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More handpicked essays just for you.
Culture within organizations
Culture within organizations
Culture within organizations
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In the painting Baile en Tehauntepec, the artist, Diego Rivera, uses color, movement, light and line to reflect the significance of cultural traditions in the lives of working people. Diego Rivera uses the technique of color to emphasize the people dancing. The artist uses bright and contrasting colors such as, green, yellow and purple, to make the people dancing stand out. The vivid colors helps to bring the audience’s attention to the significant people in this painting. The colors are also contrasting to the darkness of their skin tone, which draws the viewer's eye to the light of the people dancing, causing the women sitting down in the background to blend in. Lastly, Rivera uses warm colors like yellow, red and burnt orange Light is
The black background contrast with the predominate colors of blue and red gives these colors intensity. The red and green are complementary colors that give the painting visual appeal. The green juxtapose above the blue and red gives the artwork color balance as well as implies a triangular shape. The triangular shape and pattern is repeated throughout the painting by; the bend of the flute player's elbow, the head and shoulders of the guitar player, the head and shoulders of the lady whose back is to the viewer, the body of the guitars and the location of the three right-most musicians
Alfredo Corchado — is the author of the book named " Midnight in Mexico:A Reporter's Journey through a Country's Descent into Darkness”. We are, probably, all interested in finding out the facts, news, and gossips about Mexico. This country was always associated with something mysterious. For me personally, the title of the book seemed to be very gripping, I was interested in revealing the secrets of life in Mexico, thus I decided to read this book. I was really curious, what can Alfredo Corchado tell me about the life in this country, the country, where the constant massacre is the picture, people used to see. In his book, the author tells the reader about the real situations, which took place in Mexico, reveals the secrets of the people’s lives and tells the story from the “inside”. He describes the way he lives his life, and does his work. The " Midnight in Mexico: A Reporter's Journey through a Country's Descent into Darkness” is a memoir. Author tries to transform his own experience into the story line. Corchado shows the reader the darkest episodes of Mexican society, while relying on his own experience.
Many countries have the pleasure of celebrating Independence Days. These historic holidays are filled with nationalistic celebrations and delicious traditional food. In Chile, the natives celebrate their break from Spain with Fiestas Patrias. In Mexico, the president begins the celebration by ringing a bell and reciting the “Grito de Dolores” and he ends his speech by saying “Viva Mexico” three times.
Through the study of the Peruvian society using articles like “The “Problem of the Indian...” and the Problem of the Land” by Jose Carlos Mariátegui and the Peruvian film La Boca del Lobo directed by Francisco Lombardi, it is learned that the identity of Peru is expressed through the Spanish descendants that live in cities or urban areas of Peru. In his essay, Mariátegui expresses that the creation of modern Peru was due to the tenure system in Peru and its Indigenous population. With the analyzation of La Boca del Lobo we will describe the native identity in Peru due to the Spanish treatment of Indians, power in the tenure system of Peru, the Indian Problem expressed by Mariátegui, and the implementation of Benedict Andersons “Imagined Communities”.
Vendidos or the sold out ones by Luis Valdez is an enlightening film about the Mexican struggle for survival in the United States. It is thought provoking and challenges the viewer to question some of the history and values that American education has engrained into our lifestyle. Although, the film is only about twenty-five minutes long, it is packed with symbolism and information about the Mexican history in the US. In particular, the film explores the Mexican identity issue.
The painting entitled `Zapata con el caballo de Cortés` was painted in 1931, eleven years after the end of The Mexican Revolution, by the Mexican muralist – Diego Rivera. It represents the social economic and political revolution in Mexico led by peasants under the conduct of Emiliano Zapata against the authoritarian regime of the former president - Portfolio Diaz. In this analysis I will focus on the characters, the setting, the colours and the way they communicate in the painting.
“We all use stereotypes all the time, without knowing it. We have met the enemy of equality, and the enemy is us,” quoted by Annie Murphy Paul, a journalist. Human beings typically have varied mindsets as they grow up with different cultural values as well as social environment. Author Gary Soto’s “Like Mexican” compares his Mexican life with his wife’s Japanese background, while author Deborah Tannen’s “Gender in the Classroom” contrasts the “gender-related styles” of male and female students. From the two perspectives Soto’s and Tannen’s experiences’ give a universal, stereotypical point how different gender tendencies, conversational styles, and cultural background can result in a miscommunication of one’s behavior.
