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Machismo in Hispanic culture
Machismo in Hispanic culture
Literary analysis catch 22
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El diccionario Merriam-Webster (2014) define la palabra "machismo" como "una actitud, la calidad o la forma de comportarse que está de acuerdo con las ideas tradicionales acerca de los hombres que es muy fuerte y agresivo." Esta idea de la masculinidad sigue construyendo las ideas predeterminadas de lo que debería ser la identidad queridos en el mundo, pero aún más grave en la comunidad latinoamericana. Armando, el personaje principal de la historia "El Otro Yo", por el escritor uruguayo Mario Benedetti, se encuentra con muchos problemas relacionados con la identidad. En esta composición, me gustaría formar un análisis textual del cuento "El otro yo" con el argumento que la idea de cómo la identidad de uno puede ser conformado por elementos externos que se cree para definir su propia identidad. También me gustaría argumentar que estos factores externos en el relato de Benedetti son los estereotipos de roles sexuales que todo el mundo se enfrenta en todas las sociedades y culturas de este planeta.
En el relato por Benedetti "El otro yo,” encontramos un hombre que es muy, como Benedetti lo describe, "un muchacho corriente” (75). Benedetti describe lo que lleva: "los pantalones sí le formaban rodilleras” (75). Esto puede crear una imagen de alguien que conocido, o como forastero con quien te encuentras en la calle. Entonces, tenemos aquí la capacidad de mirar a través de su vida, cuando Benedetti nos decir que el hombre corriente "leía historietas, hacía ruido cuando comía, se metía los dedos en la nariz, y roncaba en la siesta..." (75). Cada una de estas acciones forman unas imágenes de un hombre muy normal, con una vida muy normal sin incidentes. Así lo afirma el escritor Mario Benedetti en "El Otro Yo", diciéndonos que el hombre ...
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... haber estudiado y analizado el cuento “El Otro Yo” he llegado a la conclusión de que el ser humano no tiene la posibilidad de entender algo tan complejo como lo es la realidad. La realidad, como los estereotipos sexuales y costumbres de una cultura, es un universo que abarca todo y la comprensión que tenemos de ella puede ser forjada como algo personal o como algo general. De acuerdo con Cognitum (2011), “Mario Benedetti por medio de su obra nos muestra que no somos consientes de los objetos que nos rodea. Los elementos utilizados por el autor a lo largo del texto sirven para indicar la complejidad del tema. La vida nos es mostrada como algo que es imposible de descifrar completamente.” Desde los aspectos tan básicos que hacemos diariamente, las personas que frecuentamos y lo que creemos son elementos que pueden como ciertos como o pertenecientes a otra realidad.
The novel El Sonador is about a boy that finds beauty and wonder everywhere he goes. Neftali is the type of boy who is really shy and likes to spend most of his time alone reading, writing, and daydreaming. When he grows up, Neftali wants to help others that do not have the power of expressing themselves. His father mocks his dreams because he has already planned his son's future.
In Mario Suarez’s essay “El Hoyo” it is mainly about a small section of the city of Tucson. It is the area that has been inhabited by Chicanos. The term chicano is the short way of saying Mexicano. Suarez explains the good and the bad about El Hoyo. He says that he does not understand why people come back to El Hoyo, but there is something unexplainable about it that it does. It is possibly the human kindness of El Hoyo that brings people back.
The video “La Raza de Colorado: El Movimiento” and the exhibit “El Movimiento” at UNC’s Michener Library chronicle the struggles and triumphs of Mexican Americans in Weld County and throughout the state of Colorado. Visitors of the exhibit can see different graphics and pictures posted on the walls depicting many of the important events such as the protests against Kitayama farms in the 1960’s which aimed at improving working conditions and pay, especially for women. Not only were farm workers being exploited, but factory workers lacked appropriate conditions as well, to help with this, several groups such as United Farm Workers, Brown Berets and Black Panthers organized a united front in order to launch strikes and boycotts against offending farms, factories and businesses which oppressed and exploited minority workers. Another source of dissent was the Vietnam war. Minority groups felt that White America was waging a war against colored
¡Diles que no me maten! A short story by Juan Rulfo, which depicts the reality of a peasant’s life in rural Mexico. This short story is about a farmer who had a disagreement with the landowner after asking if he would be able to share his animals’ food. Due to the refusal the farmer sneaked his animals at night to feed them; however, when the landowner found out he killed one of the farmer’s cattle. As a result, the farmer killed his landowner; consequently he had to hide for over 40 years only to be murdered later on by the landowner’s son. This paper will discuss the following ideas; themes explored in the short story such as family, death and revenge. Then, an analysis of the strong need of survival and the symbolism of corn crops. Continuing to the structure of the short story and what it adds up to the overall understanding of the story. Finally, there will be a conclusion of all the aspects and what findings are reached after reading this short story.
Sor Juana Ines de la Cruz was born on November 12, 1651 to an upper classfamily in colonial New Spain. As a child, she exhibited a lot of curiosity for the world around her and people noticed that she was a child prodigy. She moved to the capital in order explore these intellectual pursuits and eventually joined the Jeronymite religious order to avoid marriage. During the 17th century, the clergy viewed women as the daughters of Eve and associated them with evil and sin. Thus, women needed to remain within the domestic sphere to live a godly and controlled life. Sor Juana entered the covenant to continue her intellectual endeavors because she could study a number of different subjects. However, she felt conflicted about the role of science and religion, women’s place in society, and a number of other issues. The clergy eventually forced Sor Juana into submission and she ended all of her intellectual pursuits. She eventually died of smallpox in 1695.
