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The concept of stereotypes
Society stereotypes
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A stereotype of life is that when people are teenagers they go through a phase where they test the waters with their parents and start to rebel a bit. The teenager thinks he/she is all-knowing, which would be impressive since philosophers grasp for wisdom all of their lives, and think what their parents tell them is not relevant. The story in movies usually ends with the teenager having a revelation or growing up and realizing his parent’s were right and gains respect and love for them. In a sense he comes back home, which reflects the story of the Prodigal’s Son (Luke 15) in the Bible. Augustine uses this allegorically to explain the human condition of life. Humans travel away from their vocation of “being,” and have to travel back from nothingness to themselves so that they can be fully human again. This is a common theme among works, including the movie American Beauty. This movie displays several themes that are covered in Augustine’s Confessions, some being the ideas of authenticity/inauthenticity, ordered/disordered love, and intersubjectivity, or friendship. In the books of the Confessions, Augustine praises God and confesses his sins while telling the story of his journey. The first half of the Confessions describe his journey away from himself, which include giving into his personal pleasure. The fifth book is when he has a revelation, and the rest of the Confessions gives the account of the process of getting back to himself, or being fully human. It is a path that took a large part of his life, but it in the end, he accepts his vocation of “being”. The Augustian form of the prodigal son path is one of losing oneself and finding yourself once again. The way that one becomes inauthentic is that the person follows what ... ... middle of paper ... ...re the authentic version of Caroline, the authentic version of his daughter, and to be his true self. Through realizing this, he is able to see the beauty of creation in life. He ends by stating, “I can’t feel anything but gratitude for every single moment of my stupid little life.” At this moment we realize Lester has determined how to use ordered love. Throughout the movie he tries to find himself through disordered love by indulging in things like an expensive car and lust for Angela. But in the end, he realizes he has to use these things to enjoy and appreciate the time that he was given in this beautiful creation. Works Cited American Beauty. Dir. Alan Ball. Perf. Kevin Spacey, Annette bening, and Thora Birch. DreamWorks SKG and Jinks/Cohen Company, 1999. DVD. Augustine, F.J. Sheed, and Michael P. Foley. Confessions. Indianapolis: Hackett Pub., 2006. Print.
When reading ancient texts, they are often told through an omniscient point of view, such as The Odyssey or Gilgamesh, or they are written through another person’s perspective, such as The Republic. Confessions differs in that it is told from a first-person point of view, which makes it uniquely fascinating because we get to learn firsthand how Augustine’s actions, thoughts, and beliefs affected him. In comparison with the other, often mythical, texts, Augustine is a humanized perspective into the world—neither divine nor idolized; his story resembles that of many others as a man who grew to seek both conviction and resolution in his choices. The Confessions of Saint Augustine is, at its core, the journey of an everyman through his life—a concept not far removed from contemporary media. It is the culmination of his trials, tribulations, and efforts as a young man whose development influenced by the immense possibilities of the spiritual world that surrounded him.
7-12- Again Augustines thoughts on God reflect that of the religious teachings of his day, namely those of the Neoplatonists. For example he refuses to speculate on how the soul joins the body to become an infant and even follows Plato when he suggests that this life could possibly be some kind of “living death”. He then goes into an examination of his infancy, which he depicts as a quite pitiful state. He described himself as a sinful and thoughtless creature who made demands on everyone, wept unceasingly, and gave everyone a hard time that took care of him. Though very brutal in his self examination, he later states that he does not hold himself accountable for any of these sinful acts because he simply can’t remember them.
The second circle of hell, a realm for those who fell victim of their carnal desires, is another level at which to place Augustine’s soul for he was consumed by lust in his pre-conversion days. He was encouraged by his family to learn the art of persuasion and making of fine speech when he was only sixteen. He used these skills, which he developed very well, along with his good looks to seduce as many women as possible. It was “in that sixteenth year of my life in this world, when the madness of lust. . . took complete control of me, and I surrendered to it” (Confessions, 987). He was in love with being in love. Yet, he was unable to discern between love and lust.
The second circle of hell, a realm for those who fell victim of their carnal desires, is another level at which to place Augustine’s soul for he was consumed by lust in his pre-conversion days. He was encouraged by his family to learn the art of persuasion and making of fine speech when he was only sixteen. He used these skills,...
Dir. Julie Taymor. Perf. Anthony Hopkins and Jessica Lange. Fox Searchlight Pictures, 1999.
Augustine’s interpretation of the human memory serves as an answer to the mystery that surrounds the concept and provides his readers somewhat of a “peace of mind” after reading his analyses in Book 10. Confessions is a powerful piece of philosophical literature that has helped shape modern Christianity as we read and practice.
