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Effects the American dream has on people
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Durkheim's concepts of the sacred and the profane has dominated religious and social commentary for decades. While these two, inexorably linked, concepts are most often related with respect to religion, we can apply them to the almost-religion of the “American Dream” for the purpose of analyzing the lives of Lester and Carolyn Burnham, Buddy Kane, and Angela Hayes in the film “American Beauty.” In “American Beauty” the experiences of the characters illustrates the dichotomy between the sacred and profane, the morality associated with the sacred and profane, and the influences the sacred and profane have on the characters. The sacred and profane are slathered all over the characters of American Beauty and their motivations. Durkheim's (1912) idea of the scared is that it is ideal that society holds itself to, the “dream.” In this case, rather than a specific religion, the characters are cradled in the religion of the “American dream.” We know that the “American Dream” is a suitable source of the sacred because “Sacredness does not require a God. Flags, national holidays, and other markers of collective solidarity are sacred in the same way— and serve the same group- binding function—as crosses and holy days”(Graham and Haidt 2011). There are several manifestations of the sacred throughout the film, taking the forms of the beautiful Angela and the successful Buddy. While we see these manifestations of the sacred, it must be remembered that the power of the sacred is that is does not have any real existence in the world. Lester, and others like him, have the idea of something higher, more beautiful, more free, and greater than what he has. “In a word, above the real world where his profane life passes he has placed ... ... middle of paper ... ...urnal of Economic Psychology. 11(1):35-67. Retrieved February 13, 2014. (http://www.researchgate.net/publication/4839111 _The_sacred_meanings_of_money/file/9fcfd50d80f7b28cb3.pdf) Durkheim, Emile. 1912. “The Elementary Forms of the Religious Life” pp 243-254 in Classical Sociological Theory, edited by Craig Calhoun, Joseph Gerteis, James Moody, et al. Oxford: Blackwell Publishing Ltd. 2007. Graham, Jesse and Johnathan Haidt. 2011. The Social Psychology of Morality: Exploring the Causes of Good and Evil. New York: APA Books. Retrieved February 15, 2014. (http://www- bcf.usc.edu/~jessegra/papers/Graham&Haidt.in_press.Sacredness.Herzliya_chapter.pdf) Pickering, W. S. F. 1990. “The Eternality of the Sacred: Durkheim's Error?” Archives de Sciences Sociales des Religions. 69(35):91-108. Retrieved February 15, 2014. (http://www.jstor.org/stable/30114718?seq=2)
Oprah Winfrey lied on the opposite end of Zora Neale Hurston’s spectrum when she produced her atrocious rendition of Hurston’s stellar novel, Their Eyes Were Watching God. She modified characters and symbols, altered the theme and relationships, and utterly desolated the significance of the title, making it almost unrecognizable to someone who has read the book. Winfrey totally eviscerated Hurston’s unsurpassed novel, extrapolating what she thought important without going in depth in to the true meaning of the story. Oprah took Hurston’s writing and morphed it into her own abominable movie.
Tony Kushner, in his play Angels in America, explores a multitude of issues pertaining to modern American society including, but not limited to, race, religion, and sexual orientation. Through his diverse character selection, he is able to compare and contrast the many varied experiences that Americans might face today. Through it all, the characters’ lives are all linked together through a common thread: progress, both personal and public. Kushner offers insight on this topic by allowing his characters to discuss what it means to make progress and allowing them to change in their own ways. Careful observation of certain patterns reveals that, in the scope of the play, progress is cyclical in that it follows a sequential process of rootlessness, desire, and sacrifice, which repeats itself.
In each of the authors essays in this book, is the truth of the smut and other things of the American ideal. You could say it is a liitle bit Weber's Protestant Ethic meets Larry Flynt. In each scenario, whether through agricultural facility and personal liberties, in the case of marijuana criminalization; immigrants in search of a better life, in the case of stigmatized farm workers; or punishing a successful businessman because of his lack of morals, Eric Schlosser returns to the unpleasant image of America as a bundle of hypocrisies.
The Deads exemplify the patriarchal, nuclear family that has traditionally been a stable and critical feature not only of American society but of Western civilization in general. The primary institution for the reproduction and maintenance of children, ideally it provides individuals with the means for understanding their place in the world. The degeneration of the Dead family and the destructiveness of Macon's rugged individualism symbolize the invalidity of American, indeed Western, values. Morrison's depiction of this ...
