The Metropolitan Museum of Art The Metropolitan Museum of Art came about as an idea from Jon Jay in Paris, France in 1866 with the idea of “national institution gallery of art” within the United States. Once this idea was proposed, it was immediately moved forward with his return to the United States. With the help of the Union League Club in NY they began to acquire civic leaders, businessmen, artists, and collectors who aided in the creation of the museum. For over 140 years, the visitors who go here have received everything the mission of the institution states. Opening in April of 1870 there original mission was “to be located in the city of New York, for the purpose of establishing and maintaining in said city, a museum and library …show more content…
The Temple of Dendur is one of the main parts to the exhibit. The temple is filled with a variety of religious and mythological designs important to the natural world that Egyptians believed as a part of their culture. There are several reliefs that tell the story of the praise to the gods of nature. This temple gives a larger than life feeling, and is one of the main attractions in the museum. The Met also houses the most extensive collection of American art; and has its own wing filled with paintings, sculptures, and decorative arts from early American …show more content…
The Met provides the public with further resources, activities, creativity, and knowledge through a variety of programing. “Met Speaks,” offers discussions, films, and forums to explore present issues by applying them to the collections and exhibitions. “Met Celebrate” are special events to celebrate different cultures with art, performances, storytelling, and demonstrations. “Met Creates” allows the participants to look at art in a creative way by doing hands on
New York City is known for its extensive collection of art museums ranging from the Metropolitan Museum of Art which is usually the most renowned to others such as the the Solomon R. Guggenheim or the Whitney Museum of American Art which are popular in their own rights. This abundance of art museums makes the city very attractive for foreign visitors. However, this abundance of choice can overwhelm even the most informed visitors who have a finite amount of time to explore what the city has to offer. Although all of the above mentioned museums have great collections of their own, the often unheralded Frick Collections might trump them all in terms of exceptional works which include some of the world's most celebrated Western artists, such as Goya, Manet, Monet, Rembrandt, and Renoir.
In Stephen Weil’s essay, he argues “the museum’s role has transformed from one of mastery to one of service” (Weil, 196). According to him, museums have changed their mission from one that cultures the public to one that serves
The Museum of Contemporary Art Detroit (MOCAD) had three different artists work on display. It was split up into three different rooms the first room was Design 99 To Much of a Good Thing and in the next room is Latoya Ruby Frazier Mother May I and in the last room was Jef Geys Woodward Avenue. The art that was on display was not traditional art work. All of the artist’s work displayed in the Museum of Contemporary Art Detroit was out of the box thinking. The flow in each exhibit made it easy to move from one piece of art work to another piece of work.
Many might have been working on Good Friday, but many others were enjoying The Frist Museum of Visual Arts. A museum visitor visited this exhibit on April 14, 2017 early in the morning. The time that was spent at the art museum was approximately two hours and a half. The first impression that one received was that this place was a place of peace and also a place to expand the viewer’s imagination to understand what artists were expressing to the viewers. The viewer was very interested in all the art that was seen ,but there is so much one can absorb. The lighting in the museum was very low and some of the lighting was by direction LED lights. The artwork was spaciously
The exhibit that I viewed at the Philadelphia Museum of Art was one about European Art between the years 1100-1500. This was a series of paintings, sculptures, architecture, and tapestry of the Medieval and Early Renaissance as well as objects from the Middle East. This exhibit was an important part of the history of the Philadelphia Museum of Art because for the first time, Italian, Spanish, and Northern European paintings from the John G. Johnson collection were shown. It gave me a good idea of what the paintings were like in these four centuries and reflected ideas of both the east and the west.
The purpose of paintings is to capture the image of something. Paintings have been around since prehistoric times and span all cultures. Paintings are seen as one image but can convey thousands of different meanings. Before photography, paintings were used to record important events. The Blanton Museum of Art is home to many different types of paintings. The paintings range from different landscapes in America to cowboys to Native Americans. There are five paintings in the Blanton Museum of Art that can convey an image and culture of the American Old West with vivid and detailed images of cowboys, Native Americans, and the landscape represented, which is an important aspect of American culture and the frontier spirit.
