The “sane” brother is aware of the cannibalism that is happening in the village, and he falls victim to returning back to traditional feudal Chinese life in which the weak elite devour the serfs, cannibalism. The “insane” brother struggles against the societal norms of the village and tries to use his education to arouse the people from their slumber. The town society is destroying people’s lives, and it becomes clear that our “madman” is not really a madman, but a revolutionary who is desperately trying to get people to understand his discovered truth. In this case, it is the villagers and the brother who are truly mad. “Diary of a madman” is an important story because of the way that Lu Xun depicts revolution. He does not depict it through …show more content…
The sick boy’s grave has blue flowers that were placed there by his family, along with the traditional offerings that his mother brought to share with him. On the other side of the sick boy’s grave, the mother of the revolutionary is visiting his grave, bringing also with her traditional offerings, however the flowers on the revolutionaries grave are different from those on the sick boy’s. The revolutionary has bright red flowers, ones that are not native to this town. This is a pressing detail because it is another glimpse into Lu Xun’s hope for the future. It supplies us gently with an important and inspiring message. Only the sick boy’s family is going to remember him in death through traditional practices; however in the case of the revolutionary, he will be remembered by his brother and sister revolutionaries. Even though this young revolutionary has perished, his fight will continue to live on and he will be remembered by those he fought beside, not just by his family. In these two stories, Lu Xun addresses the difficulties in carrying out and committing oneself to the revolutionary cause and the constant struggle between traditional China and the newly emerging Western educated youth. Being able to step up and answer the call to revolution could mean facing character assassination, as depicted through the madman in “Diary of a madman”, ostracization, and possibly even death
“The Death of Woman Wang”, written by Chinese historian Jonathan Spence, is a book recounting the harsh realities facing citizens of Tancheng country, Shandong Province, Qing controlled China in the late 17th century. Using various primary sources, Spence describes some of the hardships and sorrow that the people of Tancheng faced. From natural disasters, poor leadership, banditry, and invasions, the citizens of Tancheng struggled to survive in a devastated and changing world around them. On its own, “Woman Wang” is an insightful snapshot of one of the worst-off counties in imperial Qing China, however when taking a step back and weaving in an understanding of long held Chinese traditions, there is a greater understanding what happened in
The Cultural Revolution in China was led by Mao Zedong, due to this Liang and many others faced overwhelming obstacles in many aspects of their life such as work, family and everyday encounters, if affected everyone’s families life and education, Liang lets us experience his everyday struggles during this era, where the government determined almost every aspect of life. The beginning of the book starts out with Liang’s typical life, which seems normal, he has a family which consists of three children, two older sisters and him the youngest, his two sister’s reside in Changsha 1. his father has an everyday occupation working as a journalist at a local newspaper. Things start to take a turn early in life for Liang Heng, his family politics were always questioned, the mistake made by one of his family members would impact his entire family and it would be something they would have to suffer through, it was impossible for them to live down such a sin.... ...
It's 1996,and we're in Shanghai,China.Anguish and rage is in the air.Why?Because 1996 is when Chairman Mao launched the Cultural Revolution,when intelligence became a crime and a wealthy family background invited persecution' or worse.Ji-Li Jiang is 12-years-old.An outstanding student and leader in her school,she had everything a young girl could want:brains,ability,the admiration of her peers and a shining future in Chairman Mao's New China.Her life was perfect,but with the occurence of the Cultural Revolution,Ji-Li's world begins to crumble.She had an unfortunate situation,her family fell under one o...
“It was not easy to live in Shanghai” (Anyi 137). This line, echoed throughout Wang Anyi 's short piece “The Destination” is the glowing heartbeat of the story. A refrain filled with both longing and sadness, it hints at the many struggles faced by thousands upon thousands trying to get by in the city of Shanghai. One of these lost souls, the protagonist, Chen Xin, was one of the many youths taken from his family and sent to live the in the countryside during the Cultural Revolution. Ten years after the fact, Chen Xin views the repercussions of the Cultural Revolution internally and externally as he processes the changes that both he, and his hometown have over-gone in the past ten years. Devastatingly, he comes to the conclusion that there is no going back to the time of his childhood, and his fond memories of Shanghai exist solely in memory. This is in large part is due to the changes brought on by the Cultural Revolution. These effects of the Cultural Revolution are a central theme to the story; with repercussions seen on a cultural level, as well as a personal one.