In Chidester’s book Authentic Fakes, he argues that over the years, the blurred line between popular culture and religion has become stronger. The area where the two intertwine creates the middle zone. In this middle zone are several categories including: sacred icons; intense, ritualized performances; sacred games; and communities of allegiance, all characteristics that consist of elements of both popular culture and religion (CITE). Basically, sacred icons are symbols that have become prominent in society (Chidester 4). They are powerful and many of these icons take on both religious and secular qualities. Intense, ritualized performances involve some sort of interaction between the two parties involved and inspire “collective efferverscence,” a term coined by Emile Durkheim that essentially describes the energy that creates group unity and identity (CITE). Sacred games, such as baseball, involve many similar elements to religion, such as tradition, allegiance, and rituals, as well as a common worldview (CITE). Finally, communities of allegiance are devoted followers, who partake it rituals to show their commitment to the group and whoever or whatever they are admiring (CITE). Overall, Chidester’s theory emphasizes that there are ambiguous concepts, figures, and movements that cannot be neatly categorized as either solely religious or solely
“She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight,” (11). The novel, Their Eyes Were Watching, God by Zora Neale Hurston, tells a story of a woman, Janie Crawford’s quest to find her true identity that takes her on a journey and back in which she finally comes to learn who she is. These lessons of love and life that Janie comes to attain about herself are endowed from the relationships she has with Logan Killicks, Joe Starks, and Tea Cake.
Over the years America’s ability to address taboo issues by channeling them through popular culture has become increasingly popular (Pruitt, 2007). Among the many taboo issues as evidenced by the number of mainstream films which minimally address the matter, is the issue of men living on the down low (Hamilton, 2009). An example of such is the 2011 film “For Colored Girls.” The film like many bring up the issue of men being on the down low, but they have neglected to go in-depth as to why men chose this lifestyle – rather than the age old notion that they fear social rejection (Pruitt, 2007). As it relates to the drama “Angels in America,” written by Tony Kushner, the work does a great job highlighting men who have secret lifestyles and two of the characters within the drama that exemplify characteristics of living on the down low – Joe Pitt and Ray Cohn (Kushner, 1993)
In Tony Kushner’s play “Angels in America” the strong concept of “identity” is explored through each character. Factors such as religion, sexuality, and social class play a role in assigning the play’s characters with their own sense of individuality. Living in such an unaccepting world, at times it can be hard to find your true self. Throughout Tony Kushner’s play “Angels in America”, there are quite a few characters who have trouble accepting themselves for who they really are. Whether it is striving for a new identity, or being limited by one according to social standards.
With an apparent secular nature, this play, which is also a feature film, has a large amount of religious rhetoric that is encompassed in humor, rebuke, remorse, and in song. This play is captivating to audiences because of its unique ability to relate religion to everyday struggles in a relevant and “easy-to-read” format.
14 One might think that the standard cognitive view of moral judgments evades the burden of
(Jensen, 2005, p. 69) could be compared with the importance of desired moral reasoning. The
In the mist of the ubiquitous moral relativism and pluralism that appears to permeate every inch of the current postmodern society, Flannery O’Connor stands as a bastion of Christianity, unabashedly proclaiming that her Christian dogma “enlarges [her] field of vision” and allows her to masterfully craft stories with a reverent respect for mystery (Mystery 146). Even though their generation could now “face total extinction” from science, O’Connor’s peers increasingly hailed scientism as supreme and rejected the supernatural, but O’Connor maintained her Christian worldview and explicitly conveys her religious views throughout all of her short stories (Mystery 41). O’Connor, a devout Catholic and a unique writer from the mid-twentieth century, includes a “moment of grace” in her short stories in which the protagonists experience a violent and grotesque act that simultaneously brings anguish and enlightenment to the characters by “returning” them
Before diving into Johnathan Haidt’s, The Righteous Mind, I was curious about how he would explain the dividing factor that seems to split different religious and political groups. Even after just reading the first part in this book, I gained a new perspective on how we make decisions and knowledge on some of the factors that can play an influential role in the decision-making process that might set us apart from others. Specifically, this reading has made me rethink my definition of moral reasoning, led me to understand how we may have no initial justification to our thoughts and actions, and how we may benefit from understanding moral reasoning.
Tony Kushner’s play, Angels in America, comments on a number of social issues of its time; ranging from political to societal. Additionally, it incorporates many concepts discussed in the Modern Condition courses. Thinkers such as Nietzsche, Borges, and DeBeauvoir are specifically represented in the play through the characters presented. Kushner uses his characters to convey the ideas of these thinkers in the context of the culture the play takes place in.
Morality: again, more subjective, relative, provisional and ambiguous, less authoritative and 'public', more local and shifting