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Talk shows are becoming increasingly popular and widespread forms of entertainment, however the underlying premise behind these shows which was originally the idea of empowering individuals and allowing them to share their experiences, has been replaced by a focus on celebrity figures and largely insignificant matters of public interest. The Ellen Degeneres show is a contemporary talk show which although does include therapeutic narratives of disadvantaged individuals including Ellen’s own struggle with discrimination, is mainly comprised of the disclosing of intimate details of celebrity lives. Through her use of humour in dealing with issues of a more serious nature, Ellen provides social commentary which effectively reaches a wide audience and has the potential to incite debate regarding certain social issues. However, it has been suggested that talk shows, in particular the Ellen Degeneres show, do not bring about substantive political or social change due to their narrow focus on the individual experience rather than the larger social issues which cause this type of behaviour. Therefore, although the Ellen Degeneres show may appear to be reworking dominant ideologies held by society, which often discriminate against minorities such as gays and lesbians, this merely distracts the public from the fact that the show is inadvertently reinforcing these ideas through it’s target audience and the limited way in which these issues are dealt with.
Conventional talk shows comprise of individuals who have been victimised or suffered a significant misfortune discussing the impact an event has had over their life and beginning to overcome the traumatic experience, however, the Ellen Degeneres show does not predominantly follow this form...
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...urnal of Lesbian and Gay Studies, 7(4), pp. 593-620
Meyer, D. S., & Gamson, J 1995, “The Challenge of Cultural Elites: Celebrities and Social Movements”, Sociological Inquiry, 65(2), pp. 181-206
Pennebaker, J. W. 2000, “Telling Stories: The Health Benefits of Narrative”, Literature and Medicine, 19(1), pp. 3-18
Skerski, J 2007, “From Prime-time to Daytime: The Domestication of Ellen Degeneres”, Communication and Critical/Cultural Studies, 4(4), pp. 363-381
TheEllenShow, “Kristen Bell on Her Wedding and Her Daughter”, Video Clip, YouTube, November 25, 2013, https://www.youtube.com/watch?v=2qWxAr8i1Vs
TheEllenShow, “Darren Criss Sings for Ellen”, Video Clip, YouTube, Feburary 2, 2011, https://www.youtube.com/watch?v=649k4tPv8bI
TheEllenShow, “Jesse Tyler Ferguson’s Engagement Upset!”, Video Clip, YouTube, November 20, 2012, https://www.youtube.com.watch?v=fGmp_YoWLIQ
At one point Ellen DeGeneres got kicked off of a talk show, but it wasn’t for her performance, it was because she came out as lesbian and the talk show did not accept that. But instead of giving up, Ellen decided to take her career in her own hands by doing that she raised to fame years later. But how did she come from being at rock bottom to an inspiration to so many? It was a journey but in order to inspire, Ellen persuaded the audience to stay true to themselves by using pathos and ethos.
Storytelling’s impact on people who use it has been life saving in certain cases. By asserting the existence of different perspectives, writers get to suppress their own opinions in order to sympathize with others. (insert thing about meta-fiction) With this idea in mind, author Kate Taylor wrote the novel Serial Monogamy, a meta-fiction of a writer recalling the story of her husband’s affair and her deal with terminal breast cancer, all through her telling of Dickens’ secret life and tales of the Arabian Nights. In Serial Monogamy, storytelling makes people more understanding as they explore new perspectives.
Scott, K., & Debrew, J. (2009). Helping older adults find meaning and purpose through storytelling. Journal Of Gerontological Nursing, 35(12), 38-43. doi:10.3928/00989134-20091103-03
Center stage in Kaye Gibbons’ inspiring bildungsroman, Ellen Foster, is the spunky heroine Ellen Foster. At the start of the novel, Ellen is a fiery nine-year old girl. Her whole life, especially the three years depicted in Ellen Foster, Ellen is exposed to death, neglect, hunger and emotional and physical abuse. Despite the atrocities surrounding her, Ellen asks for nothing more than to find a “new mama” to love her. She avoids facing the harsh reality of strangers and her own family’s cruelty towards her by using different forms of escapism. Thrice Ellen is exposed to death (Gibbons 27). Each time, Ellen has a conversation with a magician to cope with the trauma (Gibbons 22-145). Many times Ellen’s actions and words cause it to be difficult to tell that she is still a child. However, in order to distract herself, Ellen will play meaningful games (Gibbons 26). These games become a fulcrum for Ellen’s inner child to express itself. Frequently, Ellen will lapse into a daydream (Gibbons 67). Usually, these daydreams are meant to protect herself from the harsh reality around her. Ellen Foster’s unique use of escapism resounds as the theme of Kaye Gibbon’s Ellen Foster.
