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Analysis of portrait art
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Based on the oil paintings of Muntean and Rosenblum, there is a sense that the portraits desire a second look and to be understood by on lookers, because the paintings themselves convey messages of desperation through form and color. It is almost as if each picture tells its own story and has its own caption that must be determined and interpreted by those whom observe it. In fact, the story to be told is completely reliant on those who view the painting and possess personal experiences that can be connected to the piece. The reasons behind these interpretations relate mostly to color, value, shape and use of lines in the works of Muntean and Rosenblum.
Form plays a predominant role in these paintings, especially as far as value and shape are concerned. For example, the eyes of the subject in the “What surrounds us we endure…” painting are piercing and ice-cold, conveying desperation and a need to be heard. The eyes look piercing and distressed due to their light blue color which contrasts with the darks shadows enclosing them. Through their body language and facial expressions, the three men in the picture express anxiety, stress and depression which are perhaps due to the rain-streaked night sky, the lonely sidewalk and bus stop and the use of dark, cool hues which surround them. Also, the value of the man in the foreground is very intense because he is lighter than the background and creates an eerie sensation. It is also a focal point in the piece because of the drastic contrast between light and dark fashioned by the strong use of shadow. The remaining two men that occupy the background of the picture seem to be completely exposed to light, almost representing a sense of being scrutinized, but not understood due to the cry ...
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...ir captions. “What surrounds us we endure better for giving it a name – and moving on” could be observed as a cry for help from the subject of the piece (Muntean and Rosenblum). This could also be said for the other work, which is captioned “they had never been able to understand the laws of a universe which was so ready to leave them out of its calculations” (Muntean and Rosenblum). However, this work also conveys downfall and defeat, again referring to the positions of the men. Interpretations are completely dependent on spectators, but without such forms as these, connections would be difficult to create between a bystander and a work of art.
Works Cited
Muntean and Rosenblum; Untitled (They had never been able…); Oil on canvas; 2010. Web. 21 Sept. 2011.
Muntean and Rosenblum; Untitled (What surrounds us we endure…); Oil on canvas; 2010. Web. 21 Sept. 2011.
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
· 1999: Private commissions (2). Continues to work on paintings for traveling exhibition, Visual Poems of Human Experience (The Company of Art, Chronology 1999).
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The Interpretation/Meaning (III) will be written without any guideline points, the aim of this part will be to determine what the painter wanted to express with his piece of work and what it tells us in a symbolic or not instantly clear way. This part will also handle why the artist drew the painting the way he did it and why he chose various techniques or tools.
Berger makes his attempt to inform an audience with an academic background that there is a subjective way that we see things all around us every day and based on our previous experiences, knowledge, and other things that occur in our lives, no two people may see or interpret something in the same way. In the essay Mr. Berger uses art as his platform to discuss that we should be careful about how people look at things. Mr. Berger uses rhetorical strategies such as ethos, pathos, and logos. These rhetorical strategies can really help an author of any novel, essay, or any literature to truly get the information they desire across to the audience in a clear and concise
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Sayre, H. M. (2010). A World of Art: Sixth Edition. In H. M. Sayre, A World of Art: Sixth Edition (pp. 511, 134, 29, 135, 152, 313-314, 132). Lake St., Upper Saddle River, NJ: Pearson Education, Inc.,.
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Diarmuid Costello, Jonathan Vickery. Art: key contemporary thinkers. (UTSC library). Imprint Oxford: Berg, 2007. Print.