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Importance of art
Why art is important in our life
Importance of art
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The trip to the metropolitan museum was a great trip to learn and to study art. What is art you may ask, well art is an expression you use to show a visual picture. It can be through painting or through sculptures. Some other example of art is music, literature and dancing. For today 's paper we will be talking about art as a sculpture. The two sculptures in this photo are King Sahure and a Nome God and Marble Statue of Dionysos leaning on archaistic female figure (Hope Dionysos). You can find these statues in the Metropolitan Museum of Art. King Sahure and a Nome God is an Egyptian art that was made in 2458-2446 BCE. The artist is unknown. It was during the 5th dynasty and it also belong to the old kingdom. The Marble statue of Dionysos Leaning in the archaistic female figure is a Greco-Roman art. Belonging to the Roman imperial period of the late first century A.D. Augustan or Julio-Claudian period 27 B.C., to 68 AD. It is classified as a stone sculpture and it is made out of marble. The height of the statues is 82 ¾ inches. There is no evidence who was the original artist.
Let’s begin with what was going on during the time period for each sculpture. During the 2458-2446 BCE. Userkaf was thriving over his brother Sahure, and he became the new ruler of Egypt. In the start of 2446 BCE, Neferirkare beings his dominant over Egypt. King Sahure and Nome God is a high relief it is still attached to a surface of a stone. The Pharaoh sitting on his thorn wearing a Nemes headdress (it is usually blue and gold striped), fake beard. The king has an emotionless facial expression. It was made for a decoration for the king pyramid complex. The symbol behind this statue could be the gathering of the Nome gods form Upper and Lower Egypt around t...
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...os because he is taller and that 's what caught my attention. Dionysos is also taking up more space than the female figure. The texture of this marble piece had a smooth finish even the intricate detail in the folds on Dionysos cloak and tunic is smoothly sculpted into soft, careful folds.
My reaction to the Marble statue of Dionysos leaning on an archaistic female figure was it looked amazing and I feel like I could have written more about it. I also felt like there more than one symbolic meaning behind it. The other symbolic meaning I see is that Dionysos is always watching the protecting the small figure. My reaction towards the statue of King Sahure and Nome God was that who was more important the king or the God. The reason I say that is because the king is more focused on that the God. I would think they will be equal, or that the god should be more focused on.
The emotion in the figures is also very different. In the archaic figure, the face contains emotion other than the archaic smile. The eyes are closed with no facial expression. The classical statue on the other hand does not have any facial expressions but has open eyes and no smile.
Carved from alabaster the over-life-sized statue shows a idealized depiction of ruler Khafre sitting eloquently in his throne. Riddled with indicative symbols and motifs the written language of the ancient Egyptians allows for historian to interoperate the meanings and purpose of the sculpture, and decipher the statements of divinity and the king power left behind by this ancient people. This funerary statue represents Khafre’s eternity a well as utilizing the expensive material as a testament of his importance and
The Egyptians had influenced Early Greek art for several years; it was during the time of war (Archaic Period) and art was not their top priority. Most of their sculptures were similar to those in Egypt and there was no sense of personal style. However, as peace was approaching, artists started to focus on how to make their work outstanding. They took advantage of their knowledge in anatomy and started applying it to their blocks of marbles. During the early Classical Period, Kritios Boy was sculpted, and it showed the break from the Egyptian style.
Both sculptures represent Mary holding the dead body of Jesus. According to our textbook, “This figure group represented a challenge for sculptors, because the body of the adult Christ had to be positioned across his mother’s lap,” (139). Both of the sculptures were created through carving. This is a “subtractive process in which a block of material is cut away to reveal the desired form,” (Carving).
The Egyptians created Ramesses’ statue 1279-1212 B.C. using granodiorite. The statue is currently being exhibited at the Museum of Fine Arts Houston. Its dimensions withouts a base are 59 3/4 x 23 1/2 x 30 inches (seems bigger than life-size). One must look at the statue from various sides in order to see its entirety. Ramesses II, known also as Ramesses the Great, ruled Egypt for over sixty years. there are thousands of statues made in his honor to proclaim his power and divinity.
The Statue of a kouros and the Portrait statue of a boy both depict similar subjects, however are greatly different in how they accomplish this task. Through detail, or lack there of, the Greeks and Romans are able to display a certain value they have in its members. These two statues were made about 500 years apart and approach the sculpting process quit differently. The Greek statue seems to use geometric exaggerated lines to form the body while the Romans use a more realistic approach and sculpt the body with a more rounded finish. Statue of a kouros, from about 590 B.C and Portrait of a boy, from about the first century, do not share any great technical aspects and are basically nothing alike.
