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More handpicked essays just for you.
The social Context of art in human existence
Essay on art in society
Art and its impact on society
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The essay How You See Yourself by Nicholas Mirzoeff discusses the evolution of art. The author discusses the use of art to represent changing identities over the years including cultural practices and societal expectations. The selfie, according to Nicholas Mirzoeff’s essay, is the equivalent of a self-portrait in the previous centuries preceding the technological development required for the present day selfie. The essay explores the different periods and the significance of art, particularly self-portraits, the selfies of the time, and their development over time. The author focuses on different themes including heroism, gender definition, and the focus of an image. Mirzoeff effectively provides examples illustrating and reinforcing the themes he highlights in his essay. …show more content…
This was a scandal as a woman could not be a painter during this period. Rather than the mother and daughter having downcast glances, they both looked up confidently, which was seen as defiance. Vigee-Lebrun’s self- portrait celebrated her role as a mother during a time when wet nurses were the primary caretakers of the children. The heroic theme is portrayed by the artwork Drowned Man by Hippolyte Bayard who was credited with the invention of the selfie as well as the invention of the photographic fake as he was not actually dead as in the artwork. The author of the essay, Nicholas Mirzoeff, explores our conscious and unconscious needs to put forward caricatured versions of ourselves. He states that we always have an agenda, be it unconscious or conscious when creating images of ourselves. This is also seen in the self-portrait named the Drowned Man. The artwork by Hippolyte Bayard is cited as a perfect example of a man portraying himself to the audience as something he is not, dead. Some people actually believed by Bayard was dead at the
Susan Sontag once wrote, “To collect photographs is to collect the world.” In her article entitled “On Photography,” she overviews the nature of photography and its relation to people using it. Sontag discusses photography’s ability to realistically capture the past rather than an interpretation of it, acting as mementos that become immortal. Continuing on to argue the authenticity of photography and how its view points have shifted from art into a social rite.With the use of rhetorical devices, Sontag scrutinizes the characteristics of photography and its effects on surrounding affairs; throughout this article Sontag reiterates the social rites, immortality and authenticity of photographs, and the act of photography becoming voyeuristic. With the use of the rhetorical devices pathos, appeal of emotion, ethos, appeal to ethics and credibility, and logos, appeal to logic, Sontag successfully persuades the audience to connect and agree with her views.
There you are holding your camera an arm’s length away from your face, posing in the most flattering position to capture your best angle. There you are taking a photo of yourself to share with all of your Facebook friends. Taking a self-portrait photo, also known as a selfie, is something almost everyone has done in this new generation. This action is typically done without a second thought. In Alex Williams’ article “Here I Am Taking My Own Picture” that second thought is provoked through exploring the quickly spreading trend of self-portrait photography. In the article while Williams’ provides interesting examples on a changing generation as this trend progresses through social media and modern technology; Williams also leaves something to be desired within the article due to a lack of direction in the author’s stance on the topic.
Alice Neel's most talked about painting, a Self-Portrait of herself, shocked the world when she painted herself in the nude at the age of 80-years-old. Neel, a 20th Century American Portrait Artist, painted models for over 50 years before turning the attention to herself (Tamara Garb). Neel wasn't a pinup girl and had depicted herself as the complete opposite (Jeremy Lewison). Unlike Neel, women avoided self-portraits of themselves, and nude self-portraits barely made it to canvas (Tamara Garb). Because of these reasons alone, Neel's Self-Portrait attracted scrutiny (Jeremy Lewison). Though Neel declared the painting to be frightful and indecent (Ibid), it still directed its focus on femininity, and the challenges women had to endure in our
“There are no ghosts in the paintings of Van Gogh, no visions, no hallucinations. This is the torrid truth of the sun at two o’clock in the afternoon.” This quote that Antonin Artraud, stated from, Van Gogh, the Man Suicided by Society, explains the way in which Van Gogh approached his artwork. He believed in the dry truth and as a result his work was remarkably straightforward in the messages that he portrayed. While visiting Paris, France this past April, I was fortunate enough to have visited Musée d’Orsay, a museum that contains mostly French art from 1848-1914 and houses a large collection of impressionist and post-impressionist masterpieces and 19th century works from the Louvre [The Oxford Companion to Western Art]. I was also favored in having the opportunity to see the Vincent Van Gogh/Antonin Artaud exhibition, The Man Suicided by Society. The exhibition captured Antonin Artaud’s text about Van Gogh’s, “exceptional lucidity that made lesser minds uncomfortable,” or better known as his mental illness that had a major effect on his artwork [Musee d’Orsay]. In this exhibition, Vincent Van Gogh’s works visually present his life experience having spent 9 years in a mental institution and the way his imbalanced mind played a direct role on the outcome of his artwork. The darkness of Vincent Van Gogh’s illness that had a major impact on his art, was a form of expressionism which led to a collection of works that both told his life story, and later, led to his own suicide.
