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'Making Sushi' analysis
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In the documentary, many scenes are shot in slow motion showing the chef’s daily tasks while making the sushi. Using slow motion the audience all the hard work that goes into making sushi that is ignored by most people. Making sushi is similar to art because it evolves. The first sushi was made to be fast and convenient, but over time it became a work of art. During several scenes in the documentary slow motion of making sushi is presented. One of those scenes shows Jiro’s apprentice trying to master Jiro’s technique of making egg sushi. The apprentice had been practicing for a long time, and he was “making up to four a day. But they kept saying, no good, no good, no good” (00:49:02-…..). The slow motion allowed the audience to see how difficult …show more content…
People like Mizutani, a former apprentice of Jiro, and Yamamoto, a food critic, are interviewed. The honest opinions help show the deeper meaning of Jiro and his worth ethics. Yamamoto and Mizutani serve as narrators that tell the story of why Jiro is considered to be the most successful sushi chef of all time. For instance, Yamamoto says “I’ve seen many chefs who are self-critical, but I’ve never seen another chef who is so hard on himself” (site). Yamamoto provides an insight on how Jiro is successful because Jiro is always looking ahead and is never satisfied with his work. He describes Jiro as always looking for new ways to make sushi better and improve his skills. Mizutani a former apprentice is interviewed during the documentary and provides an insight on how Jiro’s son, Yoshikazu will have great difficulty taking his place. “Even if Yoshikazu makes the same level of sushi, it will be seen as inferior” (Quote). This interview shows how Jiro is the hardest worker and his work ethic is that to run a restaurant you need to be tough. Another interview with Yamamoto describes the five things a chef needs to be successful. These five things are: “they take all their work very seriously and consistently perform to the highest level, they aspire to improve their skills. Cleanliness. If the restaurant doesn’t feel clean, the food isn’t going to taste good. Impatience. They are better leaders than collaborators; they are stubborn and insist on having it their way. Finally, a great chef is passionate”
Stephen Boos has worked in the food service industry for over 30 years. He started as a bus person and subsequently trained as a chef’s apprentice. Steve’s mother believed that a college education was something that everyone should receive. She felt that a college degree was a good investment in Steve’s future. In 1976 at his mother’s insistence, Boos moved to Northeastern Ohio to attend Kent State University where he earned a bachelor’s degree in business administration. After graduation, Steve began working for East Park Restaurant as a line cook. Using his education as a foundation, Steve made a point to learn everything he could about running a restaurant, from cutting meat to the bi-weekly food and beverage orders. His versatility, keen business sense, and ability to control costs resulted in Steve’s promotion to General Manager, as role he has held since 1995.
Chef JH’s personal memoir, Cooked, is a model confirmation that it is feasible for an author to give a moving message without sounding sermonizing and redundant. Cooked takes place after Henderson's rise and fall (and rise once more). The story begins with his alliance with drug merchants of becoming one of the top split cocaine merchants in San Diego by his 23rd birthday. It leads to his capture and inevitably his rising into the culinary business (Ganeshram 42).
Bill Buford, New York Times writer, and avid home cook, unsuspectedly steps into the chaos of Babbo, an Italian restaurant owned by the boisterous, Mario Batali. His quiet and orderly life is shattered by the disorder and ruthlessness of a Michelin star kitchen. While Bill’s superego controls many aspects of his life, he is mostly driven by his id in the kitchen. When first beginning his tenure in the kitchen, Bill carried with him his superego drive, often incorporating his New York upper-middle class societal ideals into his manners and actions. These ideals which include politeness, orderliness, and a strive for perfection are often overshadowed and defeated by the chaotic environment of the kitchen and the self-centered nature of the
Hiroshi Sugimoto is a Japanese photographer born in Tokyo in 1948. Upon graduating from Saint Paul’s University in Tokyo with a degree in Sociology and Politics and moved to Los Angeles in 1970 and attended the Art Centre College of Design. He moved to New York in 1974 after receiving his Bachelors degree and now lives in Tokyo and in New York. He divides his work into photographic series, each representing a certain theme. He is most famous for his seascapes, movie theaters, natural history dioramas and portraits, and waxworks series. He explores the idea of photography and time, and uses photography as a way to record science and history alongside the idea of indescribable human nature. His aim when creating portraits is to make them as lifelike as possible so the viewer reconsiders what it is to be alive.
In David Gelb’s documentary Jiro Dreams of Sushi, Gelb follows the renowned sushi chef, Jiro Ono, and his prestigious restaurant, Sukiyabashi Jiro. Jiro Ono has been in the sushi business for over 75 years and still is as involved in it now as he was years ago, even at his age. His reason, Jiro says, that he is not retiring is because he loves what he does and does not feel like retiring. Jiro Ono in all his time being a sushi chef, he has always delivered beyond what was expected of him. At first, it was because of survival and then it was because he needed to make his craft better. In the opening of the film, Jiro talks of his “visions of sushi” that would wake him out of his dreams because of the ideas circling around in his head about how to improve. However, as much as some would hope that it were not the case, when the inevitable happens and Jiro Ono either retires or passes away, who would take over the business? In Japanese culture, it is expected that the oldest son takes over for the father and live up to the legacy created by the father. For Yoshikazu Ono, his father, Jiro, has created such a legacy that there is doubt that he can live up to the expectations. Nevertheless, Yoshikazu can live up to the legacy of his father, but the question becomes, at what cost to himself? Yoshikazu would have to spend the rest of his life, dedicating himself to a craft that is not something he loves. In addition Yoshikazu will always have the shadow of his fathers’ greatness above his head for the rest of his life in a silent but constant competition, and he would have to be consistent and perfect in his sushi because the of the high cost of failure.
