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What are Janie's characteristics when they were watching god
Zora neale hurston their eyes were watching god opening paragraph
What are Janie's characteristics when they were watching god
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Oprah Winfrey lied on the opposite end of Zora Neale Hurston’s spectrum when she produced her atrocious rendition of Hurston’s stellar novel, Their Eyes Were Watching God. She modified characters and symbols, altered the theme and relationships, and utterly desolated the significance of the title, making it almost unrecognizable to someone who has read the book. Winfrey totally eviscerated Hurston’s unsurpassed novel, extrapolating what she thought important without going in depth in to the true meaning of the story. Oprah took Hurston’s writing and morphed it into her own abominable movie. Oprah’s first mistake, changing Janie’s character to making her equal to men, strengthened Janie in order to show that she controlled her life. Zora Neale Hurtson wrote Janie as a woman subordinate to men, such as Logan Killicks or Joe Starks. “‘She’s uh woman and her place is in de home’” (Hurston 51). By making Janie lesser to men, Hurston portrays the way that men treated women in the 1920s and 1930s and how their husbands expected their wives to act. Janie, a wife, and strictly that, bound to the things that wives existed, at the time, to do had known that she had to follow these unspoken rules and act subordinate to men. Oprah’s change creates an essence of strength for her character in order to make Janie independent and that she does what she wants. In the movie, she played checkers with the people of Eatonville, mouthed off to Joe in front of the town, and even worked in the field with Logan Killicks. Joe Starks nor Logan Killicks would not allow Janie to do these things as the men believed that a wife should do her womanly duties of cooking and cleaning, not a man’s work. Oprah’s alteration created equality with Janie’s character, ther... ... middle of paper ... ...ve-miller.hubpages.com/hub/Movie-vs-Book-Their-Eyes-Were-Watching-God>. "SparkNotes: Their Eyes Were Watching God: Plot Overview." sparknotes. SparkNotes, Web. 20 Nov. 2013. . "Their Eyes Were Watching God Summary." shmoop. Web. 20 Nov. 2013. . "SparkNotes: Their Eyes Were Watching God: Chapter 17-18." sparknotes. SparkNotes, Web. 25 Nov. 2013. . "Their Eyes Were Watching God: Literary Critic Review Article." theireyeswerewatchinggod-awwoetzel.blogspot. Web. 20 Nov. 2013. . Their Eyes Were Watching God. Dir. Darnell Martin. Perf. Halle Berry. Harpo, 2005. DVD. Created using MLA Citation Maker on www.oslis.org.
"I think I was half prepared, in my dark, demented state, to see God, bearded and gray as geometry, scowling down at me, shaking his bloodless finger. (53)
Janie Crawford in the movie Their Eyes Were Watching God and Janie in the novel Their Eyes Were Watching God differed tremendously in character. While reading the novel everyone would have read that Janie a young mixed female who did not come from much money, she never met her parents and Janie tries really hard to find herself even through some of the obstacles she faces. Janie in the book never like she equaled to the men she married because she already knew she was not above or better in any way . That was really the only time Janie really said something that was disrespectful and out of the way. Watching the movie everyone should see a major change in Janie’s whole character Oprah made Janie a more outspoken, uncouth, and a gallant person who had a different personality. Janie in the book would have never been so rude to Pheoby like she acted towards her in the movie becau...
In the novel “Their Eyes Were Watching God”, by Zora Neale Hurston there were many contrasting places that were used to represent opposed forces or ideas that are central to the meaning of this work.
This excerpt from Zora Neale Hurston’s book, Their Eyes Were watching God, is an example of her amazing writing. She makes us feel as if we are actually in her book, through her use of the Southern Black vernacular and admirable description. Her characters are realistic and she places special, well thought out sentences to keep us interested. Zora Neale Hurston’s art enables her to write this engaging story about a Southern black woman’s life.
