How Rococo and Neoclassicism Illustrate the Process of Deciding in their Paintings
The artists Jean-Honore Fragonard and Jaques-Louis David both successfully embody their respective stylistic differences. Fragonard’s style of painting is Rococo, which is characterized by its softness, asymmetry and curviness. Contrasting these ideals is David’s style of painting, Neo-Classicism. Neo-Classicism is synonymous with strong gestures, symmetry, and solidness. Two works that best exemplify the ideals of each style of painting are Fragonard’s The Swing, 1767 and David’s The Death of Socrates, 1787. Although at first glance, it is easier to focus on how each work is different to the other, one can argue that they are similar in theme. Both The Swing and The Death of Socrates are works that deal with the theme of decision making. However, they differ in how each work portrays the theme of deciding. While The Swing focuses on infidelity and the process of deciding, The Death of Socrates makes it clear that loyalty to government is stronger than the ties of friendship or acquaintance. By examining use of light, form, subject matter as well as other artistic elements, one can see how each artist conveys a message by utilizing their style of art.
Although both Fragonard’s and David’s work convey different ideals through their style of painting, they are still able to use light in a very similar form. The viewer’s attention is directed on a specific point in the painting through the use of light. Both artists cast a spotlight on the figure or action in the painting that they want the viewer to especially notice. It is what each artist decides to focus on that makes his work is different from the other. A young woman on a swing who enjoys the pleasures of life is clearly where Fragonard wants to direct the viewer’s attention. However, David focuses attention on a male figure, specifically Socrates. How does the use of light help the viewer understand the ideals of each form of art? While Fragonard chooses to focus on a female and David chooses to focus on a male, the viewer now understands how Rococo can be a feminine form of art and Neo-Classicism the opposite. In addition, other stylistic elements like color and form depict how each art form differs from the other. By using all this visual evidence, we will later see how the concept of deciding...
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...d is clearly weaker than the one handing Socrates the poison. This shows how one’s duty to the government is far more important than one’s own personal views or feelings. We can make the argument that there had to be a relationship between Socrates and this figure.
By paying attention to elements such as subject matter, light, form, and placement of figures, we can see how these enhance the ideals depicted by each form of art. As a result, we can understand how Neo-Classical art is an attempt to counter the values of Rococo. Rococo is a form of art directly targeted to the privileged. Because not everyone in society belongs to the aristocracy, the Neo-Classicist wanted to impose order as an alternative to the frivolous life style. As a result, we have to works of art that challenge each other’s ideals. The theme of infidelity versus loyalty and how one arrives at the decision made is animated in the works of Fragonard and David. However, it is important to note that there is no right or wrong form of art, although it may seem that this was the common perception of the time. In conclusion, both works of are similar in one important aspect; they are both works of art.
Sixteenth century art focused on individual artistic styles, which helped a lot of painters develop key characteristics in their artwork. The end of the High Renaissance and a turn towards what would later be defined as the Baroque style marked this time period. Andrea Schiavone’s The Marriage of Cupid and Psyche shows the perfect blend of taking different characteristics from the master painters before him and creating his own style. The combination shown in his depiction of The Marriage of Cupid and Psyche is of Titian and Parmigianino, both of whom were great master painters during the Renaissance. He combines the radical brushwork of Titian with the weirdly serpentine forms of Parmigianino to further his own stylistic manners. The Dalmatian artist scrutinized paintings and prints from all over central and northern Italy for inspiration. Throughout his career as an artist Schiavone remained grounded in the techniques and coloristic virtuosity of Venetian Mannerist painting.
This Paper will outline President Theodore Roosevelt’s role in helping to conserve our environment during his administration (1901-1909). It will also examine his theory of
In the Enseigne, art is also shown to serve a function that it has always fulfilled in every society founded on class differences. As a luxury commodity it is an index of social status. It marks the distinction between those who have the leisure and wealth to know about art and posses it, and those who do not. In Gersaint’s signboard, art is presented in a context where its social function is openly and self-consciously declared. In summary, Watteau reveals art to be a product of society, nevertheless he refashions past artistic traditions. Other than other contemporary painters however, his relationship to the past is not presented as a revolt, but rather like the appreciative, attentive commentary of a conversational partner.