In regards to subject matter, both pieces of sculpture are of leaders, Mycerinus and Kha-merer-nebty II were the pharaoh and queen of Egypt around 2500 BCE., and Caesar Augustus was the Emperor of Rome from September 23, 63 BCE to August 19, 14 CE., shown in this work as a general from Primaport, Italy.
The layout of the museum makes it very easy to find works of art from different time periods. Since I have always been fascinated with ancient Greece and Rome, I knew exactly where to start my search. The Indian Triumph of Dionysus is on display directly at the top of the staircase leading up to the second floor. It is surrounded by many other artifacts from ancient Greece and Rome. As your eyes move across the room, catching a glint of gold here and pearly white marble there, it’s very easy to become overwhelmed for a moment. As I reached the top of the stairs, it was evident that the staging of this magnificent piece was carefully planned. The staff of the museum undoubtedly wants this piece seen by each and every visitor. The exhibit itself is well done. If you stand directly in front of The Indian Triumph of Dionysus, everything around you seems to fade away and tunnel vision sets in. As I stood in front of The Indian Triumph of Dionysus, diligently taking notes since photos are not allowed, I experienced an extreme spiritual connection to the past. I tried to put myself into the shoes of the author. What was his purpose? What d...
Sculpture is a medium that artists in ancient Greek commonly used to express spoken truths in an unspoken form. Every piece of ancient Greek sculpture has more than what the eye sees to explain the story behind the [in this case] marble.
The statue of King Khafre Seated , from the fourth dynasty of the Old Kingdom, 2520 - 2492 BCE, was created by an unknown artist in the smooth permanence of graywacke stone. Although the statue is currently at the Metropolitan Museum of Art as number 56 in the Special Egyptian Exhibition, its true home is at the Egyptian Museum, in Cairo. The man being portrayed, King Khafre, ruled Egypt for approximately thirty years, during which he commissioned the single most recognizable monuments of Egypt, the a fore mentioned Pyramids at Giza and the Sphinx. These monuments of symmetry and solidity characterize the focus of popular architecture and sculpture from the Old Kingdom in Egypt.
This is a copy of the sculpture of Athena Parthenos, dressed in battle attire, that was originally created by Phidias during the period of 447-39 B.C. The statue of Athena Parthenos was to be constructed, not of bronze, but of gold and ivory. The face, arms, and feet of the statue were to be made of ivory and the clothing, of thickly plated gold. The statue was an enormous size that towered thirty-three feet tall. The costly nature of the materials out of which it was designed was intended to overwhelm the viewer, creating a sense of religious awe.
It depicts a ruler and a queen in their ideal youthful form. Menkaure is portrayed as a relatively ordinary person (only recognizable by the nemes and the false beard), being gently but firmly embraced by his significant other. Both the king and the queen are roughly the same size, and nothing in the statue demonstrates the king’s inclination to violence or his significant dominance over the queen. They are both shown to be taking a step forward – the queen taking a smaller step, and letting the king lead. Both figures are shown to have slight smiles on their faces, giving the sculpture even a greater sense of peace and
The statue can be seen wearing a head band that can be taken for a crown at that era or a symbol of royalty. He is seen adorning clothing that looks expensive and probably something that only the wealthy would have been able to afford at that time. He can also be seen sitting down with his feet not touching the ground which can also be a sign of leadership and accorded respect. The color of the statue is dark, it could have been brighter at the time of production and have darkened more over time but one cannot be so sure.
As you enter the Metropolitan Museum of Art in New York City, remember to bring an open mind with you because inside this museum, located on 5th Avenue and 82nd Street, you’ll discover and learn that there is a specific story behind every piece of artwork you see. One could not just walk around the museum uninterested without having the urge to ask, “Who’s this?” about a particular statue standing before them, it’s just impossible! So, this is why it’s great to be curious and understand that there is always a meaning behind everything, especially in Greek and Roman Art. Now, the experience of seeing such beautiful artwork is different when you’re a college student studying Mythology during your Spring 2016 semester and can actually put a face
Monuments and statues tend to be large, grand, and in some cases, even imposing. Built with mediums of bronze, marble and granite, no expense is spared in their design to make them last as long as possible. Throughout history various people have been the subjects of these statues, ranging from Gods and Goddesses, to beloved gardeners. At the time of Greeks, they spent great time and expense carving statues of those that they deemed to be the most important, the Gods. In the Parthenon, for example, a statue of Athena was carved from ivory and gold, and stood a majestic 40ft tall, because what better way to honor their goddess, them by memorializing her image forever (the fact that the statue has been missing for a few hundred years is notwithstanding).