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Wassily Kandinsky's impact on modern art theory
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In the early twentieth century, the Russian born painter Wassily Kandinsky, was well known as the leader of the abstract movement. Kandinsky was born in Moscow on December 4, 1866, in which he discovered his love for drawing and painting. Kandinsky was inspired by Monet which resulted in the desire for him to experiment different ways using color on canvas. Kandinsky’s love for art started when he was just a young boy. His parents were both interested in music; however, their marriage ended in divorce leaving five-year-old Kandinsky with his aunt in Odessa. With his aunt he learned to play the piano and cello in grammar school and also studied drawing with a couch. Kandinsky followed the wishes of his parents and went to law school at University of Moscow. After he realized that a career in law wasn’t for him, he decided to abandon his career and move to Munich to devote his time and effort to art (Bio.com 1).
When Kandinsky lived in Munich he was accepted into a private painting school. However, Wassily focused primarily on his own studies and theories. These theories were based on the relationship between music and color. In result of these theories, he formed artist groups with other painters. Kandinsky also taught his own art classes and taught others his theories of art. Kandinsky was influenced by the constructivist movement which is clearly shown throughout his artwork because of the use of harsh lines and dark dots. “Kandinsky died of cardiovascular disease in Neuilly-sur-Seine,
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France, on December 13, 1944” (Bio.com 1). One of Wassily Kandinsky abstract paintings is titled Yellow, Red, Blue, which was created in 1925 in Alten / Dessau-Alten, Germany. This piece is 127cm. x 200cm. and is made up of bright colors and geometric shapes. The medium used to create this piece is oil on canvas. This painting was done in “Kandinsky’s ‘cold romanticism’ phase which was also during the time when he was teaching at the Bauhaus” ("Yellow Red Blue by Wassily Kandinsky" 1). During his time at the Bauhaus, Kandinsky focused studies on primary colors and basic shapes such as triangle, squares, and circles. Figure one, Yellow, Red, Blue is a very unique abstract painting that uses form, color, and line. There is no specific focal point of the piece because of the use of so many different colors and shapes, which allow our eyes to travel the piece. The colors used to create this piece are mainly different shades of primary and secondary colors. The forms on the left side of the composition are primarily yellow surrounded by blue, while the opposite side is purple surrounded by yellow. Our eyes are drawn to the darker value of color on the right side of the piece, then our eyes travel to the left side where the lighter values take over. Kandinsky uses a small amount of black throughout his piece. The color black is more dominant on the right hand side. Lastly, the small amount of purple used around the border contrasts with the right side making the piece unified. Based on the colors of the piece, you can look at it as the left side being the sunrise and the right side being the sunset. This piece also uses a variety of different forms and shapes. It consists of many horizontal and vertical lines, but also geometric shapes such as squares, circles, and triangles. The small checkerboard pieces in the painting are placed in certain positions to create depth. The black and white checkerboard is painted very small to create the illusion that it is further back than the colored checkerboards which are painted largely. There is a lot of movement throughout this piece because of the variety of different colors and shapes that work together to allow your eyes to travel. Another one of Wassily Kandinsky’s famous paintings is the Circles in a Circle, painted in 1923.
The medium used to create this piece is oil on canvas and the dimensions are 98.7 × 95.6 cm. Kandinsky thought of circles as a perfect balance of concentric and exocentric, he felt circles were significant and symbolic (Circles in a Circle 2). This piece is made mainly of circles which shows Kandinsky’s distinctive style of using geometric shapes that emerged from the early
1920’s. Figure two, Circles in a Circle is painted in an interesting way that differs from the piece Yellow, Red, Blue. With this painting, Kandinsky uses mainly circles, unlike in his previous painting that combined many other geometric shapes. This piece focuses a lot on pattern and line. The background of this painting is a beige color with two horizontal lines crossing over each other. These two lines bring forward the shapes that are within the circle. In the middle of the large figure there are medium circles that contrast in value with the two horizontal lines. This allows your eyes to bounce back and forth between the background and the circles. The small vertical and horizontal black lines that cross over the variety of circles, create a balance with the extreme dark value that are eyes immediately are drawn to. In the center, all of the circles overlap together and are painted with lighter values. The artist experiments using primary and secondary colors in this piece; however, the primary color that stands out are the red circles. One of the red circles has a bold outline while another has a dark dot in the center. These shapes contrast with the bold dark outline of the larger circle. Size is a big component. Each circle varies in size; some are tiny, others medium, and some large. Without these size variations our eyes wouldn’t travel the piece. Lastly, this painting is all about pattern. Each small line is drawn in a certain way whether that is horizontal or vertical and every different sized circle is painted repeatedly twice or more. The third piece created by Wassily Kandinsky, is Autumn in Bavaria, painted in 1908. The medium used to create this piece is oil on cardboard and the dimensions are 45 x 33 cm. This is one of Kandinsky’s first expressionism pieces that he created; this is a landscape painting (wikiart 1). Kandinsky is very well known for his abstract pieces; however, he is also known for a few paintings that aren’t abstract. Figure Three, Autumn in Bavaria is painted much different from the other paintings