In the essay “Naturalism and the Venetian ‘Poesia’: Grafting, Metaphor, and Embodiment in Giorgione, Titian, and the Campagnolas,” Campbell explains the role of poetic painting, poesia, in Venetian artwork during the 1500s. Titian personally used the term poesia when he “[referred] to paintings he was making for [King Philip II] with subject matter derived from the ancient poets.” Poesia now refers to a type of sixteenth century Venetian painting, which Giorgione and Titian initiated and used within their works. Campbell’s main argument is that poesia is not simply aesthetic or reflective of poetry, but rather “grounded in the process of making – and in making meaning – rather than in an aesthetics of self-sufficiency or self-referentiality.” Like poetry, it is not self-contained; meaning lies outside of the work, within the interpretations of the viewers. He discusses the idea of grafting in poetry and how the same grafting model is utilized in the visual arts. Different images, such as pagan figures and contemporary figures and settings, are juxtaposed to create visual discordance and give an intrinsic meaning to the viewer. Campbell then uses many examples of writing, poetry, engravings, and paintings to explore his argument and the connections between artists during the 1500s.
It was America mid 1850’s and slavery was a sensitive topic between the north and the south. It seemed slaves had no hope of ever changing America’s ways until a white man by the name of John Brown decided to stand up and fight for the abolishment of slavery, which has been said to be one of the major events leading up to the American Civil War. Browns actions were defended by himself claiming they were “consisting of God’s commandments” (Finkelman 2011). I will explain Brown’s deontological ethical perspective while preforming the actions for the abolishment of slavery.
Fragonard was a product of the late Rococo period in the early eighteenth century a period that consisted of pastoral images of both men and women participating in games, having lunch together or a passionate scene between two people. Rococo created for the rich of France, consisted mainly of two types gallant and libertines. Fragonard’s paintings were mostly gallant which represented love as a playful game. This can be seen in his two paintings Blindmans Buff (fig. 1) and The Swing (fig. 2). These included interactions with figures in the paintings that suggested courtship; in this case it would be the pastel colors that he used which created a more playful look for the figures. In his 1775 version of The Swing (fig. 2) Fragonard presented a vision of nature and shows tremendous growth from his previous work painted during his second trip to Italy. This version is less erotic compared to his previous version of The Swing (fig. 3). The Swing (fig. 2) bares many similarities to some of his other works none more than Blindmans Buff (fig. 1) that was painted at the same time as The Swing. Both paintings shared various similarities and featured playful scenes of love.
The 18th century is well known for its complex artistic movements such as Romantism and Neo-classical. The leading style Rococo thrived from 1700-1775 and was originated from the French words rocaille and coquille which meant “rock” and “shell”; used to decorate the Baroque gardens1. Identified as the age of “Enlightenment”, philosophers would ignite their ideas into political movements1. Associated with this movement is England’s John Locke who advanced the concept of “empiricism”. This denotes that accepting knowledge of matters of fact descends from experience and personal involvement1. Locke’s concept assisted the improvements of microscopes and telescopes allowing art students in the French academy to observe real life1. Science and experience influenced painting more so in Neo-Classicalism. Locke fought for people’s rights and the power or “contract” between the ruler and the ruled. Reasoning that “the Light in Enlightenment referred to the primacy of reason and intellect…and a belief in progress and in the human ability to control nature”1. Hence, the commence of experimental paintings such as Joseph Wright’s (1734-1797) oil on canvas painting: Fig.1 An Experiment on a Bird in the Air Pump. This image was developed through science by placing a bird in glass container and pumping air to see the effects it would have on the bird (White cockatoo)1. Throughout the late 18th and early 19th century in Western Europe, Neo-Classical art became the “true Style” and was accepted by the French Revolution under Louis XIV. Neo-Classical art was a reaction to Rococo’s light hearted, humour and emotion filled pieces.
