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Through anaphora and diction he uses in the poem “Charge of the Light Brigade”, Tennyson conveys how even needless death for a cause can hold honor. In reference to the soldiers in his narrative poem, Tennyson repeats, “six hundred” throughout various stanzas but what’s most important about the anaphora he uses is the change of diction before every phrase. In the end of the first two stanzas, he says, “Into the valley of Death / Rode the six hundred” but as the battle progresses, this line changes to, “Then they rode back, but not / not the six hundred” (37-38) and, “All that was left of them, / Left of six hundred” (48-49). At the end of the poem, Tennyson manipulates the anaphora once more, saying, “Noble six hundred” (55).. The significance …show more content…
of the soldiers is shown throughout the entire poem by the anaphora and the variety of ways it’s used. Tennyson is highlighting the esteem they deserve after riding into battle and sacrificing their lives for their cause.
Reflecting the progress of the battle to the reader, it also shows the honor that the soldiers possessed. At the end of each stanza, he is reinforcing the point that the soldiers fought, that the soldiers died, and because of their sacrifice, the soldiers became heroes. Another case that Tennyson emphasizes this point is when he is describing the battle: “Boldly they rode and well, / Into the jaws of Death,”(23-24). Tennyson’s pattern so far has been to capitalize every beginning to a new word, but in these few lines he changes that and capitalizes the word “Death”. This not only draws attention to that word but gives death more meaning throughout the poem. Tennyson describes the soldiers as riding to their death, but doing it with courage. Though they had faced death and sacrificed themselves because of a mistake of a superior officer, they had still fought to the best of their ability. Their death inspires courage in others and their sense of duty makes their sacrifice deserving of honor and …show more content…
nobility. Through the extended metaphor of going out to sea in the poem ‘Crossing the Bar’, Tennyson conveys how he wants his death to be celebrated when he departs. The poem begins by describing the end of a day, “Sunset and evening star” (1). Using the day's end as a representation for the end of Tennyson’s life. When he wrote this poem, Tennyson was facing his final days and used this poem to convey his wish that his friends don’t mourn his passing, but instead remember his life happily. Then, elaborating on the metaphor, he goes on to say, “may there be no moaning of the bar/ When I put out to sea” (3-4). Using the bar as an image that represents his family and friends at his funeral, Tennyson personifies it, representing the notion of friends weeping as he departs which in turn highlights the metaphor that he doesn't want his friends to mourn his death. Reinforcing this point, Tennyson says,” And may there be no sadness of farewell/ when I embark” (11-12). This time, he makes a more direct request for his friends to not mourn his passing. The narrator embarking symbolizes Tennyson’s death. He wishes that when he passes and when he’s laid to rest, rather than remember him with sadness, his friends remember and celebrate his life. To wrap up his message to his loved ones, he finishes saying, “I hope to see my Pilot face to face/ When I have crost the bar” (15-16). Tennyson expresses that he still has hopes for the future, and how even after death his dreams and goals still live on through those he leaves behind. He uses the symbol of a pilot from his sailing metaphor to symbolize God. These last few lines are supposed to give his friends peace with the knowledge that though he may have past from the living world, he perceives it instead as the opportunity to move on and experience something new. In the poem “A Farewell”, Tennyson uses allegory and anaphora to describe how life carries on after someone dies. The poem begins with the narrator describing a rivulet, or small stream, that’s flowing out to the sea. Then, he introduces his message by saying, “No more by thee my steps shall be, / For ever and for ever” (3-4). Though not specified why, the narrator is unable to visit the rivulet again, he won’t be able to enjoy what it has to offer. Abstractly, these two lines are implying the narrator’s upcoming death. But the last line, “For ever and for ever” reflect the rivulet immortality. While the poet’s life is likely to end soon, the rivulet will always be flowing down to sea. As the poem continues, the narrator continues to describe nature: But here will sigh thine alder tree And here thine aspen shiver; And here by thee will hum the bee For ever and for ever. (9-12) The narrator gives multiple