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American beauty sociological review
Representations of sexuality in films
American beauty sociological review
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In this featured film, American Beauty, I’ve extricated many distinct countenances which show three diverse theories that I will explain. The first theory I will be commentating on is “Sexual Fantasies”. The next theory I will be construing is “Love and Communication”. The final theory I will be acknowledging is “Sexual Orientation”.
Sexual fantasies usually happen in the course of daydreaming, masturbating, or during sexual encounters with another person(s). The movie shows where Angela and his daughter Jane did their performance. He unhesitatingly sets in motion sexual fantasy and impulses, he begins to envision her by herself which can allow a sustainable amount of assertion of “forbidden wishes”. A forbidden sexual deed can generate it
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Sternberg’s Theory of Love states, love has three elements: passion, intimacy, and commitment. Those three elements balance a consummate love. Sternberg concludes that the two elements, intimacy, and commitment, endure to build gradually over time. At the opening of the film it is cogent there is no affection between Lester and his wife Carolyn. It seems the only being keeping them “committed” is their “suburban family” reputation. There appears to be lots of tension between the couple. The scene I feel correlates to the concept “Love and Communication” is when Carolyn awakes from her sleep to catch her husband masturbating. She stares in his direction to ensure she is being noticed then she ferociously squirms out of bed and takes no time before she begins to interrogate him. He speaks in an assertive manner, he felt it was appropriate due to the fact that she does not occupy his sexual needs then sexually asks her into bed. Very dumbfounded, she continues on about the unjust things in their marriage then politely contradicts a …show more content…
But what they are really doing is smoking marijuana in his garage before his daughter Jane arrives home. The Colonial demandingly, in the pouring rain, wearing nothing but a wife beater and a pair of trousers, walks over to Lester’s for answers as to what he thought he saw. Lester opens the garage to find the Colonial standing there and asks him if he can help him with anything. The Colonial stands there for a very short amount of time, acting very suspicious. Lester recognizes this and asks if the Colonial is okay and leans in for comfort. The Colonial misreads the situation and tries to kiss Lester. Lester pushes him away, kindly letting him know he had the situation the wrong
Miranda's friend talks about how her cousin husband was cheating on her cousin with another woman. Miranda buys a dress a mistress wears, but Dev doesn't notice. They become sexual buddies on Sundays. Her friend's cousin came to town, and asked Miranda to babysit the cousin's child. The child saw Miranda's mistress dress and asked her to put it on.
Kidd, Dustin. 2014. “Not that There’s Anything Wrong with That: Sexuality Perspectives.” Pp. 129-163 in Pop Culture Freaks: Identity, Mass Media, and Society. Boulder: Westview Press.
Ellis, Kate. “Fatal Attraction, Or The Post-Modern Prometheus.” Journal of Sex Research 27.1 (1990): 111-22. Academic Search Complete. Web. 9 Feb. 2014. .
Durkheim's concepts of the sacred and the profane has dominated religious and social commentary for decades. While these two, inexorably linked, concepts are most often related with respect to religion, we can apply them to the almost-religion of the “American Dream” for the purpose of analyzing the lives of Lester and Carolyn Burnham, Buddy Kane, and Angela Hayes in the film “American Beauty.” In “American Beauty” the experiences of the characters illustrates the dichotomy between the sacred and profane, the morality associated with the sacred and profane, and the influences the sacred and profane have on the characters.
Millar, Jeff. "The Rise and Fall of Everyman: `American Beauty' Proves Potent Family Portrayal." Houston Chronicle 24 Sept. 1999, Star ed.: 1. Academic Universe. LEXISNEXIS. Madden Lib., Fresno, CA. 13 Apr. 2000 <http://web.lexis-nexis.com/universe/>.
What is beauty? How do human beings decide who is attractive and who is not? Society is full of messages telling us what is beautiful, but what are those definitions based on? Do we consciously decide whom we are attracted to, or is biology somehow involved? The issue of beauty and how we define it has been studied for centuries. Scholars from all fields of study have searched for the "formula" for beauty. Darwin in his book The Descent of Man wrote, "It is certainly not true that there is in the mind of man any universal standard of beauty with respect to the human body. It is however, possible that certain tastes in the course of time become inherited, though I have no evidence in favor of this belief." (1) Science has tried to look at beauty beyond the conscious level. It has tried to determine what roles biology plays in human attraction. Scientists have discovered that symmetry and scent play a role in defining human attraction. (3) But while this can begin to explain beauty on the most basic of levels, what accounts for variations in the standard of beauty? The idea of beauty varies within different societies and communities. Do these cultural preferences have a biological basis? What is the relationship between biology and society in relation to the idea of beauty? How do they relate to each other, and how do they differ? In particular what role does science play in the preference that many societies, (in particular South Asian, East Asian, and North American Cultures), have for fairer skin?