Cinco de Mayo, also known as the Anniversary of the Battle of Puebla, is a national holiday in Mexico that commemorates the 1862 Mexican victory over the French forces of Napoleon III in Puebla, Mexico. This holiday, celebrated on the fifth of May, has deep roots in Mexican culture, but in American-Mexican culture as well. Cinco de Mayo serves as a proud reminder of an unlikely victory, as well as a day to express and cherish Mexican pride and heritage.
Each year, thousands of women disappear or are killed as a result of sexual violence. In the crime fiction Backyard: El Traspatio, director Carlos Carrera initially depicts femicide in Ciudad Juarez as a consequence of isolated gang violence, but gradually presents the crisis as a byproduct of transnational economic collusion, governmental inadequacy, and masculine aggression. Throughout the film, Carrera embeds jarring scenes of abuse in a narrative of amorphous crime to help the viewer experience a diluted version of the trauma. Instead of presenting facts describing the effects of violence in Ciudad Juarez, Carrera chooses to fictionalize the role of detective Blanca Bravo and
In 1910, the first social upheaval of the 20th century was unleashed in Mexico. Known as the Mexican Revolution, its historical importance and impact inspired an abundance of internationally renowned South American authors. Mariano Azuela is one of these, whose novel, "The Underdogs" is often described as a classic of modern Hispanic literature. Having served as a doctor under Pancho Villa, a revolutionary leader of the era, Azuela's experience in the Revolution provides The Underdogs with incomparable authenticity of the political and social tendencies of the era between 1910 and 1920. The Underdogs recounts the living conditions of the Mexican peasants, the corruption of the government troops, and the revolutionary zeal behind the inspiring causes of the revolution. In vivid detail and honest truth, Azuela reveals the actuality of the extent of turmoil that plagued Mexico and its people during the revolution. However, before one can acknowledge The Underdogs as a reflection of the Mexican Revolution one must have an understanding the political state of Mexico prior to the Revolution and the presidents who reigned during it.
Culture is customs, arts, social institutions, and achievements of a particular nation, people, or other social group. It includes behaviors, attitudes, beliefs, values, and norms that is shared by a group of people to sustain their lives. Mexican culture is influenced by their familial ties, gender, religion, location and social class, among other factors. Today life in the cities of Mexico has become similar to that in neighboring United States and Europe, with provincial people conserving traditions more so than the Mexican living in the city. In the United States Mexican includes any person of Puerto
I was born in Mexico and raised in beautiful San Diego since the age of four. Coming to the United States at a very young age I had to face many challenges that have shaped me to the person that I am today. I consider myself a Chicana woman who has overcome the obstacles to get were I am know. Being raised in a Mexcian household has thought me to embrace my culture and its roots. The Spanish and native blood that is with in me remind me of many Americans today. The reason I consider my self Chicana is because of the similar background that I shared with many Americans today. Living in the U.S. I have learned to adapt and embraced the American culture so much so that it came a point of life were I struggled to find my own identity. Taking
Diego Rivera was deemed the finest Mexican painter of the twentieth century; he had a huge influence in art worldwide. Rivera wanted to form his own painting fashion. Although he encountered the works of great masters like Gauguin, Renoir, and Matisse, he was still in search of a new form of painting to call his own (Tibol, 1983). His desire was to be capable of reaching a wide audience and express the difficulties of his generation at the same time, and that is exactly what h...
What is culture? Many people ask themselves this question every day. The more you think about it the more confusing it is. Sometimes you start leaning to a culture and then people tell you you’re wrong or they make you feel like a different person because of your culture. I go through this almost every day. Because of the way I was raised I love Mexican rodeo but I was born and raised in Joliet. This can be very difficult trying to understand culture. I live in this huge mix of culture. Culture is personal. People can have many cultures especially in America and because of globalization. Cultural identity is not one or the other, it is not Mexican or American. Cultural identity is an individual relevant thing.
Using both English and Spanish or Spanglish the author Gloria Anzaldua explores the physical, cultural, spiritual, sexual and psychological meaning of borderlands in her book Borderlands/La Frontera: A New Mestiza. As a Chicana lesbian feminist, Anzaldua grew up in an atmosphere of oppression and confusion. Anzaldua illustrates the meaning of being a “mestiza”. In order to define this, she examines herself, her homeland and language. Anzaldúa discusses the complexity of several themes having to do with borderlands, mestizaje, cultural identity, women in the traditional Mexican family, sexual orientation, la facultad and the Coatlicue state. Through these themes, she is able to give her readers a new way of discovering themselves. Anzaldua alerts us to a new understanding of the self and the world around us by using her personal experiences.