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Blanton Museum of Art
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Recommended: Blanton Museum of Art
Art Critique On Thursday the 21st 2016 I attended the Blanton Museum of Art located in Austin on the campus of the University of Texas. When I was looking for art museum’s to attend to I noticed that the Blanton Museum was the first museum to pop up on the internet, which made me think that this would be the best museum for me to go to for this project. When looking up this museum I learned it is one of the biggest in Texas with about 18,000 pieces and it was founded in 1963. After I entered the Blanton, there was a huge opening in the middle with a staircase at the back. I had the choice of entering the section of the museum that holds the temporary pieces to the left or going up the stairs to the second floor which holds the permanent pieces …show more content…
The use of shadows and dark colors in these paintings makes it seem like there is a light shining down from the right side of the paintings on the men and gives them even more detail and realism on their bodies and tattoos. I was also especially interested in these two painting because of how they show the history behind the lynching’s of Latinos during the 20th century in Texas. In my history classes I have always learned about the lynching’s and abuse towards African Americans but I had never learned anything of the lynching of Latinos. I don’t know why I have never known about this but I think that it’s great that Valdez decided to show this forgotten history through his paintings and make what happened to these people in the past known to people who had never heard of this. The last piece of Artwork that I was interested in was an oil on canvas painting called Portrait of George Gershwin in a Concert Hall created by David Alfaro Siqueiros in 1936. This painting was located near the painting by Valdez so I think this was where most of the Latino paintings were. This is a painting of George Gershwin playing the piano on stage at a concert hall with the audience members watching him. At the very bottom of the painting there is Gershwin who is playing the piano on the stage and to the left, right, and top of the stage is the audience
The museum prior to 1990 was teetering on the brink of disaster. Attendance had declined and in January of 1989 the museum for the first time ever had to start charging admission. The 7 member board of trustees was unwilling to ask for donations for the museum, as they felt it was tantamount to begging. Isabella’s once very large and generous inheritance had dwindled significantly and there was no means as to how to generate income to keep the museum alive, a museum that was probably set to be auctioned off within a
In the eighteenth Century, Colonial European and Mexican artists were fascinated with the emergence of racial blending within the Spaniard bloodline. Works of art began displaying pieces that portrayed three major groups that inhabited the colony— Indians, Spaniards, Africans and other ethnicities. This new genre of painting was known as Casta painting and portrayed colonial representations of racial intermarriage and their offspring. Traditionally Casta paintings were a pictorial genre that was often commissioned by Spaniards as souvenirs upon their arrival from New Spain (Mexico). And yet, why would such works have so much fascination despite its suggestive theme? It is clear that Casta paintings display interracial groups and couples, but they seem to have a deeper function when it comes to analyzing these works. These paintings demonstrate that casta paintings were created to display racial hierarchies within the era. They depict the domestic life of interracial marriages and systematically categorized through a complete series of individual paintings. It is clear that the fascination of these works reflected the categorizing of new bloodline that have been emerging and displays these characters in a manner that demonstrates the social stereotypes of these people by linking them with their domestic activities and the items that surround them as well. Despite the numerous racial stereotypes that are illustrated in these works, casta paintings construct racial identities through visual representations.
On My visit to the Hunter Museum I chose the piece of art that I felt best related to. I picked the piece of art Pullman, by Hung Liu, because I loved the way they worked together to accomplish a mission. Pullman is a 2 dimensional wall piece created by Hung Liu in 2004, and was later purchased by the Hunter Museum in 2009. Pullman is A 66x132 inch oil on canvas, colored paining and is displayed on the wall in the museum. There is a wall text about the piece that can be found next to the painting. The painting is hard to define from close distance, but the farther you stand away the colors and textures come together. The paining is on a wall by itself, and is truly a breathtaking piece. We often take for granted the luxuries we have in the United States.
At first glance the painting contains images of American television and movie icons on the left and various Muslims on the right. The left imagery includes Fonzie, Robocop, Mr. T and Waldo, many of whom were idolized during their TV and movie
I came up with the idea to do my essay on The Third of May thanks to a class I took last fall called Art History 100. When the professor went over the painting, I immediately fell in love. The dark coloring, the emotions of the people, and the pure suffering this painting is able to show amazed me.
The museums Asian art collection, preferably from China and Korea, are exhibited in the Pavilion for Japanese Art (Basch and Poole 541), whereas the Latin American art collection: comprising pre-Columbian magnum opuses to works by Diego Rivera, Clemento Orozco, Frida Kahlo, and such like, are exhibited in the Latin American Art galleries (Compton 165). In addition to its American, Latin American and Asian artworks, the museum has also some of the renowned Islamic and African art collections. The Latin American collection harbors pre-Columbian and Spanish art galleries and other recent and contemporary works of art. But despite its predominance in the LACMA museum, these pieces of art may not rival the Arabian or Islamic art in beauty and magnificence.