Cultural misunderstanding and failure to communicate between Dr. Brown and Arturo’s mother led to his overdose and almost led to his death. Arturo’s medical issues was clouded by cultural misunderstanding and miscommunication by Dr. Brown, by writing the medical prescription which means one thing in English and totally a thing in Spanish, which led to Arturo’s mother to make him take more pills than necessary, in order to make up for the days he missed taking the pills.
El Recado es un cuento de la esperanza y amor. La protagonista viene a visita Martin, pero el no esta en su casa. Entonces ella esperas en peldano, y esperanza que el aparece pronto. Esperanza es una palabra muy importante en el cuento. La palabra es usado directamente tres veces en la obra 26, 31, y 39. Tambien en el principio de el cuento todo es de un afecto sensual. Mientras ella esta en el peldano vea el jardin de Martin. Da caracteristicas humanos (personificacion) a los flores en el jardin ( 6-7), estos caracteristicas como honesto y graves probablamente tambien de su amante. Luego ella hace una comparacion directa entre el y el jardin “Todo el jardin es solido, es como tu, tiene una reciedumbre que inspira confianza.” Este oracion no solamente tiene un simil, pero tambien ayuda en mostrando la comparacion a un mujer de un hombre. El hombre es personificado con palabras de fuerza, mientras todo el cuento muestra una mujer debil.
Overall, in Julia Alvarez’s “Bilingual Sestina” the repetition sheds light on the author’s situation and the difficulties she faces when assimilating into a new culture. Accustomed to Spanish since her childhood, the language evokes an inviting and comforting feeling for her as it also articulates nostalgic memories. On the other hand, she struggles and faces several conflictions with English as she does not currently have memories or passions that are connected with the English culture. By the end of the poem, the author resignedly admits that she wishes to familiarize herself with English and form new memories that will help make the language significant for her. Although it will not be simple for her native tongue in Spanish to fully comprehend English, it is important that we do not let the nature of words limit us and our perceptions.
As his intimate family life at home ended, so did his childhood. The sounds of his family speaking Spanish were sounds of his childhood. When his family stopped using Spanish as their home language it shattered an intimate bond. Only when he established trust though friends in English and distinguish intimate voices, he was able to hear himself addressed as an intimate at home again. Spanish for him was associated with closeness. He does not "credit to language what he should credit to his family members" (35), which he feels is a convenient mistake many often make.
Junot Diaz’s “Otravida, Otravez” depicts a perspective of life where one’s present and future always reflects their past in some way. Diaz’s representation of symbolic figures, convey how a person’s past can be carried into the future. Diaz’s use of symbolic figures includes the dirty sheets washed by Yasmin, the letters sent by Virta to Ramon, and the young girl who begins working with Yasmin at the hospital. These symbolic figures and situations remind the readers that the past will always play a major role in one’s present. Additionally, Diaz’s word choice, where Spanish words appear in many different parts of the reading, suggests that indirectly, one’s past habits are not easily broken.
Masculinity was made hegemonic, by defining power in terms of force and control. This is because men are naturally created with body physique, which is characterized by a higher controlling force than women are. Therefore, using force and control to define power naturalized male superiority. The male body was used to represent power, which was masculinized as force, physical strength, control, speed, toughness, and d...
Marianismo and machismo are the traditional gender roles in Latin America. Marianismo is the aspect of female gender roles while machismo is the aspect of male gender roles. The key belief of machismo is that men hold supremacy over women. For the most part these gender roles conform to traditional understanding of sexuality, masculinity, and femininity. There is only one key contradiction I found when it came to traditional understandings of sexuality, masculinity and femininity. Some people may confuse the meanings of gender, sex, and sexuality. Gender is what a person chooses to define themselves as: masculine or feminine. Sex is biological: male or female. Sexuality is then defined as the expression of sexual interest. These three words connect to one another.
The author connects Antonio’s anxieties about change in his life to the culture in which he lives. Ultima’s intrusion into Antonio’s life marks a crazy time of change for Antonio. Anaya reiterates Antonio’s position on the threshold of change by showing his nerves about beginning school, moving away from his mother, and facing his unusual future. The vaquero lifestyle preferred by his father renews the values of freedom, independence and mobility, all of which are rules in the vaqueros’ love of the llano. The Luna family lifestyle preferred by Antonio’s mother, but emphasizes family and productivity,
In the painting Baile en Tehauntepec, the artist, Diego Rivera, uses color, movement, light and line to reflect the significance of cultural traditions in the lives of working people. Diego Rivera uses the technique of color to emphasize the people dancing. The artist uses bright and contrasting colors such as, green, yellow and purple, to make the people dancing stand out. The vivid colors helps to bring the audience’s attention to the significant people in this painting. The colors are also contrasting to the darkness of their skin tone, which draws the viewer's eye to the light of the people dancing, causing the women sitting down in the background to blend in. Lastly, Rivera uses warm colors like yellow, red and burnt orange Light is
Rose Guilbault in "The Untranslatable Word Macho," addresses the separate meanings of the word macho between Hispanic and non-Spanish communities. As a child, the author knew the word "macho" as a desirable personality trait. She believed that her father was the ideal of the word: responsible, hard-working, strong, and honorable. However, she came to realize that modern Americans view of the word is a violent, chauvinistic and aggressive man. Eventually, it became a stereotype of all Latin men as the negative version of macho. Rose Guilbault believes that the change started during the 1960s with Hispanic women in the feminist movement. Women who traditionally viewed men, who by their uncontrollable nature were drinkers, gamblers and sexually