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Sociology and childhood
Sociology and childhood
Sociology and childhood
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‘Childhood is a social construct, a product of our collective imaginations. Different ads and different films construct childhood in different ways’ (Video 1 Band 3 pp.341-342). I intend to explain how different visual representations of children are influenced by the four discourses of childhood. I will discuss views and ideas of the three main childhood discourse philosophers and the sociologist. Social constructionism approach distinguishes different discourses of childhood as a result of different cultures, believes, experiences and time in history. It suggests that ‘child’ and ‘childhood’ only exist because adults made them meaningful (Aries, 1962). The approach sees our understanding and knowledge as a construction through our childhood experiences. “The term discourse is taken to mean a whole set of interconnected ideas that work together in self-contained way, ideas that are held by particular ideology or view of the world.” (Rogers, 2003, p.21) In the painting Beside the River by Agnes Gardener King (Book 1, p. 22) the girl portrays the Romantic view of childhood which sees a child as an innocent and guiltless. That approach is mainly observed in Victorian fine art and book illustrations. Like the girl in the painting, romantic view looks for the goodness in the child. The white dress, the girl, the tress and lamb are symbols of the innocence. The painting looks peaceful, the colours are calm; the girl walks slowly and smiles gently. That type of image was the main massage of the Romantic discourse of childhood. The concept was greatly influenced by the eighteenth-century French philosopher Jean-Jacques Rousseau (1712-1778), who wrote a book ‘Emile’ which became one of the most important textbooks of French ... ... middle of paper ... ...lieves. After reading the U212 Book Chapter 1&2 and watching the Video of ‘Representation of childhood’ I think that the discourses of childhood an adult sees in child greatly depends on the gender of the young person. The Puritan discourse of childhood usually is represented by boys as mischievous and evil kid that needs disciplining. Whereas the girls are usually represented in the Romantic discourse of childhood, innocent and sin free. The films and adverts shows different discourses of childhood where sometimes is the sexual or violent aspect which shocks us and makes us think. How we see the childhood it very much depends on our own experiences of early days, believes and cultural up bringing. Two people looking at the same picture, film or advert may see two different things. There is no common childhood there are only similar experiences of childhood.
Aristotle once claimed that, “The aim of art is to represent not the outward appearance of things, but their inward significance.” Artists, such as Louise-Elizabeth Vigée Le Brun and Mary Cassatt, captured not only the way things physically appeared on the outside, but also the emotions that were transpiring on the inside. A part no always visible to the viewer. While both artists, Le Brun and Cassatt, worked within the perimeters of their artistic cultures --the 18th century in which female artists were excluded and the 19th century, in which women were artistically limited-- they were able to capture the loving relationship between mother and child, but in works such as Marie Antoinette and Her Children and Mother Nursing her Child 1898,
Centuries of Childhood is a social history of family life (1960) that is a history of childhood written by Philippe Aries’s. It is about controversial claim that childhood, as a concept ,was not “discovered” until well after the middle ages. While Child Act 2011( Act 611) is an example that is repealed the Juvenile Courts Act 1947( Act 90) the Women and Girls Protection Act 1973(Act 106) and the Child Protection Act 1991(Act 468). Act 611 preamble provides that every child is entitled to protection and assistance in all circumtances without regard to distinction of any kind , such as race, colour, sex, language, religion, social origin or physical mental or emotional disabilities. Aries is an archivist for the Institute of Applied Research
To examine various discourses, it is crucial that the idea of discourse and the way in which discourses operate is clear. A discourse is a language, or more precisely, a way of representation and expression. These "ways of talking, thinking, or representing a particular subject or topic produce meaningful knowledge about the subject" (Hall 205). Therefore, the importance of discourses lies in this "meaningful knowledge," which reflects a group’s ideolo...
“A discourse community has a broadly agreed set of common public goals, has mechanisms of intercommunication among its members, uses its participatory
Maybin, J. &Woodhead, M. (2003). Childhoods in context. Southern Gate, Chichester: John Wiley & Sons Ltd
In recent years, there has been an increasing interest in the British youth generation, especially those British films and TV series. Media analysts pointed out that people absorbed the information transmitted from media texts, which might have an impact on the audiences’ behaviour. That is to say, the representation of media texts plays an important role in the society. In lots of British media texts, such as Kidulthood and Skins which are going to be compared and contrasted in this paper, the image of British youth generation is depicted as juvenile, violent, aggressive, idle, drugs addictive, having sexual behavior in early adolescence and causing trouble to the community. Therefore, this present study is not only aimed at finding the similarities and the differences of the representations of social class and youth in both childhood and skin, but also at exploring the possible effects of these representations.