In Saint Augustine, Confessions, he writes about his journey of finding God and Christianity. Opening each book with a prayer to God, he start off with the sin of being an infant. He then moves on to his school years and what he refers to as his sinful youth. Afterwards he writes of his adult years and the moments leading up to his conversion. He ends the autobiographical part of the book with the years after his conversion.
Saint Augustine, and Maria Boulding. The Confessions. Ed. John E. Rotelle. 2nd ed. Hyde Park, NY: New City, 2012. Print.
Augustine takes what he has experienced during his life and with details such as parallels to the Bible turns it into a narrative that he writes with an intention of educating or perhaps setting an example for any reader. Augustine writes his confessions not as a list, but as one event that flows to another- like a narrative. At first glance, it appears to be, as the title says- a book of confessions. However, it cannot solely be approached "as a penitential work, concerned with the confession of sins, which indeed it is, in some degree; but this is not Augustine's primary concern. (Bonner 164).
St. Augustine's sordid lifestyle as a young man, revealed in Confessions, serves as a logical explanation for his limited view of the purpose of sexuality in marriage. His life from adolescence to age thirty-one was so united to passionate desire and sensual pleasure, that he later avoided approval of such emotions even within the sanctity of holy union. From the age of sixteen until he was freed of promiscuity fifteen years later, Augustine's life was woven with a growing desire for illicit acts, until that desire finally became necessity and controlled his will. His lust for sex began in the bath houses of Tagaste, where he was idle without schooling and "was tossed about…and boiling over in…fornications" (2.2). Also during that time, young Augustine displayed his preoccupation with sexual experience by fabricating vulgarities simply to impress his peers. In descript...
In the “Prodigal”, the boy whom the speaker is addressing to yearns to accomplish his own goals by leaving his hometown behind and entering the urbanized world that is filled with endless opportunities and possibilities, including “[becoming] an artist of the provocative gesture”, “wanting the world and return carrying it”, and “[reclaiming] Main Street in a limo.” However, despite all these ambitious opportunities the boy wishes to pursue, he is ultimately unable to alter the perception of others who are the most familiar with his character. Rather, the people who are the most acquainted with the boy will perceive him with the same view as in the past. The thought of a newly changed boy that embraced a completely different identity while accomplishing several achievements, is incapable of affecting their perception of the past young boy from the county. This is illustrated when the speaker describes that even if the boy “stood in the field [he’d] disappear” and was still “aiming [his] eyes down the road” of opportunity, in the eyes of people who are most familiar with him, they will be unable to acknowledge this significantly changed individual. In complete contrast with those who are most familiar with him are others who are unfamiliar with his past. These individuals, whom the boy must have encountered while achieving his accomplishments,
Pretty Woman. Dir. Garry Marshall. Perf. Richard Gere, Julia Roberts, and Ralph Bellamy. Buena Vista Pictures., 1990.
The urge to merge in the society contradicts individuality. Carolyn, Janie and Lester– the Burnham family sets the framework and motion of the film. They epitomize three levels of mergence in the society or release of their individuality. Wife of Lester, Carolyn is a real estate saleswoman who craves for success. She wears delicate makeup, maintains an undulant figure, and strains to behave with decorum. In a scene while she is at her open house, she tirelessly repeats to herself, “I will sell the house today”. However, she fails; she enters a room, shutters all windows with elegance, then she cries, screams, and manically slaps herself in the face, “Shut up! Stop it! You weak! You baby! Shut up! Shut up! Shut up!” (12:42-13:22). Carolyn’s pursuit of success and social approval reveals her closing off individuality in return for mergence in society. Her rejuvenative love affair with a successful real estate agent...
Sternberg’s Theory of Love states, love has three elements: passion, intimacy, and commitment. Those three elements balance a consummate love. Sternberg concludes that the two elements, intimacy, and commitment, endure to build gradually over time. At the opening of the film it is cogent there is no affection between Lester and his wife Carolyn. It seems the only being keeping them “committed” is their “suburban family” reputation. There appears to be lots of tension between the couple. The scene I feel correlates to the concept “Love and Communication” is when Carolyn awakes from her sleep to catch her husband masturbating. She stares in his direction to ensure she is being noticed then she ferociously squirms out of bed and takes no time before she begins to interrogate him. He speaks in an assertive manner, he felt it was appropriate due to the fact that she does not occupy his sexual needs then sexually asks her into bed. Very dumbfounded, she continues on about the unjust things in their marriage then politely contradicts a
Augustine’s journey shows that he didn’t settled down into a culture, but that he took a self journey to be able to call himself a Catholic Christian. The quotes show the emotion show to his journey to religion. His religion doesn’t define him but it is a large part of him and it makes him whole because before he was constantly searching for something