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Comparing 2 artists'work
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The art nouveau style evolved throughout Europe and many artists adopted or conformed to the organic style presented. Two stand out artists for me, that I have always had an interest in, are Antonio Gaudi and Charles Rennie Mackintosh. Both are regarded as art nouveau artists however they both have very different styles in my eye. In comparision, their lives have many simalarties, with early life influencing the artists they became, and the legact they both leave behind. In this essay I am going to compare their lives, styles, influences and legacies.
EARLY LIFE
Charles Rennie Mackintosh, born in Glasgow in 1868, was and still is a hugely significant icon within architectural history. His life wasn’t always easy as from a young age as he suffered from a variety of disabilities. During school he had difficulty reading and writing, considered slow by teachers, but in todays modern world he would be classed as dyslexic. He suffered from a foot disability, causing him to have a limp. He also developed a problem wit his right eye, causing it to droop. Coming from a large family of 11 and disabilities combined, Mackintosh had difficulty fitting in at school. He was encouraged by others to spend time in the peaceful countryside, which then went on to develop a love of nature and flora. Antoni Gaudi i Cornet, born in Reus, Catalonia, Spain in 1852, was an architect with an eclectic, original and individual style, leaving his print on the city of Barcelona forever. Simarlarly to Mackintosh, he had a difficult youth suffering from poor health. He suffered from rheumatism, a disorder that effects the joints and connective tissues in the body. Its believed that this may of lead to him becoming a reserved character, very much like Mackint...
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... he continued to learn about foreign styles. Due to the strong relationships between Spain and France people came over to Barcelona. This allowed him to regularly meet people and discuss different movements, becoming more culturised without even leaving the country. I think he connected well with Art Nouveau due to its flora influence, as we know, Gaudi had a strong passion for.
Mackintosh was also strongly influenced by Art Nouveau, the Arts and Crafts Movement and Japonism. Japonism is the influence of Japanese art and culture had on European art. With the introduction of the industrial revolution, this allowed Asian styles to make its impact of foreign art. Due to Glasgow being one of the largest production centres for shipbuilding during the indurstrial revolution, this brought in the Japensese Navy, bringing Mackintosh in direct contact with a new culture.
In the Florence and the early renaissance, we have the greatest master of art like Leonardo da Vinci, Michelangelo, Sandro Botticelli and others. In this period of time the painters almost never show their emotions or feelings, they were more focused on indulging the churches and the wealthy people. In The renaissance period the art provides the work of art with ideal, intangible qualities, giving it a beauty and significance greater and more permanent than that actually found in the modern art. Florence and the early renaissance, the art become very valued where every artist was trying to create art forms consistent with the appearance of the beauty or elegance in a natural perspective. However, Renaissance art seems to focus more on the human as an individual, while Wayne White art takes a broader picture with no humans whatsoever; Wayne, modern three dimensional arts often utilizes a style of painting more abstract than Renaissance art. At this point in the semester these two aspects of abstract painting and the early renaissance artwork have significant roles in the paintings. Wayne White brings unrealistic concepts that provoke a new theme of art, but nevertheless the artistic creations of the piece of art during early renaissance still represent the highest of attainment in the history of
Louise Bourgeois and Constantine Brancusi were both two artists that had very abstract pieces of art. Though the two artists had very different pieces of work they also shared a lot in common. Bourgeois and Constantine both had very visually dramatic styles of art that focused on sexuality and reproduction in forms of the human body. In this paper I will be talking about both artists backgrounds and works as well as what they share in similiarity and the underlying message of their work.
Art has been the reflection, interpretation and representation of artists' beliefs and morals eternally. Various artists stand for different matters that quite possibly affect their lives, or might be of an interest to them. Norval Morrisseau is an artist that I was intrigued by his portrayal and the techniques used in his paintings. In this paper, we are going to look at the implementation of Morrisseau's painting style used to expose his philosophies of different aspects in his life.
By paying attention to elements such as subject matter, light, form, and placement of figures, we can see how these enhance the ideals depicted by each form of art. As a result, we can understand how Neo-Classical art is an attempt to counter the values of Rococo. Rococo is a form of art directly targeted to the privileged. Because not everyone in society belongs to the aristocracy, the Neo-Classicist wanted to impose order as an alternative to the frivolous life style. As a result, we have to works of art that challenge each other’s ideals. The theme of infidelity versus loyalty and how one arrives at the decision made is animated in the works of Fragonard and David. However, it is important to note that there is no right or wrong form of art, although it may seem that this was the common perception of the time. In conclusion, both works of are similar in one important aspect; they are both works of art.
In Neoclassical art, the emphasis is on form, simplicity, proportion and restrained emotion. The aesthetic attitudes and principles were based on the culture, art and literature of ancient Greece and Rome in antiquity. It invokes characteristics such as harmony, clarity, restraint, universality and idealism. The artists of this period concerned themselves with human affairs ruled by reason, the outgrowth of the Enlightenment. There was a regard for tradition and reverence for the classics, with an...
