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Abstract expressionism powerful because
Andy warhol influence on pop art
Andy warhol influence on pop art
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Gallery 19 of the Museum of Modern Art features Pop Art trailblazers of the early 1960s, ranging from Roy Lichtenstein’s “Girl with Ball” to Andy Warhol’s “Gold Marilyn Monroe.” Alongside these emblematic works of art, there hangs a more simplistic piece: a six foot square canvas with three yellow letters, entitled “OOF.” The work of art, created by Ed Ruscha in 1962, is a painting that leaves little room for subjective interpretation as does the majority of his work. Ruscha represented the culture in the 1960s through his contributions to the transition from Abstract Expressionism to Pop Art, efforts to redefine what it meant for a painting to be fine art, and interpretation of the Space Race.
During the 1940s and 50s, Abstract Expressionism
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In addition to using simple words in his work, Ruscha depicted many cultural aspects of society, including containers of Spam, Western comic books and newspapers. Including these images that were recognizable by the general public in his paintings makes his work fit perfectly into Pop Art. Ruscha’s societal references often mocked consumerism as he added hidden symbols that could easily be overlooked when contrasted with the large eye catching typography. In “Flash, LA Times,” the bright yellow text overpowers the small LA Times newspaper. Ruscha’s take on consumerism intentionally broke the conventional rules of fine art. In, “Norm’s Diner, LA Cienega, On Fire,” Ruscha painted a diner being burned down, inspired by an actual diner he had come across in his travels. Ruscha selected the name Norm’s Diner to literally depict burning down the norms, which symbolizes his unconventional work. With his numerous pieces of work featuring subjects that did not fit into the traditional expectations of art, Ruscha helped redefine what fine art is and further the Pop Art
Pop Art was a Modern art movement that emerged durring the mid-twentieth century in both England and America. It first began to gain recognition in the early 1950’s, after about twenty years of Abstract, as artists altered their attention and looked to change. In the late 1950’s and early 1960’s, Pop Art became much more popular to the general public and successful for the movement’s artists due to the world growing tired of the repeditive forms of Abstract. Found in the Menil Collection, Seated Woman and Lavender Disaster are two examples of Pop Art. The comparison of these two pieces shows although they differ in medium and subject matter both Seated Woman and Lavender Disaster share common underlying themes possesed by all Pop Art.
Warhol, Andy, and Pat Hackett. POPism: the Warhol '60s. San Diego: Harcourt Brace Jovanovich, 1990. Print.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
Pop art is an experimental art which surfaced in Great Britain in the early 1950’s. One of the major art movements of the twentieth century, it came into its own in the United States in the late 1950’s. This art form incorporated photographs in ways that had not been utilized before. It utilized mass-culture imagery and iconography, in contrast to the traditional tendencies of fine art. Pop art is considered to be one of the last modern art movements and served as a precursor to postmodern art. The art form is characterized by themes and techniques derived from mass culture, including advertising and comic books. Perhaps one of the most famous Pop artists, is Andy Warhol.
The article Artists Mythologies and Media Genius, Madness and Art History (1980) by Griselda Pollock is a forty page essay where Pollock (1980), argues and explains her views on the crucial question, "how art history works" (Pollock, 1980, p.57). She emphasizes that there should be changes to the practice of art history and uses Van Gogh as a major example in her study. Her thesis is to prove that the meaning behind artworks should not be restricted only to the artist who creates it, but also to realize what kind of economical, financial, social situation the artist may have been in to influence the subject that is used. (Pollock, 1980, pg. 57) She explains her views through this thesis and further develops this idea by engaging in scholarly debates with art historians and researcher, and objecting to how they claim there is a general state of how art is read. She structures her paragraphs in ways that allows her to present different kinds of evidences from a variety sources while using a formal yet persuasive tone of voice to get her point across to the reader.
Modernist paintings are many times described as being universal because ‘they’re just a bunch of pretty shapes and colors and everyone likes pretty shapes and colors.’ What most people don’t realize is that Modernist art conveys a sense of otherworldly reality through the ‘pretty shapes and colors.’
