Courrèges became famous because he fought his models in attire that seemed to suggest not past eras or conventions but a new up-to-date aesthetic representative of the space age. He also is well known for the go-go boots of the 1960s. Mr. Courrèges was also known for his forward-looking designs, with clean, unadorned lines representing activity and motion. Courrège was a kind of anthropologist of the atelier, a philosopher of fashion who with deft manipulation of a needle, thread and scissors could go far toward giving tangible form to the spirit of his age. Courrèges was known for such imaginative leaps as employing vinyl and brightly colored, form-fitting synthetic fabrics, such as Lycra many of his designs have bright colors which make them stand out more his style is unique and many designers have tried to imitate his designs which you can tell right away. Where does this designer get his inspiration? The form in which Courrèges acquired his inspiration to design is incredible. …show more content…
Are there different lines different price points? Any licensing? The product that the designer focus on is often triangular in design and angular simple garments, such as the A-line dress. Also what he called “the little white dress,” seemed to evoke people. He focused on acquiring high quality like I said. Many may argue that Courrèges was not the one who came up with the mini-skirt however, according to the British newspaper The Independent he was the inventor of the mini-skirt. Tidbits on the designer’s life? Courrèges design clothes while World War II happened he got inspired and created many designs, he also acquired many designs based on “space era”. He had important clients such as former first lady Jacqueline Kennedy and actresses Catherine Deneuve, Brigitte Bardot and Audrey Hepburn, not all of them chose the same styles however they loved Courrèges design and bought them from him or asked him to design something for special
Working at her father’s clothing shop, she became very knowledgeable about expensive textiles and embellishments, which were captured in her works later in career. She was able to capture the beauty and lavishness of fabrics in portraits of aristocratic women.
At age 25 he opened his first collection and it was a big success, inspired by his mentor Balenciaga. The collection was based on evening wear as well as economical white cotton shirts that were both inexpensive and fresh-looking. After that collection, his name was recognizable and his biggest success was the “Bettina” blouse; named after the famous Paris’ top model. This blouse was his signature piece in his cotton collection. Givenchy’s philosophy was: “Keep it simple. Eliminate everything that interferes with the line.” ...
Being able to create a movement of her own, Modernism and changing fashion for women, Chanel will forever be known as a remarkable fashion designer. I believe the fact that she put a woman’s worth as her main focus into creating her designs is what made consumers around the world admire her work. She knew that in the 20th century, to be elegant and fashionable meant money and a lot of it. The materials used for trendy clothing were very costly. This leads to Chanel using jersey as her main fabric choice. It was a cheaper fabric of choice. Most may wonder why she chose this fabric therefore you must know that Chanel did not come from a family full of riches and wealth. She became wealthy because she knew what it was like to be deprived of it and suffer in poverty. Her past impacts her genius ways of thinking to be able to create such clothing. Along with using jerseys as her fabric, Chanel’s main goal when creating a new design is to keep the men clothing in mind. The clothing was fitting but not suffocating. This changed the whole world’s outlook on how women should appear. It gave women the independence, confidence and power to say “Hey, I’m no different from a male and there is no set way to how I should look as a female if I so do not choose”.
Many people would argue that Coco Chanel was one of the most influential designers of her time, let alone ever. Many designers use her designs as inspiration and many of their strategies echo hers. The reason she was so successful was due to her ambition, determination and a striving need for fame and because of this her designs are considered to be the epitome of the 20's style because her work was so fresh, chic, and modern.
The slow fashion concept is discussed by design historian Hazel Clark and Kate Fletcher as an approach to fashion that celebrates local, small-scale, artisanal, and long-lasting clothing (Black, 2015). In doing so, it also “challenges [fast] fashion’s obsession with mass-production and globalized style [to become] a guardian of diversity”, as stated by Kate Fletcher (2010). They explain what slow fashion is, but not how it relates to haute couture specifically. Artisanal, as defined by the Merriam-Webster online dictionary, means “produced in limited quantities by an artisan through the use of traditional methods”. If that is the case, then the fashion designer or couturier of a haute couture house is the artisan. Couture uses traditional hand sewing techniques to produce their exclusive haute couture collections. The techniques used and the exclusivity are what relate the concept of slow fashion to haute couture as a whole. It relates to both large haute couture houses, but also to the smaller ateliers located around the world, including the atelier of Don Fabian
Rennolds Milbank, Caroline. Couture, The Great Designers. New York: Stewart, Tabori & Chang, Inc. Publishers, 1985. Print.
