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Ap art history early europe colonial americas quizlet
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On my trip to the Metropolitan Museum of Art, I decided to take my mother with me. While being in the museum, I decided to focus on “The American Wing”. In “The American Wing”, there are amazing pieces of art, jewelry, and antique silver. I was amazed on how each piece of artwork and item was carefully designed. They had an amazing design that you do not see now in days.
As walking into “The American Wing”, I was astonished by the beautiful designs of the oil glass lamps. There were three oil lamps that were on display. Each oil lamp was designed by Boston and Sandwich Glass Company (1825-88). Oil lamps were an essential component in America in the beginning of the 19th century. These lamps designed by clear glass plate with colored glass and designed by a colored layer. There is one large oil glass lamp that was designed with a striking cut-glass stem and its hanging prisms were called a “solar lamp” for the solar deflector over the flame. It is incredible how these lamps are designed, with its bright colors.
Another piece of art that I found lovely was a painting of John Singleton Copley. Copley painted a portrait of nine-year-old Daniel Verplanck with a squirrel on a leash. I found this portrait adorable especial with the squirrel. Copley painted the portrait in 1771. The colors he
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used goes from light to dark. He is able to combine the colors to fit perfect so the child is able to pop out. The painting that’s found within the canvas demonstrates a beautiful natural sunset where you able to relax. The squirrel demonstrates its innocents and shows the affection it has towards his owner. Additional from the two pieces of artwork, The Rococo Revival Silver 1825-1855.
The Rococo idiom began to have an impact the American colonies. The Rococo styles were applied to on vessels. The silver trays had designs around that are carefully designed. The flat part of the silver tray had designs that interact with each other. The Tea server design is astonishing. The way the design are being mold on it. There is not any part of the tea server that has no design. I am surprised on how the people are able to design this piece of work. In reality, these items are pieces of artwork. My mother as well was astonished on the details the silver-plated tray and silver tea
server. The last piece of work that I enjoyed looking at was the jewelry from 1700 – 1890. The rings and necklace are really pretty. There is one that I liked a lot, which had a diamond in the middle of the gold ring, which had a design like a flower. The jewelry in this time period, rings, and heart-shaped lockets were common in the sentimental nature. Material that was incorporated the jewelry such as the coral was to warn off the evil. In the nineteenth-century hair jewelry as well became popular. The one I enjoyed the most was that ring, I found it really beautiful. There are many wonderful pieces of works that are hard to describe how marvelous they are. I highly recommend to go the Metropolitan Museum of Art especially to the “The American Wing”, you won’t regret going there. My mother and I enjoyed the visit and hope to go again soon.
The ‘Teacup Ballet’ is one of the first and best artworks Olive Cotton has exhibited outside Australia. It was created in 1935, a Gelatin Silver, 37.3cm x 29.6cm, photograph. Six identical teacups are laid out precisely, they each have pointed, triangular handles and slender bodies. Each teacup is placed on a circular saucer. In the centre, background two teacups are placed diagonally to each other, their handles pointing in the same direction, on the left hand side. In the middle ground, three teacups are placed in a diagonal line, parallel to teacups in the background. This time the teacup handles all point to the right hand side. In the foreground, right hand corner, there stands alone one teacup, its handle facing towards the left, pushed a little more inward, than the others. In the background, there is a light shining through lighting up the teacups, and shadows are formed. A curved line is also shaped contrasting the light from dark.
She is widely credited with developing the style of interior decoration known as “American Country Style”. Sister never knew her grandmother because she died shortly after she was born, but she recalls her grandparent’s house as “large, dark and musty and full of polar bear rugs, moose heads and antlers everywhere”. Her parents were wealthy and spent a considerable amount of money on trips to Europe, in hope that the exposure of art and architecture would improve their children’s education. Her style has been called baroque and freewheeling.
The Metropolitan Museum of Art has one of the finest Asian art collections that has enlightened and strengthened my understanding in my personal art experience. The Museum itself is an artistic architectural structure that graces the entire block on 82nd Street in Manhattan. Entering inside, I sensed myself going back into an era, into a past where people traded ideas and learned from each other. It is a past, where I still find their works of yesteryears vividly within my grasp, to be remembered and shared as if their reflections of works were cast for the modern devoted learner.
The Museum of Contemporary Art Detroit (MOCAD) had three different artists work on display. It was split up into three different rooms the first room was Design 99 To Much of a Good Thing and in the next room is Latoya Ruby Frazier Mother May I and in the last room was Jef Geys Woodward Avenue. The art that was on display was not traditional art work. All of the artist’s work displayed in the Museum of Contemporary Art Detroit was out of the box thinking. The flow in each exhibit made it easy to move from one piece of art work to another piece of work.