Lobel, Michael, and James Rosenquist. 2009. James rosenquist: Pop art, politics, and history in the 1960s. Berkeley: University of California Press.
Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940’s and 1950’s, at the New York School, American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject matters, contributing to artists, were not meant to represent the ever-changing world around them. Rather, how the world around them affected the artist themselves. The works swayed by such worldly influences, become an important article within the artists’ pieces. Subjectively, looking inward to express the artist psyche, artists within the Abstract Expressionism movement became a part of their paintings. Making the paintings more of a representation of one’s self.
Since my first encounter with Kandinsky's art I was amazed by their complexity and always wondered about the creative and intellectual mind, which was responsible for them. The few books I managed to find on Kandinsky were extremely useful as they outlined his entire career and had a substantial amount of illustrations. There were also a number of websites available on the Internet, which contained critiques from other art historians, critics and fellow artists from around the world. But there is not a large number of his paintings available in Britain therefore could only experience his art at first hand on three occasions. If I were to attempt this coursework again I would perhaps try to widen my research by travelling outside of the U.K. and experiencing at first hand some of Kandinsky's more grand pieces, in order to fully feel their effects.
In the early twentieth century, the Russian born painter Wassily Kandinsky, was well known as the leader of the abstract movement. Kandinsky was born in Moscow on December 4, 1866, in which he discovered his love for drawing and painting. Kandinsky was inspired by Monet which resulted in the desire for him to experiment different ways using color on canvas. Kandinsky’s love for art started when he was just a young boy. His parents were both interested in music; however, their marriage ended in divorce leaving five-year-old Kandinsky with his aunt in Odessa. With his aunt he learned to play the piano and cello in grammar school and also studied drawing with a couch. Kandinsky followed the wishes of his parents and went to law school at University of Moscow. After he realized that a career in law wasn’t for him, he decided to abandon his career and move to Munich to devote his time and effort to art (Bio.com 1).
The modern artist, Andy Warhol, is one of the most well known pop artists of the 1960’s. Warhol purposely strayed away from the very emotional painting style of the Abstract Expressionists. He was influenced heavily by American Pop culture, borrowing several images as well as ordinary consumer products for his pieces. Ultimately he approached his art in a way to have commercial or advertisement look. Warhol’s goal was to strip down art of its magical qualities, and wanted it to look like anybody could do it. Warhol’s work explores a vast number of ideas in American Pop culture.
Pop art is an art movement based on modern culture. It became popular in the mid- 1950s although it has been explored in different countries at different times. Some visual characters of pop art include: Repetition, commercial design, bright/vibrant primary colours, and ordinary objects made extraordinary. Pop are is usally based on food, super hero’s and house hold items tat are displayed using art mediums. Pop art was used to bridge the gap between the high and low act culture and was first know for being weird or strange.
...of Porn Or The Porn Of Art: A Look At Sex In Modern Art. Web. 12 Nov. 2013.
Within art, in order to develop new art movements, techniques, materials and forms, artists must be innovative in representing their ideas and visions to their audience. This is seen in Roy Lichtenstein’s contributions to the development of Pop Art. Lichtenstein's innovative artmaking technique, often involved the use of stencils, which he used to bring the aesthetic of commercial printing processes into his painting and prints. This artmaking technique can be seen in Lichtenstein’s works, ‘Crying Girl’ (1963) and ‘In the Car’ (1963). Lichtenstein used basic, primary colors, bold outlines and Benday dots to make his hand-made art look as if it was made commercially through a machine. Conceptually, Lichtenstein was innovative in his representation
Abstract Art: Alexander Calder (1898-1976) Abstract art, the famous art movement in New York City in 20th century. It is opposite to representational art, included diverse variety of styles, geometric abstraction and minimalism, thru gesturalism and action-painting, to organic abstraction, colour field painting and word art. There have three basic categories, non-naturalist geometric forms, shapes derived from nature but not recognizable as such, also heavily disguised representational, but non-figurative works. There have many synonyms of abstraction like “non-figurative art”, “non-representational art”, or “non-objective art”.