A director is successful when they take the audience away from comfort and security. In the film American Beauty, director Sam Mendes effectively achieves this. Creating a sense of discomfort and insecurity throughout the film allows the viewer to have a more in depth knowledge of the underlying themes within the film. Mendes strips viewers away from a sense of comfort and security through the portrayal of a dysfunctional family and the use of aggressive verbal slurs.
Milstein, Susan A. Taking Sides Clashing Views in Human Sexuality. Ed. William J. Taverner and Ryan W. McKee. New York: McGraw-Hill, 2009. Print.
Volpe, Edmond L. "James's Theory of Sex." Twentieth Century Interpretations of The Portrait of a Lady: A Collection of Critical Essays. Ed. Peter Buitenhuis. Englewood Cliffs, NJ: Prentice-Hall, 1968.
What is beauty? It seems like a simple enough question, yet it has an extremely elusive, ever-changing answer according to American society. What is “popular” or “stylish” at the moment could be completely obsolete the next. This question has plagued societies for ages and continues to motivate women all over the world go to drastic lengths in their search for beauty. As women in remote Asian villages search to attain beauty by stretching their necks with heavy metal coils (Anitei) and women in America lie in enclosed melanoma-inducing tunnels of light so they can emerge gloriously tanned (Is Indoor Tanning Safe?), God has another, far more fulfilling plan for true beauty. Beauty in American society is so fluid, elusive, and superficial that it doesn’t possibly equate to the plan that God has for women to view themselves. Real beauty comes from character, confidence, and an identity in Christ.
Sam Mendes’s provocative debut film American Beauty was a blockbuster after its release in 1999, wrapping up three accolades at the Golden Globe Awards, reaping nominations in miscellaneous film festivals. Beauty and reality are the two major and discrepant elements in the film. Symbolically, beauty eludes humans’ possession, and such elusion is often offset by its presenting a form of reflection on the reality. Thrills, often followed by disillusionment, of quasi obtainment of such heavenly beauty feed humans’ incessant pursuit of beauty in reality. In the film, beauty gets lurid, and reality becomes horrid. A black comedy, American Beauty achieves a Grotesque atmosphere by escalating such disparity to a peak at which the protagonist Lester Burnham irrevocably bursts to death, posing a proposition of man’s raison d’être.
Throughout time scientists, philosophers, and laymen alike have discussed questions of the complexity of sex. These questions range from what sex is, to what is a sexual perversion, and far beyond exploring every nook and cranny of the subject. One of the authors that is well know for this type of discussion for idea of how to explain sexual desire is Alan Goldman. During his writing of “Plain Sex”, Goldman tries to define what sexual desire is, what a sexual perversion is, and other claims relating to sexual desire, often shrugging off previously believed theories. His ideas lead away from the idea that sex has a means end and leads to a more primal basis that sex is a desire for physical contact and the need to fulfill this desire for physical contact. In the end I will argue that his definition leaves out our basic cognitive functions and defines humans as to primal form of being. This leads us into his central arguments for why he sees it logically necessary that sex is a need for physical contact and the pleasure that comes from it.
Wilton, Tamsin. "Which One's the Man? The Heterosexualisation of Lesbain Sex." Gender, Sex, and Sexuality. New York: Oxford University, 2009. 157-70. Print.
16.)Utt, Jamie. "Navigating The Difference Between The Appreciation of Beauty and Sexual Objectification." Everyday Feminism 18 Apr. 2013: n. pag. Web. 19 Apr. 2014. .
The purpose of this was to remove the bias of cultural normality in an attempt to reveal an accurate account of human sexuality through its constituents. Reducing this complex concept into its basic elements de-familiarizes established normality, allowing a temporally and culturally relevant theory to be constructed descriptively from the bottom up. This method prevents the acceptance of fallacies and misunderstandings of a top-down method of analysis, i.e., defining normality without cognizing abnormality. In doing so, Freud challenged the widely accepted biological innateness views of human sexuality at the