“Jiro Dreams of Sushi” is a documentary about an 85 year old man, Jiro, who is one of the best sushi chefs. Jiro owns a very small sushi restaurant that only seats 10 guests, and earned three stars from the Michelin Guide. Three stars is the highest rating you can get from Michelin Guide. Yamamato, the food writer, said in order to receive three stars from Michelin Guide you must have all three of the following standards: quality, originality, and consistency. Jiro met all three of the standards, so he received the three stars from Michelin Guide.
The experience of sitting down in Provino’s, and serving the table reside together in different worlds. The people who are hopefully enjoying their meals after a day of work, sit next to people whom are trying to make their living. Most customers don’t think about the job at hand, and instead they focus on having the best experience they can. Who can blame them? The worker’s job is to ensure the happiness of the client, but becomes exhausting after countless hours of doing other’s biddings. The way the workers and customers react to the situations around them can mean or feel completely different to the other. Customer’s reactions in regards to quality of service, complaints for both sides, and tipping are enough to generalize variances of working and eating at Provino’s.
The consumption and production of food can serve two main purposes, that of satisfying the basic need for alimentation, and that of providing personal pleasure or enjoyment. While some may see food as simply necessary for survival, others think that food defines one’s identity, education and social life. These two concepts related to food are present in the documentaries Jiro Dreams of Sushi, directed by David Gelb, and The gleaners and I, directed by Agnes Varda. In Jiro Dreams of Sushi David Gelb exposes the relationship between Jiro Onu, an 85-year-old Japanese chef, and sushi. This film portrays the sophisticated ways in which Jiro tries to achieve perfection in his skills of making sushi, using work and dedication as primary tools. On
In order to get a greater sense of the food personality attributes, three episodes from each show’s current season were analyzed to examine the personalities’ mannerisms and culinary identity. These attributes and characteristics were coded and analyzed (see Table 2). Content analysis started with cursory examination of the television episodes. I posed two questions during my initial examinations: how do these culinary personalities present themselves as experts in either the domestic or public spheres, and how do these presentations adhere or diverge from the earlier outlined gender culinary stereotypes. This meant looking at the theme of the shows, setting, the appearance and mannerisms of the culinary personalities, and how well these shows convey the tone of the network. While watching, I took note of any personal anecdotes or memories given while the food was being
The world premiere of Theresa Rebeck’s Seared playing at the SF Playhouse takes place in the kitchen of a small restaurant in New York. Harry and Mike (chef/owner) have a different mentality of viewing things when it comes to the success and running of the restaurant. Harry, who over exaggerates about the food he prepares must meet certain quality standards. While Mike on the other hand worries more about having a successful restaurant that will bring in revenue. Without giving Harry a heads up, Mike decides to bring in a consultant (Emily) to make the much needed improvement and to increase revenue for the business. This could be the beginning of a very profitable business, that’s if Chef Harry can handle the heat. All in all, I would
First, it all starts with the dried seaweed, known as “Nori”, dried to perfection; crispy, flavorful, and fit to be consumed as a crucial part of sushi. Rice joins in, and is spread out on the seaweed. All the toppings get tossed into the mix, and brought into existence is a bundle of pride and enjoyment: sushi. As a passionate sushi lover, I follow the motto “Sushi is love, sushi is life. If it isn’t sushi, it’s never sushi.” Countless people around in my presence have eaten sushi; I stand by the judgment that it’s simply one of the best foods that exist. It’s not perfect, there are some negligible points that never arrive at the point of being singled out, noticed even, those issues right under your nose. People notice them for a split second and wonder about what could be bothering
The Italian restaurant has had long term success due to the owner’s, Andy Garagallo, high level of confidence. He believes if he meets the customers’ food and relationship needs, they will come back again and again. His approach is working as the restaurant annually nets 30% profit as compared to the industry standard of 5-7%. Andy success comes from confidence, putting the customers first, being flexible, and consistency.
The movie “The Hundred Foot Journey” is a great representation of different cultures interacting as well as the different food habits. The movie is based on an Indian family who moves to Italy and wants to open an Indian restaurant across street from a famous Italian restaurant in the small town. The Kadam family wants to bring the Indian cuisine to a new culture and share some of their values. They have trouble expanding their culinary delights to the public because Marquerite the sous-chef doesn’t want any competition. Throughout the movie, secrets on certain dishes are shared and tricks to improve the certain style of food is greatly appreciated by both restaurant chefs.
My interest for Japan and its culture was first sparked in 2003 at the age of 8 years old. Picking up my first pair of chopsticks to eat homemade sushi was a unique experience and led to Japanese cuisine becoming my favourite. Since then I have made sushi on a regular basis and attended a sushi cooking class to further my knowledge of more technically complex dishes and the traditions that pair with them. This part of Japanese culture, alongside the fascinating contrast of ancient customs with state of the art technological advances, is what continues to fuel my interest in the country.
Dan Bartlett (2014). Kitchen Brigade: Who Does What?. [ONLINE] Available at: http://www.artinstitutes.edu/adv/files/kitchen_brigade.pdf. [Last Accessed 10 February 2014].