African American literature is literature written about the experiences that African Americans have gone through and their culture in history. This type of literature tends to focus on themes concerning the role of African Americans within society itself and issues of African American culture, equality, slavery, freedom, and racism. Beloved by Toni Morrison describes how one woman’s escape from slavery leads to enslavement of her spirit. In order to truly be free, Sethe and the other characters discover that they must release memories of the past or they will remain haunted by it. The effects of slavery fed the emotions of every character in the novel because it is not something a person can forget. Morrison shows the challenges of going through
During this essay the trail of Socrates found in the Apology of Plato will be reviewed. What will be looked at during this review is how well Socrates rebuts the charges made against him. We will also talk about if Socrates made the right decision to not escape prison with Crito. Socrates was a very intelligent man; this is why this review is so critical.
Rap artist tell their life story through rap. Not only do they tell their story, but they also have a moral to their story. Tupac was one of the greatest rappers of all time. He was murdered at the age of 25. He is still, even in death, one of the most influential artists in the lives of urban people. Tupac told his life, from the beginning to the end, in his music. He was in a gang, he did drugs, and he was also known as a “thug.” If peop...
Socrates reaches a conclusion that defies a common-sense understanding of justice. Nothing about his death sentence “seems” just, but after further consideration, we find that his escape would be as fruitless as his death, and that in some sense, Socrates owes his obedience to whatever orders Athens gives him since he has benefited from his citizenship.
The art nouveau style evolved throughout Europe and many artists adopted or conformed to the organic style presented. Two stand out artists for me, that I have always had an interest in, are Antonio Gaudi and Charles Rennie Mackintosh. Both are regarded as art nouveau artists however they both have very different styles in my eye. In comparision, their lives have many simalarties, with early life influencing the artists they became, and the legact they both leave behind. In this essay I am going to compare their lives, styles, influences and legacies.
I had lost everything at this point. My schooling was going down hill, my friends were non existent, and my family didn't bother to claim me. My world quickly became a dark Allen Poe poem. Throughout all the turmoil I endured, God must of seen how hard I was clinging on to my faith. A year later I ended up being blessed when my grandparents took me in. I then moved from Pennsylvania to Georgia and you could only imagine the cultural shock. When the initial move in happened it was nothing but chaos. I had been through so much as a child my trust in others was diminished. I didn't care for school or anything around me for that matter. As the years progressed my grandparents reminded me that I am a beautiful young woman who can amount to anything and everything I want to. Throughout my high school career I joined clubs, and improved my grades. I had always been so afraid to join any type of sport. I would sit on the side lines of my brother and sisters games and sit there in awe, wishing it could be me on the field. My 11th grade year i finally muster the courage to try out for lacrosse. I was blessed to become apart of the first ever Locust Grove lacrosse time who ranked #3 in
... haber estudiado y analizado el cuento “El Otro Yo” he llegado a la conclusión de que el ser humano no tiene la posibilidad de entender algo tan complejo como lo es la realidad. La realidad, como los estereotipos sexuales y costumbres de una cultura, es un universo que abarca todo y la comprensión que tenemos de ella puede ser forjada como algo personal o como algo general. De acuerdo con Cognitum (2011), “Mario Benedetti por medio de su obra nos muestra que no somos consientes de los objetos que nos rodea. Los elementos utilizados por el autor a lo largo del texto sirven para indicar la complejidad del tema. La vida nos es mostrada como algo que es imposible de descifrar completamente.” Desde los aspectos tan básicos que hacemos diariamente, las personas que frecuentamos y lo que creemos son elementos que pueden como ciertos como o pertenecientes a otra realidad.
Neoclassicism is an artistic style influenced by the Greek and Roman that students observed the first antique art works and reproduced them. Their inspiration came from the Greek mythology and used it as the resource. The definition of the Neoclassicism is that they emphasized on the historic subject matter, and moreover, the solemnity of composition. The Neoclassical style usually showing order and rational illusion in the works. The color usage is clam and the brushstroke is often being visible. Numbers of outstanding painters in this era, but the best-known painter is Jacques-Louis David. His famous painting is The Death of Socrates, which reveals a rational, solemn scene. In contrast, Romanticism expresses on emotion and imagination more than the Neoclassicism. Painters focus on the nature, violence, and legends of their paintings. In addition, emotional exploration had extended into the animal world that they will used animals as the metaphor of human behavior. Because of the influence of the Baroque eras, Romanticism is usually produces dramatic art