Ralph Lauren is American's leading designer in the classic tradition, who has stayed true to his own point of view, despite the seasonal vagaries of fashion. Mr. Lauren has always believed that fashion is function of lifestyle. He believes that clothed should be natural, comfortable and elegant, for the way people live today. His clothes have timeless grace and become more personal and special age.
Throughout the decade women’s fashion was mainly based on Christian Dior’s what so called the New Look during the 1940’s. Loose fitting styles came to be a thing in 1957 which came from designers Hubert de Givenchy, Cristobal Balenciaya and Yves Saint Laruen (Baker 21). The fashion industry began to move slowly from the runways of New York, Paris, London, and Rome and soon made boutiques into better stores (Baker 24). The clothing industry seemed to pay more attention to the major fashion shows that were popular (Baker 25). The new man made fabrics was the development of sportswear, which in fash-ion seemed to be pretty important. They started to come in different patterns, and designs just as strapless, one piece, and halter top swimsuits (Baker
“Elegance is not the prerogative of those who have just escaped from adolescence, but of those who have already taken possession of their future “(Elegance par. 1). Chanel was a woman who was always seen wearing her own unique fashion. She would never be seen wearing something society would see as something a normal woman would wear; this made her unforgettable (Charles-Roux 5-6). In the beginning, Chanel was only known for creating and designing hats, but she would soon be known for so much more (Charles-Roux 91). Because of Chanel’s new bold ideas, the women’s fashion industry has forever been changed (Charles-Roux 6).
Rather than going straight into business, he began designing his own neckties while working for Beau Brummell since he didn’t have the proper resources. Since plain, narrow neckties was the norm, he saw an unmet market need so he created wide, colorful neckties. He was able to sell these ties at large department stores under the brand name “Polo”, which sold well and started a new trend.
During the time of Space Age clothing, the most famous designers were Andres Courreges and Pierre Cardin. According to Lilah Ramzi, Andres Courreges was a world known designer for
Your lover started the actual pattern involving menswear- prompted style in addition to launched females using their firm corsets. As soon as the girl introduced the woman personal aroma Chanel No. 5 which is always common to this date, the girl evolved into experience then when the girl gave birth towards black outfits, the girl evolved into immortal. Today, by far the most influential model of the luxurious garments marketplace is in the actual hands and wrists of an existing icon, Karl Lagerfeld who is delivered to rein the world involving style.
middle of paper ... ... It also analyzed the influences of modern dresses. As Palmer and Clark (2005) mentioned earlier, both decades are the classic era in fashion history.
...tent couture houses aside, Paris served as a canvas to paint a picture of a fashion landscape that is still very much present today. Chanel revolutionized the idea of the ‘Little Black Dress’ and suit for women. Dior popularized a feminine silhouette, and the concept that a woman’s entire wardrobe could come from a singular designers collection, as he integrated the concept of luxury goods into his collections. Saint Laurent brought prêt-à-porter, or ready-to-wear, to the forefront of the otherwise exclusive world of couture. By creating less expensive collections, he opened up the world of fashion to many that would have been otherwise unable to financially participate. Most importantly, it’s important to remember that none of this would have been able to happen without Paris, the city that fostered the creativity of the people that revolutionized fashion forever.
To give more examples, co-production of educational service provision is a particular type of co-production. The literature on education services confirms that two uses of the concept of co-production are essential for a complete analysis of co-production in education. At the first level, the co-production function for education services requires input from traditional producers and traditional consumers. These are respectively teachers and students. Therefore, the first level mentions the student-teacher nexus and suggests that the active participation of students is necessary for learning. In this sense, if co-production is abandoned, the service will not occur. On a second level, other possible inputs deriving from parents, student peers,