that have been deconstructed. This piece has no geometric shapes unlike the paintings Yellow, Red, Blue and Circles in a Circle. In this piece, Kandinsky demonstrates the elements color and texture. The focal point of the piece is the building in the background because there is major highlight on the walkway that pulls your eyes towards the back of the painting. Our eyes travel from the back of the piece and then move forward to the front of the piece where the trees take over. This painting is made up of warm colors which portray the colors of the season autumn which is the name of the piece. The colors in this painting are separated from the left side to the right side. The left side is primarily yellow with no red or orange, while the right side is red and orange with little yellow. The primary color yellow is used to form the leaves on the tree, these contrast with the small streaks of yellow on the sidewalk which allow our eyes to read the piece better. Also, there are white streaks on the sidewalk which contrast with the building further back in the painting. The dark value that shows the shadow of the tree separates the back of the painting with the front of the painting. Kandinsky uses a large amount of texture throughout this piece specifically. He doesn’t focus on blending but layering the paint. For example, in the sidewalk, the artist uses white, different values of blue, yellow, and green. He used a combination of short and long brushstrokes to create the value of the sidewalk. Kandinsky uses a different method of painting in this piece. Instead of painting precise shapes and forms, this piece shows a great deal of texture. In conclusion, Wassily Kandinsky was the Russian painter who was not only great at abstract but also other forms of painting. He was forced into going to school for law by his parents and decided that art was what he wanted to do. Kandinsky was passionate about he felt about art. He wanted to share his theories about color to other people. He wanted to inspire young artists and he wanted them to be open to new ideas and painting techniques. Kandinsky is well known for his paintings such as the Yellow, Red, Blue, Circles in a Circle, and Autumn in Bavaria; however, there are many more pieces that he created. The piece Yellow, Red, Blue is known for its unique combination of geometric shapes and lines and the variety of color used. The second piece, Circles in a Circle, is known for its use of only one geometric shape and his use of horizontal and vertical lines. Lastly, Kandinsky is well known for his expressionist painting because he was known as the abstract leader. When he did create Autumn in Bavaria, he painted it in a very different way than all of his other pieces. His brushstrokes showed in this piece. Kandinsky showed extreme texture in this piece unlike in his two previous works. Wassily Kandinsky will forever be known as the abstract leader, but we must not forget that he created some great expressionist paintings as well. He was not only an abstract leader but also a teacher to other young artists.
Gallery 19 of the Museum of Modern Art features Pop Art trailblazers of the early 1960s, ranging from Roy Lichtenstein’s “Girl with Ball” to Andy Warhol’s “Gold Marilyn Monroe.” Alongside these emblematic works of art, there hangs a more simplistic piece: a six foot square canvas with three yellow letters, entitled “OOF.” The work of art, created by Ed Ruscha in 1962, is a painting that leaves little room for subjective interpretation as does the majority of his work. Ruscha represented the culture in the 1960s through his contributions to the transition from Abstract Expressionism to Pop Art, efforts to redefine what it meant for a painting to be fine art, and interpretation of the Space Race.
The Kandinsky painting represents“ Chaos and control.” This quote is mentioned repetitively and strategically throughout the movie to illustrate the fluctuation of lifestyles and relationships the characters undergo throughout the film. In one scene they are relaxed, happy, and having a good time conversing with friends and in the next scene they are frantic, outraged and arguing. In other words, the Kittridges lives, like the Kandinsky painting, are out-of-balance and easily swing back-and-forth between a life of case and control.
Claes Oldenburg was born in 1929 in Stockholm, Sweden. His father was a Swedish Consul General, and because of his job they moved to Chicago in 1936 where he became an American citizen. When he graduated Yale University in New Heaven, he took up the job as working as a reporter in 1946. Later on in 1952 Oldenburg attended Chicago Art Institute. While he was there he published some drawings in magazines and started to paint pictures. He was inspired by Abstract Expressionism. Then in 1956 he moved to New York and met Jim dine, two years later he met Alan Kaprow and a couple other artists. All of them were interested in art and pushed the question “What is art?” They started to stage “happenings”. That was the start of the Pop Art Movement. Pop Art is the products of mass media. From 1958 -59 he arranged and designed his first sculpture. After that he started to replicate food, like hamburgers, ice-cream and cakes. Oldenburg’s first exhibit was in 1958. There was a selection of his drawings that were included in a group show at the Red Grooms’ City Gallery. A year later, Oldenburg had his first one-man show. He had sculptures at the Judson Gallery. Then in 1962 he had his art work in the “News Realist” which helped define the Pop Art Movement. He also had other exhibitions in 1964, a one man show at the Sidney Janis Gallery and also in 1968 at the Museum of Modern Art. In the mid-1960s he also began making creation for huge monuments.
Bakst started painting at a very young age, when he was eleven Bakst entered a portrait of the poet Vasily Zhukovsky to an art competition, which he won. That awakened his parents into seeing that Bakst had a real talent in painting and drawing, yet they did not believe that a young man during this time could pursue a career in art. At the age of sixteen Bakst applied to the Academy of Arts in St. Petersburg but failed the entrance exam, and after he was admitted a year later he was expelled from school due to a very realistic yet inappropriate rendition of the Pietà. Bakst remained in St. Petersburg, which had a rich and flourishing night and theatrical life...