...ey acknowledges its permanent collection as being its most valuable asset. As I have stated earlier in this essay, with a collection consisting of over 12,000 paintings and representing more than 2,000 artists, the Whitney can fully present the most complete overview of twentieth century American art. With this wide range of modern American art, the visitor is offered a chance to experience fully the direction art has taken in America for the past one hundred years while also representing contemporary artists. The museums collection is also recognized as for its in-depth commitment to a number of key artists. From the first half of the century, such seminal figures as Edward Hopper (Figure 3), which the Whitney has acquired his entire estate. This demonstrates the Whitney’s dedication to key figures in American art and also which artists they perceive as being worthy or such attention, ones that in the Whitney’s vision have contributed most to the American art scene during their time and influential past their lives works. By dedicating two entire floors to the display of the permanent collection, the Museum reaffirms the collection's central role in the Whitney Museum experience.
With exhibitions of the most thought-provoking art, The Museum of Contemporary Art in Chicago is one of the Nation’s largest facilities devoted to the art of our time (“About the MCA”) . The mission of the MCA is to offer a direct experience to the public of modern day art and living artists. German architect Joseph Paul Kleihues designed the new building with seven times the square feet of its previous facility (“The Building”) . October of 1967 the museum opened its doors to the public for the first time. The Museum of Contemporary Art is a symbol of modern art, culture, and the artist of our time. It is a stepping stone in history and will leave footprints in the heart of Chicago for many generations to come.
The Met’s Heilbrunn Timeline of Art History is a collection purposed with pairing essays and works of art with chronologies to tell the story of art and global culture through the Museum’s collection. “The Royal Acquaintances Memi and Sabu” and “Statue of Gudea” are both notable sculptures part of the collection.
One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.
In this semester, we have visited three public art agencies of NYC, which are the Percent for Art Program, the MTA’s Arts for Transit program, and Creative Time. These public art organizations commission public art to the public. They integrate and apply arts to sites through process and research based on artists’ practices. Public art agencies have similar goal that is to put artworks in appropriate sites and to get response from audiences. In this paper, I will discuss the three agencies we visited vary in rules of agency and patronage practices.
The “superstar” museum gained this status by considering every important detail during its establishment and initial phases of conversion from royal palace to museum (Gombault, 2002). As the purpose of the building changed, each room addressed new functions with new requirements. Although the function of the Louvre is different from the building’s original intention, the building is still appears dignified and important enough to display priceless artifacts and painting (Steffensen-Bruce, 1998). This consideration was applied in designing the Met. The Met looked towards the South Kensington Museum (Victoria and Albert) and the “ideal role model” due to its extensive collections and international reputation (Heckscher, 1995). The Met found itself in a similar situation to the South Kensington, because it did not have a building or a collection to start with (Heckscher, 1995). When designing museums, architects strived to create monuments that “prepare and educate the mind of the visitor (Steffensen-Bruce, 1998).” Education is an essential function of a museum. Acquiring, preserving, and properly displaying materials, permits a museum to fulfill this duty (Steffensen-Bruce, 1998). For instance, lighting is a factor that affects the manner in which artwork is viewed and can be properly appreciated. When determining the proper lighting for the Louvre, Comte d’Angiviller, strongly believed that natural, overhead lighting was the most effective solution (McClellan, 1994, p. 72). The same determination impacted the decision to add skylights at the Met. During the initial phase, architects Vaux and Mould, added skylights to the upper floor, and windows to the lower floor that provided a natural light solution (Heckscher, 1995). Additionally, glass-roofed courtyards provided “unimpeded light” for displaying
I joined the class for the trip to the "Big Apple" on the eve of Halloween. We departed from a campus parking lot early Saturday morning. Our destination was the Metropolitan Museum of Art, which is located at 82nd Street and Fifth Avenue. I had never been to "the Met" before and I was very impressed. I wandered throughout the museum going from gallery to gallery until I was able to find the two paintings that interested me the most.
I first visited the Guggenheim Museum two weeks ago with Claus, my friend from Germany. We had the MOMA in mind but I guess talking, talking we must have passed it by. Half an hour from the MOMA we found ourselves in front of the Guggenheim, the astonishing white building that was Frank Lloyd Wright's last project. Why not? We said to ourselves. And so we walked right in.
I was lucky enough to visit the Van Gogh Museum in Amsterdam in November of last year. The museum was located in somewhat of a museum park. The Rijks museum and the Stedelijk Museum are located on the same block. A beautiful landscape of ponds and trees are centered around them. The Van Gogh Museum has an audio tour available in all languages via a handheld tour guide. Unfortunately, funds limited me to get the audio tour, but I was able to nonchalantly follow a British couple around most of the five floors. The museum chronologically directes you through a collection of Van Gogh's and his contemporery's works.