Somewhere around the beginning of the seventeenth century, the perception of the nature of childhood -- its duration, its perceived purpose, its requirements, its quality -- changed rather significantly in the Eurocentric world, a period Valerie Suransky identifies as a watershed for the modern notion of childhood (1982, p. 6). Actually, two things seemed to have happened: first, the idea of childhood as a separate developmental stage began to arise; second, the idea of who was deserving of childhood also began to broaden. The pattern was similar in Europe and America, with some minor variations which resulted from geography, religion, etc., but the differences are inconsequential. Generally speaking, the factors which influenced this change are the view of the nature of humankind, the development of industry, urbanization, parents themselves, and the women's movement.
Consuming Kids: The Commercialization of Childhood. Dir. Adriana Barbaro and Jeremy Earp. Media Education Foundation, 2008. Film. Consuming Kids: The Commercialization of Childhood. Web. 26 Feb. 2014.
According to Philippe Aris a famous sociologist who studied childhood saw it as a social and historical construction (Montgomery 2009) he believed childhood did not really exist until the sixtieth century before that children had been treated as small and inadequate adults (Penn 2008). Sociologist Rinaldi also believed that it is society and different times in history that created childhood (Neaum 2010) Mayall believes children lives are lived through childhoods constructed for them by adults understanding of children and what children are and should be (Kehily 2009) a sociologist who has a different idea would be James and Prout 1990 who believe childhood is both ...
Letting Children be Children - Report of an Independent Review of the Commercialisation and Sexualisation of Childhood {resource)
James, A. (1998). From the child's point of view: Issues in the social construction of
There are proponents of the debate that childhood is disappearing which will be discussed in this section which include Postman (1983), Elkind (1981) and Palmer (2006). In considering these points of view which are mostly American, one must firstly set in context what is meant by the disappearance or erosion of childhood. This key debate centres on Postman (1983) who wrote “The disappearance of childhood” which is a contentious book about how childhood as a social category which is separate from adulthood is eroding. He defines a point where childhood came into existence, which was treated as a special phase in the middle ages based on the work of Aries in his book “Centuries of childhood” (1962, cited in Postman 1983). According to Postman, a major influence on how childhood was perceived differently to adulthood was the invention of the printing press and literacy in the mid sixteenth century. That is to say children had to learn to read before the secrets of adulthood in particular sex and violence was available...
Before the 1700’s, what we today understand as “childhood” and the innocence that comes with it did not exist because of extreme poverty and high infant mortality rates. It was normal for children to help with labour, be at parties with adults and even dress and have the same postures as adults. Medieval childhood mostly undifferentiated from adulthood until the industrial revolution. With the emergence of a larger middle class and disposable income, toy stores, schools and even houses built with nurseries were established. Thus, childhood was discovered and “increasingly, the child became an object of respect, and a s...
Wertlieb, Donald. "Child." World Book Advanced. World Book, 2011. Web. 16 Aug. 2011.Retrieved from http://www.worldbookonline.com/advanced/article?id=ar110700&st=middle+childhood+development&sc=1#h4
At its fundamental level, adulthood is simply the end of childhood, and the two stages are, by all accounts, drastically different. In the major works of poetry by William Blake and William Wordsworth, the dynamic between these two phases of life is analyzed and articulated. In both Blake’s Songs of Innocence and of Experience and many of Wordsworth’s works, childhood is portrayed as a superior state of mental capacity and freedom. The two poets echo one another in asserting that the individual’s progression into adulthood diminishes this childhood voice. In essence, both poets demonstrate an adoration for the vision possessed by a child, and an aversion to the mental state of adulthood. Although both Blake and Wordsworth show childhood as a state of greater innocence and spiritual vision, their view of its relationship with adulthood differs - Blake believes that childhood is crushed by adulthood, whereas Wordsworth sees childhood living on within the adult.