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From point A to point B, do you know how your favourite haute couture look is created? Do you know if it is created sustainably? Let’s follow the design process behind the scenes of the average haute couture garment. There will be a few unfamiliar terms to the beginner fashion design student that will be defined in order to further their understanding of this research paper. An introduction to haute couture fashion, we will explore a brief history of haute couture, what haute couture is, and the design process behind creating a couture garment. Following the introduction to haute couture we will have a short insight into the philosophy of local industry professional Don Fabian Lee, the owner of Trend Customs Tailors, a couture atelier located …show more content…
As defined by the Merriam-Webster Online Dictionary, haute couture is “the houses or designers that create exclusive and often trend-setting fashions for women [and other consumers]; also: the fashions created”. The exclusivity of haute couture became divided during World War II by social differences and a new fashion hierarchy. Fashion was now divided into four sections based on apparel and designers: haute couture, ordinary custom-made, prêt-à-porter, and mass-produced ready-to-wear (Kawamura, 2010), although we will only examine haute couture in this paper. Haute couture has its origins in Paris, France and became a unique fashion system, validating a fashion designer as an artist of luxurious, original clothing with international authority (Palmer, 2010). It has been said that Charles Frederick Worth, who was a tailor and dressmaker, is the “father” of haute couture and created the system of luxurious dressmaking production as well as the Parisian High Fashion Syndicate (Chambre syndicate de la couture parisienne) that controls the use of the term haute couture. (Shaeffer, 2011). Haute couture fashion has strictly enforced rules in order to qualify as haute couture and very few designers today can legitimately claim the …show more content…
The slow fashion concept is discussed by design historian Hazel Clark and Kate Fletcher as an approach to fashion that celebrates local, small-scale, artisanal, and long-lasting clothing (Black, 2015). In doing so, it also “challenges [fast] fashion’s obsession with mass-production and globalized style [to become] a guardian of diversity”, as stated by Kate Fletcher (2010). They explain what slow fashion is, but not how it relates to haute couture specifically. Artisanal, as defined by the Merriam-Webster online dictionary, means “produced in limited quantities by an artisan through the use of traditional methods”. If that is the case, then the fashion designer or couturier of a haute couture house is the artisan. Couture uses traditional hand sewing techniques to produce their exclusive haute couture collections. The techniques used and the exclusivity are what relate the concept of slow fashion to haute couture as a whole. It relates to both large haute couture houses, but also to the smaller ateliers located around the world, including the atelier of Don Fabian
Other than through paintings and architecture, he decided how the French society should behave through the use of dance, thus creating one of the most challenging yet beautiful types of dance today: ballet. He was also an inspiration when it came to how the French nobility should dress. Louis XIV’s legacy and contribution when it comes to French fashion is still very prominent today. Using the most intricate styles like embroidery from King Louis’s XIV rule, traditionally hand sewn clothing that are made up to 100 or more hours, with the most expensive fabrics like velvet, silk, fur, and lace is still done today, and it is featured six times a year by the biggest and most popular couturiers and designers during fashion week for women and men’s, and couture week, which is only held in the 4 biggest cities that celebrate fashion, also known as the Big 4: New York, London, Milan, and Paris. All of this is possible now because of Louis XIV’s idea to use the arts to represent his rule as an absolute monarch.
The strengths of the book come from its’ accessibility. The book is easy to follow and provides readers with a great deal of information about the production of mass-manufactured clothing. As well as brings awareness to its’ many issues which we inadvertently take part in when we purchase such products. The book is well written and thoroughly researched but does have its’ share of weaknesses.
Givenchy’s love for fashion grew when at the age of ten he attended the Pavillon d’ Elegance Paris Exposition. Once looking through Vogue magazine, he was inspired by Balenciaga men’s wear. He wanted to be a couturier and attended Ecole des Beaux-Arts in Paris, to start a formal education in fashion. His designing inspirations came from Elsa Schiaparelli and Madam Gres’s work. His experience also came from working at the House of Piguet in Paris; this salon was known for its dramatic yet simple style and after, at the House of Lelong that was known for their high quality clothing. Those positions gave him knowledge on how to work with couture customers and gave him an opportunity to build strong relationships with them (Press, 2002).
