“Elegance is not the prerogative of those who have just escaped from adolescence, but of those who have already taken possession of their future “(Elegance par. 1). Chanel was a woman who was always seen wearing her own unique fashion. She would never be seen wearing something society would see as something a normal woman would wear; this made her unforgettable (Charles-Roux 5-6). In the beginning, Chanel was only known for creating and designing hats, but she would soon be known for so much more (Charles-Roux 91). Because of Chanel’s new bold ideas, the women’s fashion industry has forever been changed (Charles-Roux 6).
The famous French designer Gabrielle Bonheur Chanel, more commonly known as Coco Chanel, was born in Saumur France on August 19, 1883 (“Coco Chanel” Britannica par. 1). Chanel is known for not claiming any of her family, or anyone she had relations with before she was rich. She often made up different stories about her parents (Madsen 3). With how successful Coco was, it may be hard to believe that she was born and raised in poverty (“Coco Chanel.” Voguepedia par. 3). Chanel spent most of her childhood in an orphanage; due to the fact that her mother died and her father abandoned her (“Coco Chanel.” Britannica par. 2). In the orphanage, Chanel was raised by Catholic nuns. The nuns are the reason Chanel became as famous as she did for two reasons; they taught Chanel how to sew, and they also taught her to be confident in her work (“Coco Chanel.” Voguepedia par. 3). “Arrogance is in everything I do. It is in my gestures, the harshness of my voice, in the glow of my gaze, in my sinewy, tormented face” (“Coco Chanel.” Voguepedia par. 3). While she was still performing, Chanel got her distinctive nickname from soldier...
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“Once she began to apply herself, Chanel became a femme d’entreprise forever. Throughout the remainder of her life she would work unremittingly as craftsman and business woman, imposing her personal conception of the art of dressing upon an ever-expanding clientele” (Charles-Roux 6-7). Even though Chanel left the fashion industry during the war and was heavily criticized for it, she was and still is one of the most famous fashion designers (Charles-Roux 7-8). Until her death, Chanel continued working on new designs that were accustomed to her style (“Coco Chanel Biography” par. 20). In 1971, Chanel died at the age of 88. To this day, her house still exists. Chanel is buried in Switzerland with five stone lions surrounding her tomb (Gabrielle par. 1). Because of Chanel’s new bold ideas, the women’s fashion industry has forever been changed (Charles-Roux 6).
During her time in Moulins Chanel met and courted Etienne Balsan, an affluent textile hier. For three years she lived with him at his castle in Compiègne serving as his mistress. There Chanel lived a life of wealth and luxury that would not have been possible without Balsan. Later in her career it was those riches that inspired many of her iconic designs; her times spent on yachts lead her to incorporate those traditionally sailors looks of striped shirts and bell bottoms into her later
Although Collette Dinnigan’s style varies slightly from season to season the same philosophy “to produce beautiful pieces that are affordable, wearable, versatile and child friendly” remains constant as does her “passionate feeling for what women want” 2. This is especially evident in her Autumn/Winter 2008 collection ‘Midnight in Moscow’ where Dinnigan implements a more ominous theme making it luxury self-indulgence. The collection is dark with an armoured feel combined with silver hues and dark shades in gladiator-style dresses, girly pleated gowns and military-style jackets. The darkness of these designs contrast heavily with her tr...
...s far as the author is concern, the fact that CoCo Chanel left the Victorian ideas and lived a life of her own made other women admire her. According to the author, clothing design was her star that raised her above other women. It would be better if other women would emulate her character and moral beliefs that should attract other women.
In the article, “The Fashion Industry: Free to Be an Individual” by Hanna Berry, Berry discusses how for decades women have been told to use certain products and that if they used those products they would be beautiful. Women over the years have believed this idea and would purchase items that promised to make them prettier, thinner, smarter and even more loved. However, in reality it was never what they wore on their bodies that helped them be any of those things; but what it did help with was to empower women to become fearless and bold by what they chose to wear on their bodies as a form of expression.
As child, Margaret was raised primarily by her mother and grandmother; her father had been taken hostage in Dijon, Burgundy when she was only a few years old. With her mother in charge of her education, Margaret was able to study with the same tutors who taught her brothers until the age of fift...