In his poem, “Notes from the City of the Sun”, Bei Dao utilizes obscure imagery consistent with the Misty Poets and veiled political references to illustrate the struggles in Chinese society during the Cultural Revolution. The poem is sectioned into fourteen short stanzas containing imagery that are symbolic of the cultural hegemony in China under the rule of Mao Zedong. Bei Dao, born Zhao Zhen-kai, is an anti-revolutionary poet and one of the founders of a group known as the Misty Poets. The Misty Poets wrote poems that protested the Cultural Revolution led by Mao Zedong. Therefore, a lot of Bei Dao’s poems speak out against the Cultural Revolution and the restrictions that it placed on any form of art. Bei Dao’s poetry is categorized as “misty” because of the ambiguity in its references to Mao Zedong and the Cultural Revolution. An obscure imagery that occurs twice in “Notes” is the sun imagery. Another imagery that depicts the injustice of the Cultural Revolution is the description of freedom as scraps of paper. In the poem, Bei Dao also equates faith to sheep falling into a ditch; this is a depiction blind faith during the Cultural Revolution. The purpose of this essay is to analyze how Bei Dao’s use of the Misty Poet’s ambiguous imagery and implicit political context in the poem “Notes from the City of the Sun” to illustrate the cultural hegemony in China under Mao.
There is no better way to learn about China's communist revolution than to live it through the eyes of an innocent child whose experiences were based on the author's first-hand experience. Readers learn how every aspect of an individual's life was changed, mostly for the worst during this time. You will also learn why and how Chairman Mao launched the revolution initially, to maintain the communist system he worked hard to create in the 1950's. As the story of Ling unfolded, I realized how it boiled down to people's struggle for existence and survival during Mao's reign, and how lucky we are to have freedom and justice in the United States; values no one should ever take for
Teenager, an age of rebellions is offered the perfect opportunity: to falsely testify against their parents, and became the educable children of Chairman Mao. But for many, the choice is not easy. Specially for the kid from "black" family, similar to main character Jiang; they have to choose between siding with their family, consider a disgrace, going against Chairman Mao's idea, or to be an honorable red guard,and side with the communist party."' Why don't you stay home with him? In case...' 'I've thought about that.' She looked away from my face to the litter on the table. 'But we can't allow personal matters to interfere with revolutionary duties. Especially for an important political assignment like the exhibition.'"(205). That's the idea chairman Mao encouraged, and it clearly separate family from politics. From this other girl point of view, she valued her policies and belief overtook her love for her brother. The action of this girl makes a strong contract to Ji-Li, bother third action define who they are.
Chapter one, The Observers, in the Death of Woman Wang demonstrates the accuracy of the local historian; Feng K'o-ts'an, who compiled The Local History of T'an-ch'eng in 1673. The descriptive context of the Local History helps the reader to understand and literally penetrate into people's lives. The use of records of the earthquake of 1668, the White Lotus rising of 1622 and rebels rising vividly described by Feng the extent of suffering the people of T'an-ch'eng went through. Jonathan Spence stresses on how miserable the two-quarter of the seventeen-century were to the diminishing population of the county. The earthquake claimed the lives of nine thousand people, many others died in the White lotus rising, hunger, sickness and banditry. P'u Sung-ling's stories convey that after the loss of the wheat crops there were cases of cannibalism. On top of all of this came the slaughtering of the entire family lines by the bandits. The incredible records of women like Yao and Sun in the Local History present the reader the magnitude of savagery the bandits possessed. All of these factors led to the rise of suicides. The clarity of events Spence given to the reader is overwhelming.
Jealousy is an innate facet of humanity, an emotion universally felt during childhood. It is through this jealousy that we begin to resent the reality that we are given. In the article “Eat, Memory: Orange Crush,” Yiyun Li recalls how influential the western product “Tang” was during her childhood. Growing up, Li remembers a time where she was resentful of her lack of Tang, desiring the “Tangy” lifestyle which was symbolic of luxury and social status in China. Through the logos of Li’s father, Li’s appeal to pathos through her childhood experiences, and the disillusionment of Li’s utopian view of Tang, Li typifies the struggle a teenager undergoes as they grow up.
