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Eassay about greek art
Eassay about greek art
Eassay about greek art
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History Research Paper
Greek art is considered as a turning point for the development of all aspects of cultural art history, such as architecture, sculpture, pottery and painting. The ancient Greek civilization was famous for its mythical and aesthetic principle in the art culture. Renowned for the pottery, Greek had developed its unique painting technique called the black-figured. “Achilles and Ajax playing Dice” by Exekias is the most significant black-figure amphora for its iconography and that represents the ideal art principle and history of the ancient Greece.
Exekias, also called Execias, was living during Athens time period between 550BC and 530BC. He was a most recognized painter who frequently worked with black-figure. Under the achievement of some outstanding potteries such as Achilles and Ajax Playing Dice versus Dionysus Crossing the Sea, he is known as a master of black-figure painting in the Greek era (Britannica, 2014).
Black-figure painting was first established in Corinth, c 700 BCE then Athens was influenced by the technique and got control over it (Cartwright, 2012). The entire process was made out of iron clay found in the area mixed with potash pigment, water and leave it evaporate under the sun until it’s thick and settle. Move on to wedging process where human used energy to make the clay combine together and create the smoothness. The forms of potter are made on the potter wheel and are control by human’s hands, which is fascinating because people will have respect toward a finished product. After shaping the entire form, it’s then bake inside a kiln until it turns black (Britannica, 2014). Black-figure painting usually presents a storytelling by depicting animals or people in silhouette and sometime th...
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... Online Academic Edition. Encyclopædia Britannica Inc., 2014. Web. 30 Apr. 2014. .
Encyclopædia Britannica Online, s. v. "black-figure pottery," accessed April 30, 2014,http://0-www.britannica.com.library.scad.edu/EBchecked/topic/67820/black-figure-pottery.
Cartwright, Mark. Black Figure Pottery. June 18, 2012. http://www.ancient.eu.com/Black_Figure_Pottery/ (accessed April 30, 2014).
Janson, H. W., and Penelope J. E. Davies.Janson's history of art: the western tradition. 8th ed. Upper Saddle River, NJ: Prentice Hall, 2011
Exekias, Ajax and Achilles Playing a Game of Dice, 530 BCE. Julia C. Fischer. http://www.fischerarthistory.com/exekias-ajax-and-achilles.html (accessed 5 2, 2014).
Cartwright, Mark. Achilles. 09 29, 2012. http://www.ancient.eu.com/achilles/ (accessed 05 12, 2014).
The durability of clay has brought forth an immense abundance of Greek pottery, a craft mastered by Athenian artists. Archeologists have found hundreds of varieties in creation, shape, function, style, and artwork in Archaic vases. The museum has been blessed with one of these priceless artifacts; it is the duty of this establishment to accumulate as much data as possible surrounding the vase. In first identifying technique, dimensions, and condition, as well as describing shape, ornament, and figural scenery, one may then begin to analyze the vase. This serves the general purpose of understanding where the artifact stands in Greek culture and history. Through the examination and research of figural scenes, it is then possible to compare these to other scenes and styles of the same and other painters. Finally, one can then hypothesize where, why, and how this piece was used.
From the days of ancient Greece and before, epic heroes have had their lives chronicled and their stories passed on from generation to generation all the way to present day. Two of the greatest heroes have been Gilgamesh from the epic named after him and Achilles from Homer's Iliad. While the two men's stories transpired in vastly different eras, their lives shared a surprising number of commonalities. Of course, with resemblances come several discrepancies in the way they lived and the ideals they believed in.
Throughout the history of Ancient Greece thousands of great works of art were produced. Works were created in many different media, ranging from life-size statues to larger than life architectural structures. One type of art that can sometimes be overlooked, though, is pottery. There are many examples of great Greek pottery, but the two that will be used as a sample are Artemis Slaying Actaeon and Woman and Maid. By considering the backgrounds of these works, and comparing them directly we are able get a taste not only of the artistic styles of the time, but also a taste of ancient Greek culture.
Derived from Homer's epic, the Iliad, the painting depicts Automedon, chariot driver for Achilles, struggling to control Xanthos and Balios, the horses that will carry the Greek hero into his final, fatal battle. Exhibited around the United States in the 1870s and 1880s, the painting was called ?highly seasoned and unhealthful food which renders the palette insensitive to the...
When the potter is getting ready to start the painting process he /she already knows the design that is going to be painted on the piece. The Hopi potters do not draw ...
...r. "Ancient Greece." Gardner's art through the ages the western perspective. 13th ed., Backpack ed. Boston, Mass.: Wadsworth Cengage Learning, 2010. 101, 123,129. Print.
