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Analysis of the painting
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The Third of May
The Third of May, painted by Francisco Goya depicts the battle at Medina del Rio Seco in Spain. Napoleon's troops marched into Medina del Rio Seco to be met by 21,000 Spanish troops protecting their city (mtholuoke.edu). When tensions between the French and the Spanish erupted in the streets of Madrid, it left approximately four hundred persons dead. Goya's painting reveals the fear and suffering of the Spanish, while Napoleon's troops show no mercy.
I came up with the idea to do my essay on The Third of May thanks to a class I took last fall called Art History 100. When the professor went over the painting, I immediately fell in love. The dark coloring, the emotions of the people, and the pure suffering this painting is able to show amazed me.
In the history class I was taught importance almost always starts in the center, and the character the artist wants to most present will be lighter than the rest of the painting. This is clearly shown in the
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painting as the man with his hands in the air; this is who we want to most bring our attention to. The color of the main characters clothes is different to catch the attention of the viewer. His shirt is the only bright color in the entire painting and he was also known to be a soldier for the Spanish army. Goya was able to use one man’s face to highlight the emotions of every soldier that was about to be shot. “Please don’t shoot!” are words that come to my mind as his friend lay there dead beside him. Fear is all over his face, as would be all over mine in this situation. A plead of innocence look to him, The Man has his arms spread in a "V" which represents peace, something Napoleon's troops clearly have no regard for (academia.edu). A man that previously fought for his country will now be dead, with a possible family to be left behind. From the left, you see three men previously killed by the troops. I think if it was a camera, and you could move the camera even more left you would see many more bodies. As you look right you can see the troops with their guns; however, you cannot see the troop’s faces, but can notice their uniforms are very clean. I believe in order for the viewer create his own emotions for the troops, Goya had their backs turned. To the troops, the victims seem anonymous and worthless, while we can see otherwise. The light source in the painting is a large lantern; its cold glare lights the cruel, pre-dawn killings.
Goya amazingly captures feelings of fear and sadness through pose, and expression as those waiting to die either watch with hands clasped in horror or cover their faces, unable to look at the slaughter before them.
The further right you look in the painting, you see the enormous line of the Spanish waiting to die. The town is slightly illuminated, and the sky is dark. These are things I believe were added for a realistic feeling, but were not what Goya was trying to express in this painting.
This painting is able to show in detail how emotional it was for the Spanish after the war. It flawlessly used colors and lighting to show importance of character. Goya was able to accurately demonstrate the patriotic view of the uprising and subsequent war, in which the Spanish cast the rioters of May second as defenseless heroes and innocent, modern-day martyrs and the French as brutal
oppressors.
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
The painting caught my attention due to the message I received when I first laid eyes upon it. It illustrates a wise old man teaching an eager to learn young boy. I have been fortunate enough to have my very own replica of this painting in my bedroom and I have spent countless hours
When looking at the painting it gives us a glimpse of the past. It looks almost like a photograph. The fine detail from the building on the right with the statue on top. The citizens walking around.
First, the size of the painting drew me in before all. It measures at 339.1 by 199.5 cm, surrounded by a large golden frame. The size alone is enough to bring in any person passing by. Once getting close, the really wonder happened. The story told by the painting
The painting "Guernica" was the most famous painting of the 20th century because it depicted an event that took place during the Spanish Civil War. After General Francisco Franco accepted aid from Germany and Italy to topple the liberal government of the fledging Spanish Republic. In return, Franco allowed the Nazi's to test their developing air power. As an experiment to see if an aerial bombing could wipe out a whole city the Germans bombed the town of Guernica on Apriil 28, 1937. The town of, Guernica was devestated and its population was massacred. As a reponse Picasso started working on "Guernica," which he completed in a little over a month. The painting has a length of 25 feet long and a height of 12 feet. Picasso chose to use no color
The artwork I chose for the art criticism project was ‘The Survivors’ by Kathe Kollwitz. The piece was created in 1923 in Berlin, Germany, where she resided with her husband. She and her husband resided in a poorer area, and it is believed to have contributed too much of her artwork style. ‘The Survivors’ is currently displayed in two museums, the MoMA and the Kathe Kollwitz Museum. In the piece there is a woman directly in the middle, with sunken in cheek bones is draped in a black cloak. Her arms are around three small children, who look very frightened. On each side of her body there are an additional four small children who convey sadness upon their innocent faces. Also, they are outstretching their arms as if they are begging for her to give them something. In the background, on the top left side, there are two elderly men with their heads down, looking as if they are very sad and
His name, Francisco Goya, born in 1746, one of Spains most innovative painters and etchers; also one of the triumvirate—including El Greco and Diego Velázquez—of great Spanish masters. Much in the art of Goya is derived from that of Velázquez, just as much in the art of the 19th-century French master Édouard Manet and the 20th-century genius Pablo Picasso is taken from Goya. Trained in a mediocre rococo artistic milieu , Goya transformed this often frivolous style and created works, such as the famous The third of May, 1808, that have as great an impact today as when they were created.
