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The help film analysis essay
Psychology of american beauty
Analyze American Beauty
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Dana Sheets-Nichols
Wells 7
December 31, 2014
Essay #3: Film Analysis
The film "American Beauty" is more than a biting satire on suburban life, it is a somewhat contrived story is meant to be an allegory that begs the question: what is beauty? American Beauty presents a cast of peculiar, almost cartoon-like characters and feels more like an assemblage of metaphors rather than the stories of real-life people, that the audience can actually relate to. "Look closer," the film's tag-line tells us. Look closer at the beautiful things we yearn for and spend our life chasing. The characters in "American Beauty" are yearning to fulfill a dream that they think will somehow get them out of their miserable life:
•For Lester Burnham, it is an overwhelming
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Only seconds into the film, is the audience flying above suburban America as the shot slowly pans onto a tree-lined street; Lester narrates out of the picture. Lester’s first establishes what will be the key motifs of the film -- a plot of betrayal, insecurity, prejudice, disguise, unconformity, anger, laughter, depression, love, violence, and above all else, beauty. “My name is Lester Burnham, this is my neighborhood, this is my street, this is my life. I’m 42 years old, in less than a year, I’ll be dead. Of course, I don’t know that yet. And in a way, I’m dead already.” During the film Lester is dealing with a mid life crisis, his marriage with Carolyn has slowly diminished and what relationship he has left with his daughter is tense and awkward. Lester makes it a point throughout the film to regain control over his life. Take for example a scene where Carolyn and Jane are impatiently waiting for him in the car. Carolyn honks the horn, as they are late for work. Rushing to the car, his briefcase suddenly springs open and his papers spill all over the driveway. He drops to his knees and smiles sheepishly. Narrating the scene, Lester explains “Both my wife and daughter think I’m this gigantic loser, and… they’re right, I have lost something. I’m not exactly sure what it is, but I know I didn’t always feel this…sedated. But …show more content…
When showing Jane the video of “the most beautiful thing he ever saw,” a close-up picture of "beauty" captured on film (a discarded plastic bag dancing in the wind). Ricky says “that’s the day I realized that there’s this entire life behind things…and this incredibly benevolent force that wanted me to know that there was no reason to be afraid, ever. Video’s a poor excuse, I know, but this helps me remember, I need to remember.” Throughout the film it is shown that Ricky can find beauty in just about anything -- his first reaction upon discovering Lester Burnham shot dead is to watch with passionless fascination the blood slowly ooze from the fresh wound in his head. Ricky’s version of American Beauty is completely disconnected from the reality of the people and real life that surround
To elaborate, Scott argues that as a picture interpreter, we must make a distinction between the “ideal and the real,” to understand the true meaning of an image. She argues how the Gibson Girl and the American Girl were two idealised visions of modern beauty and femininity which made women to try to be like them. These two girls became markers of their decade, ...
First, Connie and her mother focused on outward beauty rather than inward beauty, which can never be tarnished. Connie’s mother was jealous of her daughter’s beauty, because she knew she could no longer attain the beauty that she once possessed. She often scolded her daughter for admiring her own beauty in order to make herself feel more secure inside. Connie did not try in the least bit to make her mother’s struggle any easier, but instead gawked at her own beauty directly in front of her mother, and often compared her own beauty to others.
Not long ago, a woman’s success was measured by the success of her husband and her domestic prowess. Today, a woman is presumed successful if she can emulate the standards of beauty portrayed in the media. Unfortunately, this subliminally enforced standard is unattainable to some women, regardless of the quality of their character. Let’s examine how western women went from being pioneering superheroes, to people who measure their worth against airbrushed photographs of impossibly beautiful women.
The sacred and profane are slathered all over the characters of American Beauty and their motivations. Durkheim's (1912) idea of the scared is that it is ideal that society holds itself to, the “dream.” In this case, rather than a specific religion, the characters are cradled in the religion of the “American dream.” We know that the “American Dream” is a suitable source of the sacred because “Sacredness does not require a God. Flags, national holidays, and other markers of collective solidarity are sacred in the same way— and serve the same group- binding function—as crosses and holy days”(Graham and Haidt 2011). There are several manifestations of the sacred throughout the film, taking the forms of the beautiful Angela and the successful Buddy. While we see these manifestations of the sacred, it must be remembered that the power of the sacred is that is does not have any real existence in the world. Lester, and others like him, have the idea of something higher, more beautiful, more free, and greater than what he has. “In a word, above the real world where his profane life passes he has placed ...
...the passive salesman and the aggressive quitter. Where Willy Loman quickly makes society's ideals his own and then falls victim to his own dissatisfaction, Lester achieves happiness because he rejects the standards that society sets for a middle-aged man.
...re the authentic version of Caroline, the authentic version of his daughter, and to be his true self. Through realizing this, he is able to see the beauty of creation in life. He ends by stating, “I can’t feel anything but gratitude for every single moment of my stupid little life.” At this moment we realize Lester has determined how to use ordered love. Throughout the movie he tries to find himself through disordered love by indulging in things like an expensive car and lust for Angela. But in the end, he realizes he has to use these things to enjoy and appreciate the time that he was given in this beautiful creation.