To recall another relic of ancient Greece, Plato had strong opinions on artwork, even that which was created during his time. Plato believed tha...
The Greek believed the human body was the measure of all things, therefore the artists created sculptures in a very detailed fashion which made them very life-like although the size of
Homer's two central heroes, Odysseus and Achilles, are in many ways differing manifestations of the same themes. While Achilles' character is almost utterly consistent in his rage, pride, and near divinity, Odysseus' character is difficult to pin down to a single moral; though perhaps more human than Achilles, he remains more difficult to understand. Nevertheless, both heroes are defined not by their appearances, nor by the impressions they leave upon the minds of those around them, nor even so much by the words they speak, but almost entirely by their actions. Action is what drives the plot of both the Iliad and the Odyssey, and action is what holds the characters together. In this respect, the theme of humanity is revealed in both Odysseus and Achilles: man is a combination of his will, his actions, and his relationship to the divine. This blend allows Homer to divulge all that is human in his characters, and all that is a vehicle for the idyllic aspects of ancient Greek society. Accordingly, the apparent inconsistencies in the characterization of Odysseus can be accounted for by his spiritual distance from the god-like Achilles; Achilles is more coherent because he is the son of a god. This is not to say that Achilles is not at times petty or unimaginative, but that his standards of action are merely more continuous through time. Nevertheless, both of Homer's heroes embody important and admirable facets of ancient Greek culture, though they fracture in the ways they are represented.
"Greek artists…explored people’s experienced, interactions with the natural world,and human relations to the gods. Everyday people were represented in Greek art…" (Emory)
Ajax and Achilles Playing Dice was created by Exekias in the Archaic era of Greek art. This piece features two seated black figures on what appears to be a red or brown backdrop. The two characters, Achilles and Ajax, are, as the title suggests, engaged in a game of dice. Although this the vase was produced for a larger audience than it’s comparative counterpart, it is meticulously crafted, as showcased in the details on the clothing, specifically the cloaks of the figures. Other details on the vase include several inscriptions that tell the reader of the game and its victor, Achilles, and of the artist’s patrons. A particularly interesting factor of the piece is that Achilles, though no longer in battle, still wears his helmet. This attribute
The Iliad, the Greek epic documented by Homer that describes the battles and events of the ten year siege on Troy by the Greek army. Both Trojans and Greeks had their fair share of heroes and warriors, but none could match the skill and strength of the swift runner, Achilles. Achilles had the attributes of a perfect warrior with his god-like speed and combat abilities. However, even though he was Greek’s greatest warrior, he still possessed several flaws that made him fit the role of the Tragic Hero impeccably. Defined by Aristotle, a Tragic Hero is someone who possesses a high status of nobility and greatness, but must have imperfections so that mere mortals cannot relate to the hero. Lastly, the Tragic Hero’s downfall must be partially their own fault through personal choice rather than by an evil act, while also appearing to be not entirely deserved of their unfortunate fate. Achilles is a true Tragic Hero because he withholds all of these traits. Achilles proves to be a good man that puts his loved ones first, reveals his tragic flaws of pride and anger, shows dynamic qualities as a character when his flaws are challenged, and has a moment of clarity at the end of his rage. Achilles truly exemplifies the qualities of a Tragic Hero.
The second distinct period which originated in Corinth in 700 BCE and spanned one hundred years is now known as the Orientalizing period. This period gets its name from the introduction of Egyptian and Eastern influences on Greek pottery during this time. The impact of foreign styles lead to the introduction of the black-figure technique that has come to epitomize the era. In Black-figure painting, figures and ornaments were drawn in silhouette on the natural clay surface of the vase ...
Honour, Hugh, and John Fleming. "Hellenistic and Roman Art." A World History of Art. London: Laurence King, 1999. 179-213. Print.
During the ancient times in Greece, Plato was the first human to document and criticize the existence of art and artists. He mentioned that human art was always in a form of a representation of something else. In one of Plato’s famous works, he demonstrates the idea of art is like an “imitation of nature” (Blocker 3). In other words, the purpose of art was to represent nature and nothing else. Art was not created for the sake of its own self nor was it created to appreciate its own beauty by any means. Instead, art, usually in forms of writings, paintings, or sculptures, was created to only to represent nature, Gods, emperors, families, or other important individuals. Furthermore, Plato had a very critical view towards the existence art in our society because art makes us more emotional, and our emotions lead to many errors about life. He believed it is our rational thinking, not our emotions or senses, which helps us und...