The formal analysis of The 3rd of May, 1808, Francisco Goya, 1814, oil on canvas. In the following written composition I will examine The 3rd of May, 1808 in a context which will allow me to identify formal elements that Goya manipulated to influence the viewers with a specific outlining message. This work was completed in 1814 using oil on canvas medium. This piece of art stands at approximately 266 by 345cm. This was common for historical paintings to be substantially grander in size. Goya’s goal in this specific painting is to depict the sorrow and heartache connected with the Peninsular war. In this specific work The 3rd of May 1808 he highlights the honor of the massacred Spanish rebellions opposed to the savage French troops. This formal analysis will examine the important technique used by Goya to organize societies depiction of the visual information. Within this work I will concentrate on these elements of color, texture, shape, lines, space, and the value to bring about my own opinion of Goya’s work. Using this strategy applied to The 3rd of May, 1808 work I hope to demonstrate a comprehension how to translate what I see into written words.
Guernica is one of Pablo Picasso’s most well-known paintings in the world. It was created in response to the bombing of Guernica by German and Italian warplanes on April 26 1937 during the Spanish Civil War. The intention that Picasso had was to depict the scenes of the tragedies of the war and the loss of innocent lives. This terrible event was shown to us in the painting as Picasso utilized a number of symbolic images through the helplessness of the many faces and how war brings upon destruction and grief.
drawings, and photography. I found the painting’s depiction successfully showcased the sobering penalties of the cost in battle between French troops and Spanish civilians. Exploring the detail in the picture you can see that Goya’s utilized his technique to created a contrast of shades between light and dark that truly encapsulate the strong emotional intensity of the horrifying scenes, demonstating powerful elements with imagery . In the picture you are able to there are many aspects beginning
Jose Clemente Orozco was one of the most controversial and celebrated Mexican artists of the twentieth century. He provoked people through his outrageous metaphors and sparked the fuel to the fire of awareness, this being to change the blemishes of our society whether it be dictatorship, war, imperialism, religion, slavery, greed, alienation, and so much more. Even though he lost his left hand when he was just a teenager, he made dozens of major mural pieces that still provoke people’s principles to this day. When he wasn’t creating massive murals he was painting or drawing hundreds of new ideas about social reform, war, imperialism, etc. Both murals and easel paintings influenced generations to come such as Pollock, Guston, and Shahn. He painted the true lifestyle of real mexicans and their problems at the time but called for peasants and workers to change what he was painting so it could be apart of history, not part of the future. With his paintings he challenged authority, norms, and stereotypes of Mexico, Europe, and the United States. His creations are often dark rich colors that have splashed of white and depict tragedies with strong figures that resemble gods, average men, and past dictators/ imperialists. Jose opened peoples eyes in an unconventional way with his massive murals. His pieces are highly detailed and make us question our everyday life. His art made people question society, and once an artist got that question in peoples head, you’ve changed society. But Orozco always caused heated controversy and debates wherever he painted his striking eye-raising social analytical murals and paintings.
The lack of color brings so much more out of it. The lack of color intensifies the drama, causing one to remember it so clearly. Guernica is blue, black and white, 3.5 meters (11 ft.) tall and 7.8 meters (25.6 ft.) wide, a mural-size canvas painted in oil. This painting can be seen at the Museum Reina Sofia in Madrid. The disaster caused by the bombing in Guernica can be seen so clearly in the painting. Humans and animals scrambled together in a background of broken and very harsh geometric shapes, sending us back to Picasso’s Cubist period. The newspaper print background texture of the horse in Guernica also takes us back to Picasso's early "Journal" Cubist artwork. The painting is monochromatic and the predominant "color" is mostly black, symbolizing perhaps death
...5 meter (11 ft) tall and 7.8 metre (25.6 ft) wide, a mural-size canvas painted in oil. This painting can be seen in the Museo Reina Sofía in Madrid”. Guernica is an enormous status is a reminder reminder of the disasters that a war causes.
Painting in the 19th century, still highly influenced by the spirit of Romanticism, proved to be a far more sensitive medium for the kind of personal expression one should expect from the romantic subjectivity of the time. At the very beginning of the “modern period” stands the imposing figure of Francisco Goya (1746-1828), the great independent painter from Spain. With much indebtedness to Velazquez, Rembrandt and the wonders of the natural world, Goya occupies the status of an artistic giant. His artistic range goes from the late Venetian Baroque through the brilliant impressionistic realism of his own to a late expressionism in which dark and powerful distor...