Seeing the art in person truly made me see the beauty and captivity a painting can hold. Each gallery was filled with different American works. My favorite kind of paintings are the ones I can look at and immediately write a story in my head about what is happening, even if it not what the artist intended. As I was going through the galleries one painting in particular stuck in my mind. I was fortunate enough to experience a special exhibition called, “Audubon to Warhol.” It was composed of different works acquired from private and public collections. I was lured to the emotions that was captured by the main figure in one of the works. I was drawn not only to the beauty of the painting, but the story it shared. The painting I chose was Peeling Onions, by Lilly Martin Spencer.
With works in every known medium, from every part of the world, throughout all points in history, exploring the vast collection of the Museum of Modern Art was an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historical collection, reflecting the development of a number of art forms in Western Europe. The department's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and glass, jewelry, and tapestries. The gallery attracted my appreciation of the realistic qualities of the human body often portrayed in sculpture.
The show’s organizers, Teresa A. Carbone (the museum’s curator of American art) and Kellie Jones, did an exceptional job of strategically placing the artwork in relevance and relating topics to one another. When I arrived, the exhibit was empty and I actually had the opportunity to meet Ms. Carbone, who was on hand at the museum’s entrance.
The picture (31) looks exactly how it is described in the reading. The table which the lamp is upon in the photograph is placed in the kitchen. The lamp appears to be clean and the oil looks full, but the oil looks separated from the coal. The lamp is placed in the center of the table which shows significance to the focal point while dining at the kitchen table.
The Metropolitan Museum of Art came about as an idea from Jon Jay in Paris, France in 1866 with the idea of “national institution gallery of art” within the United States. Once this idea was proposed, it was immediately moved forward with his return to the United States. With the help of the Union League Club in NY they began to acquire civic leaders, businessmen, artists, and collectors who aided in the creation of the museum. For over 140 years, the visitors who go here have received everything the mission of the institution states.
The first artist that I would like to discuss is named Nehemiah Partridge and his painting during the 17th century. Nehemiah Partridge is a painter from the 17th century and he painted colonial art. The painting that I chose is named “Portrait of Catherine Ten Broeck”, and was created in 1719 on oil canvas. The painting is of a young girl holding a rose in her right hand while holding a bird in her left hand. The girl in the painting is very young, and she seems to be very happy being painted. The painting illustrates every-day life in the 1700s. The artist chose very earthy tones for the color scheme, but the light is focused on the young girl. The elements were very calm and peaceful in this painting. In addition, the background of this painting focuses on a young girl named Catherine who was painted by Nehemiah Partridge. The painting has descended by Edward L. Ford from the family’s great-great-great-granddaughter in New York City. This style of painting reflects “reflects Partridge's style of quick, prominent brush strokes with a palette of black, brown, blue, and rust. The sket...
One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.
I first visited the Guggenheim Museum two weeks ago with Claus, my friend from Germany. We had the MOMA in mind but I guess talking, talking we must have passed it by. Half an hour from the MOMA we found ourselves in front of the Guggenheim, the astonishing white building that was Frank Lloyd Wright's last project. Why not? We said to ourselves. And so we walked right in.
The Industrial Revolution resulted in a rapid increase in affluence and prosperity within society, that has been represented in type and the layout of insides and the houses of the middle class. A level of uncertainty on the best way to embark on this particular new living design gave rise to the debut of luxurious furnishings & buildings formerly earmarked for aristocracy & the upper class. Irrespective of the recent improvements in technology, interior design that was Victorian stayed accurate to times past, drawing on inspiration. The style is lavish and complex whilst additionally proposing a comfy and inviting setting. Victorian architectural features and detailing such as ceilings, cornicing and coving moldings, carvings, arches and bas reliefs, frequently depicted scenes and were common.
The curators of the Met have created an immersive and incredible environment for the art within the museum. They have also designed a specific experience for the viewer which is simultaneously vast, yet relaxed, and beautiful. The Met is the perfect place not only to spend an afternoon, but to spend a lifetime, each visit providing more insight to beloved pieces that are enjoyed time and time again. The success of the Met as a museum stems from its ability to make the experience of art enjoyable. It is through these experiences that public audiences become more involved with art and more attached to the processes which produce such work.
Sauce boats such as the one displayed in the museum did not come into extensive use until about the 1740's (Ticher). When they began to become more popular, they became commonplace in homes and those who could afford to buy such expensive objects for their homes would surely have purchased ones that were in line with the decorative styles of their time. Also during this time period, people began to exhibit their lavish dining utensils and other dining ware on their dining tables, rather than placing them on other surfaces or other storage places (McDonnell). Household silverware of the Rococo period definitely demonstrated the decorative style of the time period, with many of the pieces incorporating the elements present in the silver of their