Working at her father’s clothing shop, she became very knowledgeable about expensive textiles and embellishments, which were captured in her works later in career. She was able to capture the beauty and lavishness of fabrics in portraits of aristocratic women.
Aristotle once claimed that, “The aim of art is to represent not the outward appearance of things, but their inward significance.” Artists, such as Louise-Elizabeth Vigée Le Brun and Mary Cassatt, captured not only the way things physically appeared on the outside, but also the emotions that were transpiring on the inside. A part no always visible to the viewer. While both artists, Le Brun and Cassatt, worked within the perimeters of their artistic cultures --the 18th century in which female artists were excluded and the 19th century, in which women were artistically limited-- they were able to capture the loving relationship between mother and child, but in works such as Marie Antoinette and Her Children and Mother Nursing her Child 1898,
Women in pictorial history have often been used as objects; figures that passively exist for visual consumption or as catalyst for male protagonists. Anne Hollander in her book Fabric of Vision takes the idea of women as objects to a new level in her chapter “Women as Dress”. Hollander presents the reader with an argument that beginning in the mid 19th century artists created women that ceased to exist outside of their elegantly dressed state. These women, Hollander argues, have no body, only dress. This concept, while persuasive, is lacking footing which I will attempt to provide in the following essay. In order to do this, the work of James Tissot (b. 1836 d. 1902) will further cement the idea of “women as dress” while the work of Berthe
As a teenager, Marie spent her time enjoying Versailles' and Paris' night life with a notorious clique and fondness of making fashion statements through extravagant couture and bold coiffures (“The Grand Dauphin”). ...
Werle, Simone. Fashionista A Century of Style Icons. New York: G.P. Putnam's Sons, 1977. Print.
Coco Chanel, born Gabrielle Bonhuer Chanel, on August 19, 1883 in Saumur, France was an amazing woman who redefined fashion as we know it today. She was a clothing designer who revolutionized the fashion industry with her suits, little black dresses, and avant garde flare. Because of this quickly in her young life she became well know, and rose to be the fashion icon that she is today. From the timeless designs that are still popular to this day, and the sophisticated outfits that can be paired with great accessories Chanel has done it all. When it comes down to it though it was Coco Chanel’s philosophy that “luxury must be comfortable, otherwise it’s not luxury” that lead to her success. (“Coco Chanel”)
Grace Kelly was born on November 12, 1929 in her home-town Philadelphia Pennsylvania. Her father, John Brendan, was a proud holder of three Olympic gold medals for the U.S. rowing team. Also, he owned an extraordinary brick establishment. With his hard work and dedication he became a self-made millionaire. Her mother, Margaret Katherine Majer, was a coach for a women’s sports team at the University of Pennsylvania (bio 1). Grace Kelly divulged a deep-seated amorousness for drama. From time to time Grace Kelly would model with her sister and mother, but she spent most of her time reading lines for school and community productions. Her uncle, Walter C. Kelly, was a vaudeville performer in his youth and a Pulitzer Prize-winner for playwright, continually supported and mentored her yearning of the arts.
Fashion has been around ever since ancient times, since the time of the Romans, it survived the world wars and is yet today a business with rapid changes. Fashion started off as an art form, a way for the rich to show their social status with unique and innovative designs that only they could afford. It was a way to separate the social classes of the society. In this paper I will include the creators of haute couture, and how the following designers developed couture, as well as leading names in today’s ready-to-wear industry. The list is long, but I chose to focus on the three most important designers in the modern fashion industry.
6. Hammond, Colleen. "Dressing with Dignity - History of Women's Fashion Industry - How to Fight Sexual Revolution and Immodesty in Dress!" N.p., n.d. Web. 18 Dec. 2013.
Fashion takes on many different facets and concerns many subsets— a model sashaying down the runway in a gown encrusted in real gems, Lady Gaga’s infamous dress made of cuts of raw beef, a teenage girl obsessing over the season’s latest styles— it is all an expression of our minds and who we are or want to be, made tangible. It is a medium just like any other, for while artists wield brushes and paints, designers use thread and cloth to illustrate their vision. The artistry is none more so apparent than in the exclusive world of haute couture, a world of extravagance that caters to aesthetics, producing one-of-a-kind wearable masterpieces that are made to be admired rather than worn. It is without doubt, high fashion and its design is an art.