In the story Ellen Foster, Ellen was a great example of a dynamic character. Ellen had a very tough life. Ellen’s life was like a rollercoaster going up and down dramatically not knowing what was going to happen next. Ellen was a racist child at the beginning but changes her opinion after going through many challenges throughout the story.
Marshall P. David (1997). Celebrity Power; Fame in Contemporary Culture. May 16, 2010. Electronically retrieved from
Kaye Gibbons, the author of the novel Ellen Foster, believes that a quote from the Emerson’s “Self Reliance” is connected with Ellen’s struggle to survive and find her way in the world. The first line of this quote says, “Cast the bantling on the rocks” is related to Ellen herself. A bantling is an abandoned child. Ellen is a bantling even though she was not abandoned, she was deprived of a normal childhood. Her life as a child was extremely hard, physically and emotionally. She never had a mother or father take care of her through her entire youth. You could say that her childhood was “cast on the rocks”. The last line reads, “Power and speed be hands and feet”. This reminds me of how Ellen ran from her problems at home and stayed away from her house as much as possible. The line also represents strength and Ellen was a strong person. She dealt with losing a mother, father and grandmother within one year. She never even had a good relationship with her father or grandmother. The short inscription to “Self Reliance” is almost a short summary of Ellen’s character. In it, a child without parents is raised by someone that is a lot different than she is. After Ellen’s mother died, she is unwillingly left with her alcoholic father who mistreats her. Ellen spent a lot of time at her friend, Starletta’s house and at the house of her grandmother. Life with her grandmother was no better than life with her father. She did not want to be in either situation. After living with her grandmother, Ellen’s struggle to find a suitable, comforting home comes to an end. For the second time in her life, a family member has died right next to her, basically in her arms. Ellen is able to overcome this, even as a
At the age of ten, most children are dependent on their parents for everything in their lives needing a great deal of attention and care. However, Ellen, the main character and protagonist of the novel Ellen Foster, exemplifies a substantial amount of independence and mature, rational thought as a ten-year-old girl. The recent death of her mother sends her on a quest for the ideal family, or anywhere her father, who had shown apathy to both she and her fragile mother, was not. Kaye Gibbons’ use of simple diction, unmarked dialogue, and a unique story structure in her first novel, Ellen Foster, allows the reader to explore the emotions and thoughts of this heroic, ten-year-old girl modeled after Gibbons’ own experiences as a young girl.
Within the 1990s there is a persistent problem of Gay culture. Early in the 1990s it was hard to come out and let the world know that you are gay. Within the early 1990s The Wedding Banquet (1993), although it approached the issue of Wei-Tung Gao trying to tell his parents that he is gay and still accepting as who he is. Contrastingly within the late 1990s it becomes more acceptable to society by having celebrities coming out like Ellen Degeneres during her tv show Ellen. The two kinds of media contrast as a form of whether or not to come out as a gay or not during a time when AIDs was prominent and new.
1. What would you advise Ellen to do and why? What should be her objectives? Are there objectives and actions consistent with what you would do if you were in her situation?
Ellen changed a lot, grew up, and had a new personality. She faced her fears, learned to stand up for herself, and got out of her comfort zone. She experenced many things on her journey. Some things she experenced were bad and some were good. Ellen had an amazing journey and learned many thing.
During Ellen Page’s speech at the Time to Thrive convention she spoke to an audience of people like her. These audience members including young adults were the focus of her speech. During Page’s speech, she came out as a lesbian. She discussed how concealing her identity has been a struggle throughout the years. She hoped coming out would help other with their own struggles about sexuality and life while she stated that her credibility might be questionable. She still felt the need to tell her stories about triumphing over hard times. Paige felt that this may resonate with her audience. She presents herself as an ally to the audience by connecting to them through her personal experiences. The purpose of Paige’s speech is to support organizations promoting the lesbian, gay, bisexual, and transgender
Croteau, D., Hoynes, W., & Milan, S. (2012). Media/society (4th ed.). Thousand Oaks, CA: Sage.
There was once a time when there were more simplistic views on life; where truth and justice prevailed above all and the main concerns of society were much more primitive. However, those times have long vanished and have now been strategically replaced by the commodity that celebrity culture fully encompasses. Guy Debord writes in The Society of the Spectacle, that the “spectacle is not a collection of images, but a social relation amongst people, mediated by images” (Debord, 4). By this, he simply means that the spectacle is constructed by the daily images devised by celebrities, reality television, and pseudo-events. And those images have altered and strongly influenced the way people perceive themselves and others, as well as the social
McAdams, D.P. (2001). The psychology of life stories. Review of general psychology, 5 (2), 100.