On my trip to the Metropolitan Museum of Art, I decided to take my mother with me. While being in the museum, I decided to focus on “The American Wing”. In “The American Wing”, there are amazing pieces of art, jewelry, and antique silver. I was amazed on how each piece of artwork and item was carefully designed. They had an amazing design that you do not see now in days.
Diego Rivera was deemed the finest Mexican painter of the twentieth century; he had a huge influence in art worldwide. Rivera wanted to form his own painting fashion. Although he encountered the works of great masters like Gauguin, Renoir, and Matisse, he was still in search of a new form of painting to call his own (Tibol, 1983). His desire was to be capable of reaching a wide audience and express the difficulties of his generation at the same time, and that is exactly what h...
One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.
Las Meninas is considered one of the greatest paintings of all time by critics and casual admirers of art alike. It was painted during a time when Spain’s glory was declining, and Velázquez was surrounded by the remnants of a once-great court, which was now in shambles and debt. King Philip had entered depression, due to the fact that he did not have a suitable male heir to the throne and was bankrupted by the Thirty Years’ War, and paid little effort to governing his country. He had lost power, and his portrait in the mirror of Las Meninas illustrates the shadow of what Philip had once been. The center and main focus of the painting is La Infanta Margarita, Philip’s five-year-old daughter. Light streams through a window onto her face, illuminating her with a golden light. Two of her meninas, or ladies-in-waiting, are located on either side of the princess, one kneeling and offering her a glass of water with another rising from a curtsy. On the right side, the dwarf Mari-Bárbola and the midget Nicolas Pertusato stand, along with a brown dog. Behind them, a man and woman are in conversation. On the left side, a massive canvas looms over the group as Velázquez, the artist, stands behind it with his brush and palette. On the dark back wall, two paintings hang along with a mirror which reflects the countenances of the king and queen. A man stands in the doorway of a door in the back of the room, with his hand on a curtain as if he has just pulled it open. The room appears almost empty, save for the figures in it, and this emptiness is amplified by the room’s high ceiling. Diego Rodríguez de Silva y Velázquez’s masterpiece, Las Meninas, conveys a message telling of the crumbling political situation and uncertain future of Spain at the ...
Pomade, Rita. “Mexican Muralists: the Big Three- Orozco, Rivera, Siqueiros.” Mexconnect. 5 May 2007: n. pag. Web. 16 February 2011.
Form plays a predominant role in these paintings, especially as far as value and shape are concerned. For example, the eyes of the subject in the “What surrounds us we endure…” painting are piercing and ice-cold, conveying desperation and a need to be heard. The eyes look piercing and distressed due to their light blue color which contrasts with the darks shadows enclosing them. Through their body language and facial expressions, the three men in the picture express anxiety, stress and depression which are perhaps due to the rain-streaked night sky, the lonely sidewalk and bus stop and the use of dark, cool hues which surround them. Also, the value of the man in the foreground is very intense because he is lighter than the background and creates an eerie sensation. It is also a focal point in the piece because of the drastic contrast between light and dark fashioned by the strong use of shadow. The remaining two men that occupy the background of the picture seem to be completely exposed to light, almost representing a sense of being scrutinized, but not understood due to the cry ...
...th color, the way he used color when it was used conveyed what was important in the piece. The body as it hangs lifeless from Saturn’s death grip is dripping with blood and it is even between the white knuckles of Saturn. In having Saturn’s knuckles white it emphasizes his grip that is so strong on the body he is drawing blood from the back. It is showing his passion in that the deed has to be done. His expression is wild and his stance is cowardly showing that he may not have wanted to do what he was doing. The message in the painting is that time consumes us all, and that is by having the god of time eating a faceless body. There is another message in this too, I believe and it is that people will do almost anything to keep their reign in power. I found this painting very stimulating and gave me many emotions. I think just because of that the piece is successful.
Paradise: Painting in America 1800-1959. Ed. Kynaston McShine. New York: The Museum of Modern Art, 1976.
It was made with oil and a canvas. This painting is believed to display fridas feelings at the time of the divorce. It looks like one is traditionally dressed and the other is not. It is a representation of loss and it just gives off a very lonesome feeling. This painting uses the element of art called texture to create an attraction to the piece. Contrast is a principle of design and that is exactly what is used here. Her two figures become the center of attention. These stand out because of the dark cloudy background which is mostly contrasted with the white figures. There is also balance and symmetry in Kahlo’s painting too. She chooses to put the two figures side by side to create symmetry by repeating the figures. She uses these elements help convey a mood. She uses them to create a mood by instead of just one element working by itself she uses them all so that they all could work together. I think the purpose of this piece was to show the sorrow and despair she felt when her husband diego had an affair and they had to file a divorce. I truly think the artist was trying to say that she was know truly alone and that she did not have anyone. This painting feels as if two worlds have crashed. The one who was loved by Diego and the one who was not. I choose this artist because I knew that she could make magnificent things like this actually