This quote mentions that selfies are a good way to find oneself even though some people think that selfies give rise to vanity, exhibitionism, and narcissism. Moreover, it is a new relationship us between people; people using a creative expression to show not just simply an appearance, but how people feel in the moment. Selfies are an interesting expression in communication, like telling a visual story about us. From Tompson’s perspective, the selfie is “the perfect preoccupation for our Internet-saturated time, a ready-made platform to record and post our lives where others can see and experience them.” Because selfies give the photographer control over the creation and broadcasting of his own portrayal, they are really just the latest, and perhaps most democratic, form of advertising.
Personal immortality seems to be a paradox that many people address and distinguish in different ways. Through outlets such as religion, science, or personal belief this topic is often argued and habitually facilitates strong arguments. Weirob and Miller explicitly explain their dualist/physicalist outlooks on personal immortality as they have a conversation at the hospital where Weirob slowly succumbs to her injuries received in a motorcycle accident. As Weirob patiently awaits death, Miller explains how due to Weirobs realist view on life he will not try to “comfort [her] with the prospect of life after death” (Perry, pg. 65). Due to Weirobs state of unavoidable demise she asks Miller to entertain her with the argument for life after death,
In fewer words, Jon Berger’s Ways of Seeing discusses how humans see the world and he does so through the lens of art, seeing as he is an art historian. Specifically, in chapter three, he brings to attention how the portrayal of women in art and in the world is contingent on the male eye and its ideals. Women have been oppressed in their sense of selves because men dictate what they prefer in a women. Even in this day in age, a woman’s self-worth banks on the acceptance of men. Her only way of making a way in the world is by impressing men with hyper-sexual and or submissive tactics because that tradition has been drilled into all of our brains since Adam and Eve.
Through the exploration of this diverse range portraiture, the contrasting ideals of masculine and feminine beauty in the Renaissance have been explored. Yet overall, no matter what the gender orientation of the subject, it the discovery of such passionate and artistic talent presented which is essentially ‘beautiful’. Consequently, the grand appeal of such glorious images is still appreciated today, and will continue to delight viewers for generations to come.
This is a pseudoscience which assesses character and morality from outer appearance, applying the practice of “judging a book by its cover” to the human form. However, one could argue that facial expressions and gestures, as well as race and gender, are socially and culturally learned and not necessarily a reflection on the person’s inner self. The theories of Physiognomy have been discredited and this is one of the reasons why numerous contemporary photographers criticize the conventional portrait and dismiss the belief that the portrait can claim to reveal or capture the inner being, the soul; which they instead categorise as myth. They also refuse the idea that a portrait is believed to be believable and adequate complete resemblance, of the individual being photographed. (Ewing, 2004,
Cindy Sherman is an American born artist (b.1954) who grew up in Long Island. Her family was not particularly involved with the arts, so she developed her interest in the arts during her college days. She began with painting, but felt frustrated with its limitations and decided to pursue photography. She is one of the most esteemed photographers of the late twentieth century. Her work spans from the 1970s as a student in Buffalo to present day. Sherman portrays many facets and personas of the female identity throughout her photographs. With the exception of a few series in the 1980’s and 1990’s which featured disturbing and visceral images of doll parts, organic material, and human fluids, she is the sole subject of her photographs, which is fascinating in itself as it eliminates the usual chemistry depicted in and between the artist and subject. With her extensive and skilled use of wigs, prosthetics, makeup, costumes, and digital editing, she transforms herself into a myriad of personas and identities. “For Sherman the camera is a tool with which to explore the condition of representation and the myth that the photograph is an index of reality” (Slatkin page 266).
Throughout history, women artists have had to face opposition from their male counterpart to be treated as equals in both society and in art. Men has enjoyed a level of personality in the depiction of male figures that have allowed for active roles while women were forced in roles deemed lesser. Their treatment in both society and in the representation of art, has limited female viewer in what types of female figures she would see. Her models were mostly passive and objects of beauty or femmes fatales.
To begin this paper off, in figure “a” below, there is a photographic transition of myself as the woman I usually embody in my day to day interactions, and how I transition from a female to the male b...
Women desire to become beautiful and powerful, even if they don’t say it in words. And the Photographer plays with that concept and creates that desire, that you can become that person you see in the photograph. And live that lifestyle. Photographers use techniques from the cinema/cinematic, to create the desire of viewers/Buyer/Consumers. The cinematic techniques made it possible the way people lived and the...
My Self Awareness score is an 85, which means that while I am slightly above average, there is plenty of room for development. I have a clear understanding of what I do well, what motives and satisfies me, as well as which people and situations push my buttons. (Goleman 2002, p. 25) Yet, there are times still seem to let my emotions take control of my actions. I am still discovering the balance that will allow me to recognize those emotions, accept them, and reflect upon them later and not to discourage me.
Sense of self entails an individual reflecting on himself or herself - traits, beliefs, and purpose within the world. To develop a strong self of self, an individual must know his or her own goals, values and ideals. While this can entail each aspect of an individual’s life, my current sense of self stems from my position as a nursing student. As a nursing student, my sense of self stems directly from my theory courses and my hands-on experiences, both simulated and clinical. Currently, I feel like a gratified (Almost graduated) nursing student who is eager to get into the clinical field of practicing nursing, by providing hands on care to patients and their support systems. While I do not feel like I could go out and practice on my own quite yet, this nursing