...viduals from buying expensive clothing just for the sake of the designer’s name as not many people would be wearing these clothes. According to Cline (2012: 75) it’s all about the detail of the garment as well as the construction. With exquisite hand-made garments, one could expect it to be over priced, however, not many will be in possession of the garment as only a few are made. This proves that clothing is still a mark of social distinction and has not lost its social meaning as people are willing to spend in order to reaffirm their social status. Bourdieu’s theory is useful for thinking about the fashion industry today as his concepts of field, habitus and the different forms of capital can be used to examine the fashion and fashion trends in contemporary society. His theory can be applied to social institutions as well as behavioural patterns of individuals
Fashion has been around ever since ancient times, since the time of the Romans, it survived the world wars and is yet today a business with rapid changes. Fashion started off as an art form, a way for the rich to show their social status with unique and innovative designs that only they could afford. It was a way to separate the social classes of the society. In this paper I will include the creators of haute couture, and how the following designers developed couture, as well as leading names in today’s ready-to-wear industry. The list is long, but I chose to focus on the three most important designers in the modern fashion industry.
“When I opened my couture house I decided to dress only the most fashionable women from the first ranks of society.” –Christian Dior
Paul Poiret was born on April 20th, 1879 in Paris, France. His contributions to twentieth-century fashion has earned him the title in many people’s eyes as the “King of Fashion”, because he established the principle of modern dress and created the blueprint of the modern fashion industry. Poiret’s designs and ideas led the direction of modern design history. He was born into a working class family and his natural charisma eventually gained him entry into some of the most exclusive ateliers of the Belle Époque. Jacques Doucet, one of the capital’s most prominent couturiers, hired him after seeing promising sketches he had sold to other dressmakers. Furthermore, he was hired by the House of Worth and was put to work to create less glamorous and more practical, simple items because his out of the ordinary designs were not welcomed in open arms by opulent clientele. Despite this experience he was still confident in his ideas and ventured out on his own with money barrowed from his parents and opened a storefront. Moreover, he wanted to promote of the concept of a "total lifestyle” was seen as the first couturier to merge fashion with interior design. His independent work broke the normal conventions of dressmaking, and overturned their underlying presumptions. He liberated the woman’s body from the petticoat and the corset to allow clothing to follow woman’s natural form. Poiret also radically revolutionized dressmaking to switch from the emphasis surrounding the skills of tailoring towards those based on the skills of draping and began to use bright colors. Furthermore, Poiret was apart of the art deco movement, which was surrounded by a period of immense social upheaval, particularly for women, and emergence of technol...
The Fashion Industry can be described as a glamorous world with cameras flashing, beautiful models strutting down the runway, in stunning and grand designs. What really goes on behind fashion’s dolled up doors is only an illusion compared to what reality is. Beautiful people, stylish clothing and timeless sophistication all make up the illusion of the glitz and glam of the fashion industry, but behind the curtains countless of models and designers constantly fall victim to this industry’s ever changing wrath. Fashion can be defined as a popular trend especially in styles of dress, ornaments or behavior. A model is a person who poses or displays for art purposes, fashion or other products and advertising. Fashion models are used mainly to promote products focusing mostly on clothing and accessory. The two main type of modeling in the fashion industry is commercial modeling and high fashion modeling. High Fashion models usually work for campaigns, designer’s collections and magazine editorials for high fashion designers. Runway modeling also known as “catwalk modeling” is displaying fashions and is generally performed by high fashion models. In my research paper, my main focus will be the multiple effects on high fashion models based upon the industry’s unregulated standards.