Nash, Susan. Oxford History of Art: Norther Renaissance Art. 2nd. New York: Oxford University Press, 2009. 30-65. eBook.
The purpose of this Essay is to discuss an example of design from the late 1800s, I will relate it to the social, economic, technical and cultural context of that time. . I intend on delivering details of the artist and his life experiences as well as his style and possible interests. I will also evaluate the subject with my own opinion, likes and dislikes, with comparisons of work and artists from within that period up to the present date
During my second time visiting the museum, I looked at paintings from the 15th and 19th centuries. Two of the art works that I choose is “The Story of Joseph” from the Renaissance period and “The Marketplace” from the modern art period. Both of these paintings were from different time periods but they were also very similar in content and style.
In the early twentieth century the Modern movement of architecture and industrial design came about. This movement was a reaction to the change within society and the introduction of new technologies. The ever changing world and technology meant artists to evolve alongside the changing world and this kind of ‘industrial revolution’ that was happening. Modernists ideas have seeped into every form of design especially architecture and design. Although most modernists insisted they were not following any style in particular, their work is instantly
The Art Deco movement had its beginnings in Paris, at the 1925 Exposition Internationale des Arts Decoratifs which was a showcase for new inspiration and was initially meant to advertise the authority of the French in the creation and manufacturing of luxury goods. With a small, yet faithful following from the early 20th century, Art Deco evolved from nationalism, Art Nouveau, Cubism, Futurism, Neo-Classism, and modernism, and flourished after World War 1, achieving global popularity between the two world wars, primarily in the jazz age of the roaring 20's and 30's. As a result of a civilization ravaged by war and the deprivation and poverty that follows war, intertwined with the hopefulness of the machine age and the new women's liberation
This essay will be about Flemish Baroque painter, Peter Paul Rubens. I will explain why Paul Rubens was highly influenced and impacted by the arts in the high renaissance time. Such as the works of Raphael, Leonardo Da Vinci, Michelangelo, and Titian, and how some of these artists ' works had an immediate effect on him during his time. I will answer this question by giving vast evidence of how Paul Rubens works are different based on contextual factors, but at the same time the same and under the influence of the high Renaissance artists mentioned above.
As the seventeenth century began the Catholic Church was having a hard time bringing back the people who were swept away by the protestant reformation. The conflict between the protestant had a big influence on art. (Baroque Art) The church decided to appeal to the human emotion and feeling. They did so by introducing a style called Baroque. Baroque was first developed in Rome and it was dedicated to furthering the aims of Counter Reformation. Baroque was first used in Italy than later spread to the north. In this paper I will argue that the Italian Baroque pieces were more detailed and captured the personality of the figure, in contrast and comparison to Northern Baroque pieces that aimed to produce a sense of excitement and to move viewers in an emotional sense leaving them in awe. I will prove this by talking about the different artwork and pieces of Italian Baroque art versus Northern Baroque Art.
In this essay, I shall try to examine how great a role colour played in the evolution of Impressionism. Impressionism in itself can be seen as a linkage in a long chain of procedures, which led the art to the point it is today. In order to do so, colour in Impressionism needs to be placed within an art-historical context for us to see more clearly the role it has played in the evolution of modern painting. In the late eighteenth century, for example, ancient Greek and Roman examples provided the classical sources in art. At the same time, there was a revolt against the formalism of Neo-Classicism. The accepted style was characterised by appeal to reason and intellect, with a demand for a well-disciplined order and restraint in the work. The decisive Romantic movement emphasized the individual’s right in self-expression, in which imagination and emotion were given free reign and stressed colour rather than line; colour can be seen as the expression for emotion, whereas line is the expression of rationality. Their style was painterly rather than linear; colour offered a freedom that line denied. Among the Romanticists who had a strong influence on Impressionism were Joseph Mallord William Turner and Eugéne Delacroix. In Turner’s works, colour took precedence over the realistic portrayal of form; Delacroix led the way for the Impressionists to use unmixed hues. The transition between Romanticism and Impressionism was provided by a small group of artists who lived and worked at the village of Barbizon. Their naturalistic style was based entirely on their observation and painting of nature in the open air. In their natural landscape subjects, they paid careful attention to the colourful expression of light and atmosphere. For them, colour was as important as composition, and this visual approach, with its appeal to emotion, gradually displaced the more studied and forma, with its appeal to reason.
Thesis: The French Revolution transformed not only the French society, but also had a huge influence and marked impact on what the purposes of the arts and their expression were now, making profound changes in what they would supposed to be used for, in the form of the Neoclassic works of art that made their appearance prior to the French Revolution, in which very special emphasis is given to the patriotic, the nationalist feeling, together with a strong sense of self-sacrifice that should be present in every person’s heart.
Vincent Van Gogh’s well known artwork had a profound impact on the world. After being rejected countless times by other jobs, Van Gogh realized that art was his calling and he begun to research other artists and various artwork. He visited several museums in London and got inspiration from many of the impressionists living in Europe at the time.