examples of nature around the rivulet that he is noticing. By repeating the phrase ‘For ever and for ever’, Tennyson implies again immortality but this time pertaining to the all of nature not just the river. It reflects again how world seems to work and act and live as time flows without being affected by it. But as Tennyson wraps up the poem, the narrator says, “But not by thee my steps shall be, / For ever and for ever” (15-16). The anaphora of the line ‘For ever and for ever’, have implied immortality throughout the poem depicting the rivulet and nature living on throughout time, but line 15 and the anaphoric phrase combined together reintroduce and strengthen Tennyson’s message. Finally, he wraps up the poem by describing how the narrator dies but even so the rivulet and nature around it still continue as before. Tennyson uses this to imply to the reader through allegory that though someone may die, life still continues on around just as before; though life is mortal, the world is eternal and death won’t stop it from moving forward. Through the use of imagery in the poem “Break, Break, Break”, Tennyson expresses his grief for his deceased friend. In the first stanza, the narrator says, “And I would that my tongue could utter / The thoughts that arise in me” (3-4). As he stands on the shore, looking out to the ocean, his grief is prohibiting him to speak though he wishes to express his thoughts and emotions. In the second stanza, the narrator describes the happiness of those around him: a fisherman’s kid, “shouts with his sister at play” (6) and a sailor singing in the bay. Though the narrator seems passive and accepting of the cheerfulness around him, it's very clear that he is separated and distant from everyone else. It isn't until the third stanza that the narrator begins to explain why he is grieving. On lines 11 and 12, “But O for the touch of a vanish’d hand, / And the sound of a voice that is still!” the narrator reveals that he is grieving for a loved one that is now dead. The first two stanzas describe how the narrator is aware that the world is moving and flowing around him and the people are still living happily. But as soon as he reveals why he is grieving, the imagery Tennyson uses in the beginning stanzas highlight that the narrator’s thoughts are not on the world around him but on the grief he feels for his deceased friend. To finish the poem, the narrator says, “But the tender grace of a days that is dead / Will never come back to me” (15-16). These last two lines highlight how the past when his friend was alive will never return. But it also reflects how time has passed and the narrator is starting to accept that his friend is gone. He realises that he will have to move on with the world around him. Alfred Tennyson was born in England, August 6, 1809 as the third son of a still growing family.
As a boy he had received a basic education at a small grammar school before being schooled in full by his father. At even a young age Tennyson loved to read and write it did not take him long to discover his love of poetry. Tennyson also went on to attend Trinity College, which is where he met Arthur Hallam. Arthur went on to become Tennyson’s closest and most trusted friend. It was at this time he began to publish his own poetry. However not long after in 1831 his father died which caused his family to be thrown into financial difficulties, and as a result he was not able to finish his degree. However, the family loss that he suffered the most from was the loss of three of his younger brothers to mental institution. Yet still troubles plagued him when two years later in 1833 Hallam died from a stroke. The losses Tennyson endured were the chief reason why so much of his poetry revolves around his take on death and loss. Perhaps the most famous example of which is the volume of poems titled “In Memoriam” which was published in 1850 which encompassed Tennyson’s sorrow at the loss of his friend. As time went on his poetry became increasingly well known and appreciated, as a result he became incredibly wealthy and was able to marry Emily Sherwood in the the same year “In Memoriam” was published. His talent with the pen even went as far as to put him on friendly terms with Queen
Victoria who later made him Lord Alfred Tennyson. He became the father of two sons, Hallam and Lionel. However, yet another loss besieged him; at the age of four in 1886, Lionel became ill and died. Tennyson was devastated at the loss of his son and published yet another volume named “Demeter and Other Poems” in 1889 to express that loss. Only three years later Tennyson died from a disease known as gout, he was buried in Westminster Abbey. He was one of the greatest poets of the time, his poetry lives on today as do his messages of death, grief and loss.