Fashion is an outlet people use to express themselves. People anxiously wait to see what the next trends are as seasons pass by. We buy anything that doesn’t break a bank, people buy a $10 shirt just because it’s cheap and they might not even wear it, but it’s all right, since it wasn’t expensive. As harmless and normal as that scenario sounds, the fashion industry has created the harmful concept that is “fast fashion”, in which stores sell an abundance of extremely cheap trendy clothing and “where deliveries are small and often, with stock delivered twice a week, for instant-access fashion.” (Cochrane)
To begin with, I will look at each of the two subjects. Fashion is an extremely large subject with many sub-categories and can mean many different things, however in this essay I will take fashion to mean the popular clothing style. I will put emphasis on looking at high fashion as these are the leaders of their field. Fashion itself though, is not to be confused with clothing. Clothing is a part of fashion, but it is predominantly purely functional, for protection from different aspects of the environment. Fashion however, is primarily for image. It is a way to present individuality and personality. A physical mouldable form of expression. Designers wish to create works of art that can be worn, and this is wear clothing becomes an art form.
In the early 1800s, France was the sole fashion capital of the world; everyone who was anyone looked towards Paris for inspiration (DeJean, 35). French fashion authority was not disputed until the late twentieth century when Italy emerged as a major fashion hub (DeJean, 80). During the nineteenth century, mass produced clothing was beginning to be marketed and the appearance of department stores was on the rise (Stearns, 211). High fashion looks were being adapted and sold into “midlevel stores” so that the greater public could have what was once only available to the social elite (DeJean, 38). People were obsessed with expensive fashions; wealthy parents were advised not the let their children run around in expensive clothing. People would wait for children dressed in expensive clothing to walk by and then they would kidnap them and steal their clothes to sell for money (DeJean, 39). Accessories were another obsession of France‘s fashion; they felt no outfit was complete without something like jewelry or a shrug to finish off the look and make it all around polished (DeJean, 61). As designers put lines together, marketing began to become important to fashion in the nineteenth century; fashion plates came into use as a way to show off fashion l...
Yves Saint Laurent is indisputably one of the grand masters of fashion, a true couturier, a pioneer and a rebel. He created more than beautiful, articulated and fine garments; he reinvented the ‘woman’ as an archetype in fashion, he incorporated art in his design in a way that is vague if he was a designer or an artist in heart. He dedicated his whole life to the pursuit of the absolute inspiration, of true beauty and breaking the rules. Throughout his life, Yves Saint Laurent, was torn between the West and the East, prudence and recklessness, conservatism and innovation, but he was never unprogressive. His designs portray this conflict and perhaps this is what gives them an air of mystery, of unprecedented elegance and grit. As Duras says, “Yves Saint Laurent invents a reality and adds it to the other, the one he has not made. And he fuses all of this paradoxical harmony-often revolutionary, always dazzling.” His legacy is beyond of being a designer, a couturier; he is a reformer, a passionate rebel, whose progressive views expanded beyond making beautiful garments for people with expensive taste and status; beyond couture.
Introduction Historically, multiple styles of dressing have been created during the last several decades, which played an important role in modern fashion in the UK. Everyone has a different and unique dressing style in their everyday life. Some styles are influenced by vintage styles which are attributing to the deep effects of old vogue, and another group of dressing styles are inclined into the fresh element. Despite those different styles, some of them have even evolved into the milestones in fashion history. To start this essay, it will introduce the evaluation of the first significant revolution of dressing style in the 1960s.
Fashion takes on many different facets and concerns many subsets— a model sashaying down the runway in a gown encrusted in real gems, Lady Gaga’s infamous dress made of cuts of raw beef, a teenage girl obsessing over the season’s latest styles— it is all an expression of our minds and who we are or want to be, made tangible. It is a medium just like any other, for while artists wield brushes and paints, designers use thread and cloth to illustrate their vision. The artistry is none more so apparent than in the exclusive world of haute couture, a world of extravagance that caters to aesthetics, producing one-of-a-kind wearable masterpieces that are made to be admired rather than worn. It is without doubt, high fashion and its design is an art.
Sustainable fashion is among the developing design viewpoint and movement of sustainability with the main objective of establishing a structure, which can be sustained for the foreseeable future in terms of conservationism and social accountability. This implies that all the products made are developed with much consideration to the environmental and social influence all through its overall lifetime encompassing its carbon imprint. It is revealed that sustainable fashion is not just a short time trend but one, which could endure for a long time (Fletcher 76). Beforehand, conservationism used to represent itself in the fashion world through the contribution of a portion of transactions of products for a charitable reason.