My Mise-en-scene analysis is on American Beauty on page 217: number 1(The dinner scene). The frame itself is a very closed, tight shot; there is no way for the characters to escape and they're left with only confronting each other in this very little space. The shot of the camera isn't necessarily far away or close either. It's neutral, and we can see the full action of the family's dinner conversation happening right in front of us. My eyes were immediately attracted to the bright, white table and then my eyes focused on the faces of the family. The scene's texture is slightly fuzzy, and is not very detailed. But the character's faces are still recognizable. The foreground of this scene is the table with the man and woman sitting at each end; the middle is the girl-who is
Film Analysis of Life Is Beautiful “La vita e Bella” is an Italian film; Roberto Benigni starred as the main character, Guido Orefice, and also directed it. The film was contentious because of the way Benigni presented its content of the Holocaust with an unlikely comic slant. Some people thought that it showed a misrepresentation of the concentration camp, whilst other thought it showed the triumph. However, in March 1999 it was nominated. for seven Academy Awards including Best Picture and Best Director.
In today’s culture, depending on the person, beauty can be depicted as a positive influence or as a negative influence. Alyssa Giacobbe outlines beauty in her article, “Youth, Beauty, and An Obsession with Looks.” Giacobbe swings towards a more negative viewpoint.
Pretty Woman, 1990s Hollywood movie, embodies many new as well as old values and ideologies. I was surprised when I saw that, the old themes and sexual stereotypes are not completely abandoned, but the old portrayals of gender stereotypes are transmuted.
The movie I decided to analyze for this course was American History X (1998), which stars Edward Norton. Though this movie isn’t widely known, it is one of the more interesting movies I have seen. It’s probably one of the best films that depict the Neo Nazi plague on American culture. The film takes place from the mid to late 1990’s during the Internet boom, and touches on subjects from affirmative action to Rodney King. One of the highlights of this movie that really relates to one of the key aspects of this course is the deterrence of capital punishment. Edward Norton’s portrayal as the grief stricken older brother who turns to racist ideologies and violence to cope with his fathers death, completely disregards the consequences of his actions as he brutally murders someone in front of his family for trying to steal his car. The unstable mentality that he developed after his father’s death really goes hand-to-hand specifically with Isaac Ehrlich’s study of capital punishment and deterrence. Although this movie is entirely fictional, a lot of the central themes (racism, crime punishment, gang pervasiveness, and one’s own vulnerability) are accurate representations of the very problems that essentially afflict us as a society.
Sam Mendes’s provocative debut film American Beauty was a blockbuster after its release in 1999, wrapping up three accolades at the Golden Globe Awards, reaping nominations in miscellaneous film festivals. Beauty and reality are the two major and discrepant elements in the film. Symbolically, beauty eludes humans’ possession, and such elusion is often offset by its presenting a form of reflection on the reality. Thrills, often followed by disillusionment, of quasi obtainment of such heavenly beauty feed humans’ incessant pursuit of beauty in reality. In the film, beauty gets lurid, and reality becomes horrid. A black comedy, American Beauty achieves a Grotesque atmosphere by escalating such disparity to a peak at which the protagonist Lester Burnham irrevocably bursts to death, posing a proposition of man’s raison d’être.
The Slap and American Beauty are two texts that have utilised theme, dialogue and characterisation to represent the fundamental social construct of the family unit. American Beauty, directed by Sam Mendes in 1999 is a film that explores family, culture and identity into which it illustrates how the social construct of the family unit is being explored through characters and events in the film, to captivate the audience through the mediums that have been used. The family unit is mainly represented through the Burnham family where the family begins to struggle and become disjointed when Lester questions the idea of the family unit. The complications of not wanting to live the everyday ‘American life’ is what causes the conflicts during the film, which leads to the self-decisions of individuals.
As aforementioned, Lester Burnham is the main character. The movie centers around him and his “mid-life crisis.” He loses his job, buys a new a car, and explores different avenues in life. Lester comes to face Erikson’s generativity versus stagnation stage. With the changes and realizations he comes to, he is forced to decide whether he will focus on his own creativity or “turn outward from the self towards others.”
As stated by ‘The Duchess’, Margaret Wolfe Hungerford’s famous quote “beauty is in the eye of the beholder.” As a result, beauty can describe as an inspiring view present in everything that can be seen. To begin, beauty can be viewed in a building as large and extravagant as the white house to the small hometown market or even in the sight of a single flower to a field filled with a million flowers. Also, beauty can be seen in the sunrise over the peaks of the mountains and also in the sunset glowing across a calm lake surrounded by the bright colors of the fall trees. Furthermore, people have physical beauty, which can be found in a person’s features, figure, or complexion. In the poem “Beauty & Dress” by Robert Herrick he explains the beauty he sees in his wife. Herrick states,