how many viewed films. Celebrity-packed blockbusters filled with action and drama, with the use of seamless top-of-the-line digital editing and special effects were considered ‘Hollywood films’. Films where unconventional themes like existentialism or paranoia, often with excessive violence or sex or a combination of both, with obvious attempts to displace its audiences from the film were often attributed with the generic label of ‘foreign’ or ‘art house’ cinema.
A set of practices concerning the narrative structure compose the classical Hollywood Paradigm. These conventions create a plot centering around a character who undergoes a journey in an attempt to achieve some type of goal (). By giving the central character more time on screen, the film helps the audience to not only understand the character’s motivation but also empathize with his/her emotional state. Additionally, some antagonistic force creates conflict with the main character, preventing immediate success(). Finally, after confronting the antagonist, the main character achieves his or her goal along with growing emotionally(). This proven structure creates a linear and relatively easily followed series of events encompassing the leading character and a goal.
Sunset Boulevard (Wilder 1950) explores the intermingling of public and private realms, puncturing the illusion of the former and unveiling the grim and often disturbing reality of the latter. By delving into the personal delusions of its characters and showing the devastation caused by disrupting those fantasies, the film provides not only a commentary on the industry of which it is a product but also a shared anxiety about the corrupting influence of external perception. Narrated by a dead man, centering on a recluse tortured by her own former stardom, and concerning a once-promising director who refuses to believe his greatest star could ever be forgotten, the work dissects a multitude of illusory folds to reveal an ultimately undesirable truth. Its fundamental conflict lies in the compartmentalization that allows the downtrodden to hope and carry on. Sunset Boulevard carefully considers the intricate honeycombs of dishonesty and deception that constitute a human life, then dissolves the barriers and watches the emotions, lies, and self-contradictions slurry together and react in often volatile and destructive ways.
In this essay the following will be discussed; the change from the age of classical Hollywood film making to the new Hollywood era, the influence of European film making in American films from Martin Scorsese and how the film Taxi Driver shows the innovative and fresh techniques of this ‘New Hollywood Cinema’.
The film capital of the world, Los Angeles, and screenwriting courses at UCLA beckoned, which led to directing and producing numerous films at USC’s School of Cinematic Arts where I studied film production, business finance, and of course, pre-law. Accomplishments of merit included a spec television pilot, feature films and a much lauded USC MFA thesis documentary selected and screened at the prestigious Festival de Cannes. On the eve of my eighteenth year, my reality had already surpassed reasonable expectations, but in my heart, I felt unsatisfied. There was still another passion yet unfulfilled, another world yet to
Provide a paragraph ONLY summarizing your understanding of the film. In this summary, address the main theme or idea of the film as well as any underlying themes that are conveyed during the production. In other words, what primary message was conveyed to the audience IN YOUR OWN WORDS via the production of this film? (Note – I have seen all of these films – thus, this section should be one paragraph only – the majority of your critique should include your responses to Items 3 & 4).
Barsam, R. M., Monahan, D., & Gocsik, K. M. (2012). Looking at movies: an introduction to film (4th ed.). New York: W.W. Norton & Co..
During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that, examining post classical at which time the relationship between them will become evident. It is my intention to reference films from both movements and also published texts relative to the subject matter. In order to illustrate the structures involved I will be writing about the subjects of genre and genre transformation, the representation of gender, postmodernism and the relationship between style, form and content.