The first painting analyzed was North Country Idyll by Arthur Bowen Davis. The focal point was the white naked woman. The white was used to bring her out and focus on the four actual colored males surrounding her. The woman appears to be blowing a kiss. There is use of stumato along with atmospheric perspective. There is excellent use of color for the setting. It is almost a life like painting. This painting has smooth brush strokes. The sailing ship is the focal point because of the bright blue with extravagant large sails. The painting is a dry textured flat paint. The painting is evenly balanced. When I look at this painting, it reminds me of settlers coming to a new world that is be founded by its beauty. It seems as if they swam from the ship.
Salvador Dali began his painting career at the age of eight. His parents allowed him to continue his artistic interests because of the influence of the Pichot family, a family full of artists who lived at the Mill-Tower, their family home. Ramon Pichot provided Dali with his first contact to Impressionism. During this early period Dali primarily created still lifes, figure drawings, and landscapes of Cadaques. Dali was also influenced by Juan Nunez, a teacher at a night school for drawing which he was allowed to attend. Nunez introduced Dali to watercolors and etchings. Dali was influenced by Impressionism until 1919. From 1920 to 1921 Impressionism gave way to Pointillism and the use of color. During this time ...
Art is a very important part of humanity’s history, and it can be found anywhere from the walls of caves to the halls of museums. The artists that created these works of art were influenced by a multitude of factors including personal issues, politics, and other art movements. Frida Kahlo and Vincent van Gogh, two wildly popular artists, have left behind artwork, that to this day, influences and fascinates people around the world. Their painting styles and personal lives are vastly different, but both artists managed to capture the emotions that they were feeling and used them to create artwork.
Kandinsky’s paintings often reflected the things that were going on in his own life at the
(Works of Art) Other abstract artists rebelled against the self-absorption of the New York School and delved into existentialism.
He founded his own art school in 1900, he teaches his student the way he creates illustrations and his Stylistic Solutions, design the gesture of a composition, use a dominant movement to show the gesture of the composition, then is use big shape of mass to organize different value group, and slowly built form and detail on the top of those masses. He also uses a lot of triangular shape to compose his image, because a triangle have a direction and always point somewhere.
Born in July of 1882 in New York, Hopper grew up interested in art and encouraged by his parents. After attending both the Correspondence School of Illustrating in New York City and the New York School of Art, Hopper experienced a shift in interest from illustrations to the fine arts1. While studying with the impressionist artist William Merritt Chase and the realistic painter Rober...
Introduction Upon my first encounter with Kandinsky's painting, my eyes and indeed my mind were overcome with a sense of puzzlement, as it seemed impossible to decipher what lay beneath his passionate use of colour and distorted forms. Kandinsky hoped by freeing colour from its representational restrictions, it, like music could conjure up a series of emotions in the soul of viewer, reinforced by corresponding forms. Throughout this essay, I will follow Kandinsky's quest for a pure, abstract art and attempt to determine whether his passionate belief in this spiritual art and his theories on its effects on the soul, can truly be felt and appreciated by the average viewer, who at first glance would most likely view Kandinsky's paintings as simply abstract. Kandinsky was indeed a visionary, an artist who through his theoretical ideas of creating a new pictorial language sought to revolutionize the art of the twentieth-century. Regarded as the founder of abstract painting, he broke free from arts traditional limitations and invented the first painting for paintings sake, whereby the dissolution of the object and subsequent promotion of colour and form became means of expression in their own right.
The painting was done near the beginning of the twentieth century when science was developing at a rapid rate. Einstein's Theory of Relativity was gaining ground at the time. Malevich's painting seemed to borrow from this theory that attempted to explain relative motion. His suprematism style attempted to capture a neo-realism in painting portraying pure feeling and perception. This new style was communicated by the discarding of natural references. Malevich grew tired of painting in the traditional style with everything looking and feeling the way they are in life. His new style tried to free viewer from their traditional a priori views concerning shape and colors imposed on them by their senses. Suprematist style focuses was on depictions of movement and dynamism. Flight and anti-gravity fascinated Malevich. Much of his paintings were a top down view of the subjects arranged on a white background. The white background represents infinite space, while the subjects were reduced to geometric blocks. The message of the paintings comes out in the relative position of the blocks to the background. The infinite background of the paintings is to divorce the paintings from the finite earth. Malevich himself said that his paintings "do not belong to the earth exclusively." The paintings sought to transcend to a different level. Malevich's suprematist style sought to take people to the fourth dimension, which was pure sensation.
In this oil-on-canvas painting by Kandinsky, titled “Yellow Red Blue”, the viewer immediately senses a warmth and vibrancy emanating from the picture. It consists of multiple shapes, lines and tones that are all uniquely different, yet somehow manage to form a cohesive whole. This serves to bring about an air of organised chaos, which may evoke emotions of
Wassily Kandinsky was a leader of early modern Germany in contrast to Echelman’s modern life. His paintings were his attempt in translating his feelings and emotions into