More handpicked essays just for you.
How Media Influence On Public Opinion
Masculinity femininity status
Influence of media informing public opinion
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The Associate is an entertaining movie that brings forth gender disparities in the workplace. Whoopi Goldberg, Laurel Ayers, portrays a financial analyst who has been stuck in a position that does not give her true credit for all of her hard work and talents. The Associate exemplifies the sexism that is occurring in the workplace through satiric wit and a strong story line. In the midst of all of the gender discrimination, Laurel seeks to venture into uncharted territory by being an owner of a corporation, which is a position traditionally dominated by men. In the beginning of the movie, Laurel has been trying to climb up in the corporation that she is working in yet she is unable to achieve such goals. She seeks the aid of collogue, Frank, …show more content…
The film’s main concept is was not about Whoopi Goldberg being black, but instead, it was more on the issues of sexism that come before the issues of race. When Laurel tries to get a sit-down with Mr. Fallon, the owner of a major corporation, he refused to meet with Laurel because she was a woman and not because of her skin. This is evident when Laurel mentions her illusory partner, Robert Cutty, and all of a sudden, Mr. Fallon is willing to meet with her; he did not meet with her because she was black because he does not even ask for the race of the fake man Laurel creates. This how the movie defines its issues to be one-dimensional on discrimination instead a multidimensional analysis all forms of prejudices. A singular dimension was a clever tactic on part of the movie writers because they could capture all of the nuances of that particular situation. With the scenes of workplace discrimination, the concepts that women cannot work as well as men, and how women can only get to the top by marrying the wealthy, the film captures all areas of gender discrimination rather than an African American Woman. If the film tried to incorporate ideas of race, then it would not accurately portray sexism as a whole because it would make the audience question whether or not it was sexism or racism that made the wealthy owners act the way they did. In other words, keeping a singular, consistent message of gender …show more content…
Camille is the allegorical representation of men’s perceptions of how women can become successful. Camille is a worker for Mr. Fallon, and from the beginning of the movie, she is driven to men who have lots of money and power. Her character is built on how men believe women should act in order to become successful. None of the men in the movie believe it to be odd that Camille is acting this way because they view her as someone incapable of achieving wealth by her own, and thus, she comes to wealthy entrepreneurs to seduce and charm them with her body. The men in this movie sexualize and objectify women as means of pleasure only to be served as the purpose for men. Camille is an allegorical character that is a symbol for success, and she is a woman who believes selling her body is the way to secure wealth. The first instance of this is when she tries to get intimate with Robert Cutty after just meeting him; she knew nothing about him except that he is wealthy. The other time she fulfills her symbol is after Laurel planned to kill of Robert Cutty after he was getting all the credit for Laurel’s success. She claims she is pregnant by his child simply in the hopes of her getting money. Laurel on the other hand is a more liberal and progressive character in the way women act because she would never subjugate herself below a man even if it meant an easy to wealth. She wanted to be
The film Jindabyne, is a story about death, marriage, and race in an Australian town in New South Wales called Jindabyne. In the film, four men go fishing, and one of them discovers the dead body of a young indigenous girl. Instead of reporting what they found to the police immediately, they decide to stay and continue fishing. They decide that there is nothing they could do for her, so they tie her legs to a tree and continue with their fishing, reporting the death only when they return home. After they are done with their weekend of fishing and report the incident, conflict starts, as the men are criticized for not respecting the dead. Through the story of the town’s reaction to the four fishermen’s response to the dead girl, the movie shows Australia to be fragmented and divided over white-indigenous relations.
She is fairly new to the work world and has lied on her resume’ to get hired, and realizes that the job is harder than she first thought. All hope is not lost because Violet assures her that she can be trained. She ends up succeeding at the company and telling her husband she will not take him back after he comes back begging for her love again.