In "In Memoriam A. H. H.," a new kind of elegy with roots in the elegiac tradition, Tennyson writes, "For words, like Nature, half reveal/And half conceal the Soul within" (1045). The truth of Tennyson's statement appears in Theodore Roethke's "Elegy for Jane: My Student Killed by a Horse." Roethke conceals much about himself as a person yet reveals much about himself as a poet when he puts his grief into words.
Dickenson uses very particular diction to describe the general theme of death within the poem. She uses phrases such as, “Stillness in the air,”(Line 3) “wrung them dry,”(Line 5) and “then the Windows failed”(Line 15), to describe the events of death as well as the events leading up to death. Her choice of diction makes the reader see death a little more vividly than a person would regularly view death. In stanza two, Dickenson says:
Both poems have a propitious view of the theme of death. In “To An Athlete Dying Young” Houseman praises the young athlete for dying relatively young. He says “smart lad…not stay (9-10).” Houseman tells the athlete that he was smart to die at a young age because he can no longer witness his glory fade away as he gets older. His interpretation of death is very ironic. Many people consider it a tragedy when an athlete dies young because the athlete cannot further his career anymore, but Houseman argues that an athlete should not further his career because once he is old, he is a shell of his former self. By taking his life during a young age, the athlete gave himself eternal life in people’s mind. Moreover, in “Crossing The Bar”, Tennyson describes death as something people should not fear. Tennyson k...
The themes of the two poems are portrayed in very distinctive ways. ‘The Charge of the Light Brigade’ explains in a majestic approach, that fighting in war is something every soldier should honour. The poem is also about the loyalty of the soldiers, not the bad luck or foolishness of men. Tennyson presents this in his poem to show the bravery of the soldiers, although, he only highlights on the benefits of war.
poem as ‘the six hundred’ and then at the end refers to them as ‘the
A representation of an individual and events epitomise the extremities to which a composer will shape a situation or event to impose their purpose and shift the audiences opinion alike their own. Homecoming and Guernica can both evoke empathy within the responder, creating a complex response to the political voice being conveyed. Dawe use of the repetition of the word ‘they’re’ in the first stanza dehumanises both the dead soldiers and the collectors of the dead soldiers, which are present within the war scenario set up by the poem. This highlights that war is an unkind and unnatural process., positioning the reader to consider that the tragedy in death on a massive scale and that this is the reality of war. The repetition of the verbs ‘zipping’, ‘tagging’, ‘giving’ and ‘rolling’ emphasise the methodical production line nature of dead soldiers. It suggests that the dead
Just as Katherine Philips, poet Ben Jonson also wrote two elegies, for his son Benjamin and daughter Mary, entitled “On My First Son” and “On My First Daughter”. Jonson’s son died the early age of seven, and he expressed the strong, personal bond between them through the years Benjamin was “lent” to him. Jonson really comes from a place of sorrow and self-condemnation while writing this elegy. His approach to “...
the development of poetry and his voice can still be clearly heard. today in the twenty-first century. His poems from ‘Lyrical Ballads’. in his own words, featuring ‘incidents and situations from common life’. This indisputably incorporates the theme of loss in many of his poems.
f rounding up the sonnet as well as emphasising complete grief over the loss of Youth. The contrast with the first stanza's violence makes the reader see the different aspects of war - what happens on the battlefield, and what happens at home. Owen's poem, 'Anthem for Doomed Youth' is more appealing to me because it deals with two contrasting realities of war. His first stanza highlights the wastefulness of war (deaths of young soldiers) while the second stanza, the mourning for the dead. His sarcastic and later quiet tone reinforce the stark contrast between the different aspects of war.
