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Ancient greece question and answer
Ancient civilization comparison
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For the three, lengthy videos for this assignment, I learned more on the history of art in other cultures. In the first video, I was displayed the different forms of art from the Aegeans as it was compared to other civilizations. The Aegeans experienced their Bronze age which lasted from 3000-1200 BCE. Three European cultures emerged at the same time in the Aegean region: Cycladic, Minoan, and Mycenaean. The Aegean people were farmers and herders. They were also master traders who traded with Egypt and parts of the middle East. The first art pieces compared in the video were paintings of a woman. The left was an Egyptian painting from 1300 BC while the right was a Minoan painting from 1400 BC. The two paintings are fairly similar as they are
Throughout the history of Ancient Greece thousands of great works of art were produced. Works were created in many different media, ranging from life-size statues to larger than life architectural structures. One type of art that can sometimes be overlooked, though, is pottery. There are many examples of great Greek pottery, but the two that will be used as a sample are Artemis Slaying Actaeon and Woman and Maid. By considering the backgrounds of these works, and comparing them directly we are able get a taste not only of the artistic styles of the time, but also a taste of ancient Greek culture.
Greece is famously known world widely for its spectacular artworks. People are familiarized with its sculptures, paintings, and mosaics, but not many know how its art has been transforming from time to time. An explicit example would be the drastic changes from Aphrodite of Knidos to The Old Market Woman.
The two cities, Tiryns and Mycenae, were both built in the Mycenaean Period, and became the two greatest cities of Mycenaean Greece. They became cultural epicentres for the Greeks because of the beautiful architecture and temples. The two cities lay very close to each other, not more than twenty kilometres away on the Argolid Plain in the North East of the Peloponnese. Tiryns lay on top of a hill, over looking the marshy Plain of Argolis and was situated three miles from the sea. This allowed Tiryns to have good farming, good trade, from the sea and road as the Argolid was a key trade route and an easily defendable city. Mycenae also lay on top of a naturally defendable hill, over looking a fresh water supply. To both sides of the city, lay large mountains, providing more fortifications for the city. Both cities' walls were surrounded by fertile soil suitable for farming, with good irrigation because of the slopes. The geographical specifics of the two cities are very alike, allowing both cities to become very prosperous through farming and trade. This is what allowed the two cities to develop into the two greatest cities of Mycenaean times.
In conclusion, although Mycerinus and Kha-merer-nebty II and Augustus of Primaporta, do appear very different, come from entirely different geographic regions and were separated by thousands of years, they do have many things in common. When we consider subject, style, and function; perhaps other works of art have more in common than they appear to have.
As the name suggests the Bronze Age is a period of human culture, in which civilizations heavily used copper and bronze for various aspects of life and trading. The beginning of the Bronze Age is estimated to date before 3000 BCE in parts of Med. Europe, Middle East and China. Knossos and Mycenae are both archeological sites, and date back to the Bronze Age. Knossos was the capital of the ancient Minoan civilization; located on the island of Crete. Mycenae was a massive fortified palace, located between two hills on the plain of the Peloponnese, Greece.
Greek art is considered as a turning point for the development of all aspects of cultural art history, such as architecture, sculpture, pottery and painting. The ancient Greek civilization was famous for its mythical and aesthetic principle in the art culture. Renowned for the pottery, Greek had developed its unique painting technique called the black-figured. “Achilles and Ajax playing Dice” by Exekias is the most significant black-figure amphora for its iconography and that represents the ideal art principle and history of the ancient Greece.
The Cosmopolitan Middle East consists of both Mesopotamia and Egypt, but when Mesopotamia was split into two zones, Babylonia conquered the south, while Assyria conquered the north. The Hittites, one of the states that came to Mesopotamia, they made good use of the copper, silver, and iron, to increase commerce with other states. The Hyksos, a strong foreign group who had lot of strength and intelligence, took over the kingdom of Egypt and changed Egypt into an aggressive state. But it was also a time of change with many rulers who held the throne of New Kingdom Egypt, such as Hatshepsut, Akhenaten, and Ramesses II. Traveling and communication were necessities in international trading because metal was needed amongst different cities.
Archaeology and the Trojan War “. he [Heinrich Schliemann] found layers of ruins. and two bore unmistakable signs of violent destruction. One of these layers, the seventh according to more recent excavators, was no doubt the city of Priam and Hector. The historicity of the Homeric tale has been demonstrated archaeologically.”
...r. "Ancient Greece." Gardner's art through the ages the western perspective. 13th ed., Backpack ed. Boston, Mass.: Wadsworth Cengage Learning, 2010. 101, 123,129. Print.
Winckelmann like Vasari dealt greatly with the artistic problems concerning representation and imitation of nature including the need for the human beauty in a figure. However he also was interested in art criticism based in historical timelines and causes for the change and evolution of modern art. This greatly seen in this article not only in his thesis that great contemporary art is based in antiquity but also in his explanation for why the Greek art was so well done and why it has risen back into the hands of modern art. First, Greek work came back to contemporary society greatly by the monarch led by Titus who brought authentic work from Greek masters for his artists to learn from and imitate. He also discusses the correlation between the bodies, like that of the Theseus model, with the Greek lifestyle they lived based heavily on training for the Olympic games and the resemblance of youth’s bodies to godlike figures. Great masters of contemporary work use these same bodily model and ideal of beauty in their work. Winckelmann states that their present good taste is due to the fact that they, “partook of good taste at its source.” Overall the Greeks set up rules of art that could be imitated to capture nature and its ideal form of beauty, an idea that many sought to accomplish.
The trip to the metropolitan museum was a great trip to learn and to study art. What is art you may ask, well art is an expression you use to show a visual picture. It can be through painting or through sculptures. Some other example of art is music, literature and dancing. For today 's paper we will be talking about art as a sculpture. The two sculptures in this photo are King Sahure and a Nome God and Marble Statue of Dionysos leaning on archaistic female figure (Hope Dionysos). You can find these statues in the Metropolitan Museum of Art. King Sahure and a Nome God is an Egyptian art that was made in 2458-2446 BCE. The artist is unknown. It was during the 5th dynasty and it also belong to the old kingdom. The Marble statue of Dionysos Leaning in the archaistic female figure is a Greco-Roman art. Belonging to the Roman imperial period of the late first century A.D. Augustan or Julio-Claudian period 27 B.C., to 68 AD. It is classified as a stone sculpture and it is made out of marble. The height of the statues is 82 ¾ inches. There is no evidence who was the original artist.
One major area of debate surrounding the theory of Roman ‘copy’ of a Greek ‘original’ is the perception that Greek art is inherently superior. This view was first...
We find that, in conclusion, that these pieces are very similar in many ways. They are both originally created in the same style and time period. They are Hellenistic and dramatic, although in their own, individualistic way. Each sculpture was created in different mediums and have different stories. These are both very individualistic pieces of Greco/Roman sculpture that has influenced many artists throughout time and will
The second distinct period which originated in Corinth in 700 BCE and spanned one hundred years is now known as the Orientalizing period. This period gets its name from the introduction of Egyptian and Eastern influences on Greek pottery during this time. The impact of foreign styles lead to the introduction of the black-figure technique that has come to epitomize the era. In Black-figure painting, figures and ornaments were drawn in silhouette on the natural clay surface of the vase ...
Honour, Hugh, and John Fleming. "Hellenistic and Roman Art." A World History of Art. London: Laurence King, 1999. 179-213. Print.