Within Tennessee Williams's story about love and abuse within marriage and challenging familial ties, there lie three very different characters that all see the world in vastly different ways. These members of a family that operate completely outside of our generation’s norms, are constantly unsure of themselves and their station within the binary not only of their familial unit, but within the gender binary that is established for them to follow. Throughout the story of the strange family, each character goes through a different arch that changes them irrevocably whether it is able to be perceived or not by those around them. The only male, Stanley is initially the macho force in the home who controls everything without question. He has no consequences for his actions against his wife and is never held accountable for treating the people around him poorly; this lasts until Blanche arrives. Blanche is an outwardly demure, but spirited young woman who after experiencing untold misfortune breaks mentally and decides to no longer care what others may think of her. She lives her life lavishly and foolishly by having dalliances with younger or richer men who shower her with gifts and attention to get sex from her all too willing form. Her effect on Stanley is one of temptation and challenge; she continually tries to convince her sister that she is too good for the man and in turn fosters a resentment for her in him. Stella acts as the antithesis of Stanley and Blanche’s extreme personalities. She is innocence and purity where they are the darkness that threatens to overtake her life. Throughout, Stella is a pawn that they both try to use against the other to no real avail as she is determined to make the best choice for herself. In th...
The Bad and The Beautiful (1952) and State and Main (2000) are films within films that unmask Hollywood Cinema as a dream factory and expose the grotesque, veneer hidden by the luxury of stars. The Bad and the Beautiful, directed by Vincent Minnelli, is a black and white film narrated in flashback form. The films theatrical nature requires more close-ups than wide-screen shots to capture the character’s psychological turmoil. For example, Fred and Jonathan’s car ride is captured in a close-up to signify their friendship; however their relationship deteriorates after Jonathan’s deceit. While the camera zooms out, Fred stands alone motionless. Here, Fred is captured from a distance at eye-level and he becomes ostracized by the film industry and
The film opens up with Judy Bernly (Jane Fonda) showing up for her first day of work. It is quickly shown that this is her first job and she comes off as very naïve and scared. She was married and never had to have a job until her husband left her for his secretary. She seems to want to win him back so she decides to enter the workforce and also become a secretary. Judy meets Violet Newstead (Lily Tomlin). She has worked for the company for over 12 years and made it to the supervisor of her department. However, she can’t
Within the German Democratic Republic, there was a secret police force known as the Stasi, which was responsible for state surveillance, attempting to permeate every facet of life. Agents within and informants tied to the Stasi were both feared and hated, as there was no true semblance of privacy for most citizens. Directed by Florian Henckel von Donnersmarck, the movie The Lives of Others follows one particular Stasi agent as he carries out his mission to spy on a well-known writer and his lover. As the film progresses, the audience is able to see the moral transformation of Stasi Captain Hauptmann Gerd Wiesler primarily through the director 's use of the script, colors and lighting, and music.
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
“: You hungry, Gabe? I was just fixing to cook Troy his breakfast,” (Wilson, 14). Rose understands her role in society as a woman. Rose also have another special talent as a woman, that many don’t have which is being powerful. Rose understands that some things she can’t change so she just maneuver herself to where she is comfortable so she won’t have to change her lifestyle. Many women today do not know how to be strong sp they just move on or stay in a place where they are stuck and unable to live their own life. “: I done tried to be everything a wife should be. Everything a wife could be. Been married eighteen years and I got to live to see the day you tell me you been seeing another woman and done fathered a child by her,”(Wilson, 33). The author wants us to understand the many things women at the time had to deal with whether it was racial or it was personal issues. Rose portrays the powerful women who won’t just stand for the
Gay suggests another way characters within pop culture are portrayed as unlikable or at least not powerful, is by being a person of color. As stated earlier, there exists a narrow conceptualization of womanhood and femininity, which primarily mirrors the privileged class, which dominates pop culture in terms of the books we read, television we watch, ads we consume, heroines we aspire to be, and music we listen to. However there does exist different identities of what it means to be a woman. In Punks, Bulldaggers, and Welfare Queens. Cathy J. Cohen imagines the contemporary view and power of women to be in relation to their homogenized identity. This meaning, to be a woman also depends on other factors of identity; to be a woman in relation to if you are poor or rich, black or white, gay or straight, queer or fall into the dominant