Janie does so by choosing her new found love with Joe of the security that Logan provides. Hurston demonstrates Janie's new found ‘independence’ by the immediate marriage of Joe and Janie. Janie mistakenly chooses the pursuit of love over her pursuit of happiness and by doing so gave her independence to Joe, a man who believes a woman is a mere object; a doll. By choosing love over her own happiness Janie silences her voice. The realization of Janie's new reality is first realized when Joe states, “...nah wife don’t know nothin’ ‘bout no speech-makin’. Ah never married her for nothin’ lak dat. She’s uh woman and her place is in de home()" Joe is undermining Janie, cutting short any chance for Janie to make herself heard. Joe continues to hide Janie away from society keeping her dependent and voiceless. As Janie matures, she continues to be submissive to her husband, “He wanted her submission and he’d keep on fighting until he felt he had it. So gradually, she pressed her teeth together and learned to hush (71).” Though Janie ‘learned to hush’, and suppress herself, Janie still urges for her voice. When the opportunity came for Janie to reclaim her voice, "But Ah ain’t goin’ outa here and Ah ain’t gointuh hush. Naw, you gointuh listen tuh me one time befo’ you die. Have yo’ way all yo’ life, trample and mash down and then die ruther than tuh let yo’self heah ‘bout
Janie’s first relationship was with Logan Killicks. She married him only because she wanted to appease her grandmother. Logan did not truly love Janie, but saw her as an asset to increase his own power. Logan expressed this through several actions. He first tries to use her to "increase his profits" rather than treating her as a wife when he travels to Lake City to buy a second mule so Janie can use it to plow in the potato field because potatoes were "bringin' big prices”. When Janie later refused to work at his command, stating that it was not her place to do so, Logan told her, "You ain't got no particular place. It's wherever Ah need yuh". After Logan told her this, Janie decided she had to either escape or face becoming her husband's mule for life. Janie stood up to her husband. This is a feminist action because Janie is willing to leave a husband who makes her unhappy, which was rare act of independence and defiance for women living in the 1930’s. To free herself from her marriage with Logan Killicks, she only needed to invalidate the elements of his symbolic vision. She recognized that for Killicks marriage was primarily a financial arrangement, and his sixty acres acted both as a sign and guarantee of matrimonial un...
Hurston, Zora Neale. Their Eyes Were Watching God. Harper Perennial Modern Classics: Reissue Edition 2013
Cofer, Jordan. "The "All-Demanding Eyes": Following The Old Testament And New Testament Allusions In Flannery O'connor's "Parker's Back." Flannery O'connor Review 6.(2008): 30-39. Literary Reference Center. Web. 19 Feb. 2012.
Between the covers of the book Night is the story of a boy who had to endure the constant threat of death. He had to watch as other perished, family, friends, strangers, everyone. Yet his God had done nothing. He remained unmoved and silent. How could a God he was taught to look upon when anguished allow such savagery to
Romantic dramas are a genre of movie loved by some and hated by others. To make a satisfying romantic drama the movie must have a good balance of romanticism and realism. Why this genre is so disliked by some is because directors often overload on drama, making the story cliché and unbelievable. Their Eyes Were Watching God directed by Darnell Martin, rises slightly above the usual romantic drama. Though this movie does hold a line of realism through the movie, the amount and intensity of the issues the main character faces can sometimes be overwhelming.
The book revolves around one particular idea that God is nature and we should live close to nature, for it is our greatest teacher, and it is once again God. There is this idea in the book that God can manifest through nature, like when Janie was under the fruit tree, in nature, and was finally able to get her thoughts together, figuratively through God (11). Also in the text, Teacake, Janie and Motorboat were watching the hurricane up in the sky. The text directly restated the title, “Their eyes were watching God,” directly implying that the hurricane, a representation of nature, is God himself. This same hurricane puts the three through havoc and nearly kills them; also implying that it is God, himself, only this time, indirectly.
Jordan, Jennifer. “Feminist Fantasies: Zora Neale Hurston’s Their Eyes Were Watching God’.” Tulsa Studies in Women’s Literature 7.1 (Spring 1988): 105-117. Literature Resource Center. Web. 9 Feb. 2011.
As the high priest’s son he himself wanted to become a good priest but to become one he had to look at the place of gods with his own eyes.
2 “Their Eyes Were Watching God Reader’s Guide - Introduction.” The Big Read. N.p., n.d. Web. 28 Mar. 2012. .
When Oprah made Their Eyes Were Watching God into a movie, she changed the story beyond what Zora Neale Hurston intended it to portray. During the movie, the characters and their relationships changed. The directors portrayed Janie as a more confident, independent women. Unlike the submissive, docile Janie the readers would come to know. The unnecessary modifications made for the movie took something from the readers of an amazing book.