How in the first stanza “the affrighted steed stood alone” entails how they were people the ones who were afraid were weeded out from the ones who stood up to fight. Having showed the poems dark nature by describing how the father dies in the third stanza stating how “your father tumbled in the yellow trenches, raged at his breast, gulped and died. Raged at his chest meaning that he was trying to hold his breath but couldn’t hold on any longer. Then when he finally inhaled the gas he perished. It is in a very morose setting. People dying left and right only bring a field of corpses. By having the word drill in their has a bigger impact than just having the word fight. In stanza two “hoarse, booming drums of the regiment”. The word hoarse brings impact to the poem becoming more aggressive with sound. Hoarse meaning sounding rough or harsh. That gives the idea that the drums are being hit real hard like it is about to break. With the word regiment however it displays the militia being patriotic. Having them beat their drums rapidly as they are about to walk into war. The concept has brought a patriotic display while being shown cruel depths that lie within it. Where it comes to the last stanza how it the sincere mother broken into to due to her son dying in the war. “Mother whose heart hung humble as a button, on the bright splendid shroud of your son”. The alliteration that was used I these two lines is a great literary device that helps show how sincere of the action that is taking place. In those lines there is also alliteration as with the repetitiveness of the letter s and h. The mother is hanging on her last leg and can’t deal with the pain anymore. How it said “shroud” which is a cloth that is wrapped around a dead person for a burial gives the sense that this is a funeral. The mother is seeing her son getting buried is very difficult and trying her best to keep
The poem comprises three stanzas which are patterned in two halves; the rule of three is ingeniously used throughout the poem to create tension and show the progression of the soldiers’ lives. There is a variety of rhyming schemes used – possibly Duffy considered using caesural rhyme, internal rhyme and irregular rhyme to better address the elegiac reality. The rhythm is very powerful and shows Duffy’s technical adroitness. It is slightly disconcerting, and adds to the other worldly ambience of the poem. Duffy uses a powerful comparative in each stanza to exemplify the monstrosity and extent of war, which is much worse than we imagine; it develops throughout each stanza, starting with a syntactical ‘No; worse.’ to ‘worse by far’ and ending on ‘much worse’. Similarly, the verbs used to describe the soldier’s shadow as he falls shows the reader the journey of the shadow, as if it’s the trajectory of soldiers’ lives. At first, the shadow is as an act...
When using the word “Death” it is capitalized as if it is a name or a person. He is then of course giving “Death” a identity. The bishop in this poem represents the government and the church, they continue to show ideas in which war would make the men feel pride and better their lives all together. With the lines stating that they will be fighting the “last attack” suggests that war shows how brave and noble the men are. In the first stanza of the poem, it continues to give promises of honor and suggests the idea that war keeps everyone safe.
To begin, Tennyson’s work In Memoriam was influenced by Tennyson’s best pal’s death. Weaver stated “In In Memoriam doubt and faith become the key elements in the pursuit of a clear answer from God.” Because Tennyson loses his best friend he grieves for him, and many times questions his own faith for the sake of his lost friend. Although this portion is not considered in out “hymnals”, Tennyson asks a great deal about what it means to die, as well as questions such as why do bad things happen to good people throughout the text. In the end, however, Ten...
Tennyson's poetry has stood the test of time because it successfully paints a time and place and reflects the feelings of the people in it. His ability to capture the feelings of uncertainty and loss that were characteristic of this time period, through his use of descriptions, diction, and pathetic fallacy made his poetry not only pleasing to the ear, but also historically important. He surpassed Wordsworth and other poets of his generation as Poet Laureate because his poems capture the important social issues of the Victorian Age such as the shift in religious belief as a result of science, the confusion surrounding women's roles in society, and the isolation that came as a result of the rapid social and economical changes that occurred.
The first quatrain of the poem begins undermining the idea of death by personifying it. Death is personified by Donne throughout the poem as he challenges death by stating that it is not the “mighty and dreadful” aspect of life that people are afraid of, but as an escape from life where people can find peace after death because “nor yet canst thou kill me” (Donne 1100). He argues that death does not really kill those whom it thinks it kills to further beat death into humility. In the opening line of the poem he uses an apostrophe, “Death, be not proud..” to begin with a dramatic tone to argue with death as people’s adversary (Donne 1100). Death is given negative human traits, such as pride, but also inferiority and pretense.