class. Luckily, this understanding of womanhood has somewhat expanded. The scope of racial expansion somewhat increases by moving to include Gay’s idolized Black Miss America. Unfortunately, this expansion follows the privilege trend where only a certain type of green girl is able to satisfy the role of Black Miss America. A large issue that Gay has with representation of women of color is that they are tokenized, they are stereotyped, and they are grossly generalized. Instead of this poor misrepresentation of women of color, both Gay and Cohen seek, “a new political direction and agenda, one that does not focus on integration into dominant structures but instead seeks to transform the basic fabric and hierarchies that allow systems of oppression to persist and operate efficiently” (Cohen 165). Gay concludes that inclusion of women of color in pop culture fails to portray them as more than one dimensional characters. This lack of depth is attributed to the lack of respect that women of color face in real life as well. While the
3. Throughout the movie, it was apparent that Dr. Francis and Dr. Gallo, displayed the same objective of wanting to discover the cause of AIDS; however, in terms of critical thinking, it’s obvious that they utilize different styles of critical thinking. To further explain, in one segment of the movie, Francis compares and correlates already known viruses that cause cancer, damage t-cells, and exhibit the same symptoms with what he thinks might be the cause of AIDS. However, Francis is comparing his fields of expertise in which he already knows and thinks might be true, not with what has been scientifically proven; therefore, he is using wishful thinking, a speed bump of critical thinking. There are also times in the movie, where Francis thinks
The movie I decided to analyze for this course was American History X (1998), which stars Edward Norton. Though this movie isn’t widely known, it is one of the more interesting movies I have seen. It’s probably one of the best films that depict the Neo Nazi plague on American culture. The film takes place from the mid to late 1990’s during the Internet boom, and touches on subjects from affirmative action to Rodney King. One of the highlights of this movie that really relates to one of the key aspects of this course is the deterrence of capital punishment. Edward Norton’s portrayal as the grief stricken older brother who turns to racist ideologies and violence to cope with his fathers death, completely disregards the consequences of his actions as he brutally murders someone in front of his family for trying to steal his car. The unstable mentality that he developed after his father’s death really goes hand-to-hand specifically with Isaac Ehrlich’s study of capital punishment and deterrence. Although this movie is entirely fictional, a lot of the central themes (racism, crime punishment, gang pervasiveness, and one’s own vulnerability) are accurate representations of the very problems that essentially afflict us as a society.
Before the civil rights movement could begin, a few courageous individuals had to guide the way. Dr. Vernon Johns was one of those individuals. Dr. Vernon Johns was a pastor and civil rights activist in the 1920s. Johns became the pastor of Dexter Avenue Baptist Church in Montgomery, Alabama in the late 1940s. During his time as a pastor, Johns preached many sermons on how African American people were being treated not only in the community but in society. Johns on multiple occasions upset his community through his ideas on social change. Through a sociologist perspective, many sociological concepts were displayed in The Vernon Johns Story. Some of those concepts included: ascribed status, conflict theory, deviant behavior, alienation, and
Through the course of history, women have accomplished many feats surpassing stereotypes of being only useful for their vanity. The scholar Chisholm-Burns states that “it is clear that gender bias remains a challenge for women in the workplace, particularly as they try to move up the career ladder” (312). Society has made it hard, but not impossible, for women to accomplish certain goals. Burns continues by giving an explanation of the term “glass ceiling”, which is another form of discrimination towards women. “Glass
In the novel, women were affected by racism and gender role equality more than men. Pecola is one if the main characters, and she deals with the figure of a man who violates her. The female characters in the novel were apprehended by females roles that made them feel like they were non existent. Each character had their own personality. Claudia, another character in the novel escapes her suffering by pulling apart from Shirley Temple dolls. The expectations of theses women in the novel have been created through our society, and how we view our gender
The film Family Weekend was not given a fair shake. Family Weekend is story of a dysfunctional family. Eldest daughter Emily comes up with the plan of kidnapping her parents in order to save her broken family. Emily is a driven girl who is an accomplished jump-roper. Her siblings consist of her older brother Jackson (Eddie Hassell) who is openly gay, her younger sister Lucinda (Joey King) who is movie obsessed, and her youngest brother Mickey (Robbie Tucker) who has the perfect memory. Along with Emily’s crazy siblings she also has two self-absorbed parents, Samantha (Kristen Chenoweth) and Duncan (Matthew Modine). The bases of the film story are surround by the problems that go along with Emily kidnapping her parents. Critics