Jonathan Spence tells his readers of how Mao Zedong was a remarkable man to say the very least. He grew up a poor farm boy from a small rural town in Shaoshan, China. Mao was originally fated to be a farmer just as his father was. It was by chance that his young wife passed away and he was permitted to continue his education which he valued so greatly. Mao matured in a China that was undergoing a threat from foreign businesses and an unruly class of young people who wanted modernization. Throughout his school years and beyond Mao watched as the nation he lived in continued to change with the immense number of youth who began to westernize. Yet in classes he learned classical Chinese literature, poems, and history. Mao also attained a thorough knowledge of the modern and Western world. This great struggle between modern and classical Chinese is what can be attributed to most of the unrest in China during this time period. His education, determination and infectious personalit...
“Fan Jin Passes the Juren Examination” is a story written by Wu Jingxi, a failed scholar, that attempts to satirize the lofty ideals of the imperial examination. It tells the story of a fifty-year old man who has continually failed the examinations for thirty four years and has sought to pass the exams for all his life. Fan Jin exemplifies the struggle of every male in this era who has also devoted their lives in passing the examination in order to acquire an official title. This struggle is especially true for males coming from a humble background, like Fan Jin, and because the imperial examinations offer an opportunity of climbing up the steep and rigid social hierarchy of Chinese society, the mentality of bringing this glory to your family and yourself is romanticized. This glorification is with good reason too, because indeed the fruit of a scholar’s labor will taste so sweet. When Fan Jin passes the examinations, he is revered by his neighbours, villagers, and his whole family, including his father-in-law, Butcher Hu, who has always treated him with little respect. It is interesting to note that Butcher Hu changes his blunt attitude towards Fan Jin after learning that he passed. He went from treating Fan Jin like dirt to regarding him highly as “one of the stars in heaven” and hesitates to hit him unlike before. Other people around the village also show them their respect by offering him gifts. In conclusion, the story “Fan Jin Passes the Juren Examination” satirizes the struggle of pursuing scholars and the glorification of the rewards that come with passing the imperial
Ye and Ma’s movement of “up to the mountains, down to the countryside” represented a unique reeducation where Ma was sent to a state farm in Yunnan and Ye went the other route to visit the village Shanxi. Ma became a cook and was determined to reform herself into the “iron girl” ideal and prove, “whatever men comrades can do, women comrades can do too”. This ideal forced Ma to rid herself of what distinguished her from her male comrades and hid these natural female tendencies for the higher purpose of unity which was reinforced by the CCP’s Communist ideology. Ye favored a relaxed environment and found that in the peasant village of Shanxi where the “higher a man’s generation the more respect he would get”. This idea directly conflicted with the urban party belief that your position in the party was related to your family’s background. Tradition was tightly held in the rural area of Ye’s reeducation and haunted Ye forcing her to realize just how backwards the rural area was compared to her urban society of downtown Beijing. Villagers had a lackluster belief in the communist practices who felt they hadn’t gained much under the new regime but continued their frail life as they lacked the tools to educate themselves otherwise.
...ear and listen. That’s why most of the Chinese youth were inspired to join the army due to the books that were sold and the song that was written just for the Red Guards army. The book’s name is “Little Red Book.” The song’s name is “Red Guard Song.” For the members, the “Red Guard Song” reminds them of their purpose of why they joined the Red Guards. To add on, two young women had wrote their own memoirs to explain what their life was when the Cultural Revolution was happening and how their life was changed when they joined the Red Guards and started to rebel against their parents and their own teachers. As they grew older, they soon realized that everything that they’ve been doing the whole entire time was wrong and regret joining the Red Guards. They realize that all these time, they were killing innocent people that clearly was doing nothing to harm the country.
... cannot be shared in the legal Chinese media. Moreover, despite the repeated refusal of the label “political poet,” political reading of his work remain an exasperating continual practice and fortunately for him, he cannot avoid being read by his Chinese readers against the social context of coeval China.
In The Cowshed, Ji Xianlin provides a recollection of the Cultural Revolution that is both similar and dissimilar to other memoirs. As a professor at Peking University, Ji Xianlin was one of many intellectuals and academics that were targeted by the Red Guards. His description of his experiences of struggle sessions or reform through labor in The Cowshed was not unlike those faced by his peers. Instead of presenting his experiences in anger, Ji Xianlin presents his experience of the Cultural Revolution from the perspective of someone who deserved punishment, not a victim. Moreover, despite everything he experienced, Ji Xianlin remained a loyal supporter of the Communist Party.