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Abstract Art: Alexander Calder (1898-1976) Abstract art, the famous art movement in New York City in 20th century. It is opposite to representational art, included diverse variety of styles, geometric abstraction and minimalism, thru gesturalism and action-painting, to organic abstraction, colour field painting and word art. There have three basic categories, non-naturalist geometric forms, shapes derived from nature but not recognizable as such, also heavily disguised representational, but non-figurative works. There have many synonyms of abstraction like “non-figurative art”, “non-representational art”, or “non-objective art”. The artists like Wassily Kandinsky(1866-1944), Kasimir Malevich (1878-1935), Pablo Picasso (1881-1973),Georges Braque (1882-1963), Theo Van Doesburg (1883-1931), Piet …show more content…
These works clear to show out the style of Calder, the smooth line, streamline outlook, simple colour, etc. all of these told us Calder is a fastidious craftsman, he cut, bent, twisted, and punctured the materials by hand, to pursue the natural from of his sculpture. Through Calder’s works, you can see the innovation and the freedom of creation in that period. The prosperous of art movement, the artists came from different country to exhibit their art works, learnt new style of art with others, share and discus. Calder can created without pressure because of the environment and his family background. In that period, many artists made contour line drawings on paper, but Calder was the first to use wire to create three-dimensional “drawing” of people, animals, and objects. The creativity he had to create a famous genre of sculpture, and be an important artist in the world history. The influence in Calder’s mobile can be seen in the work of abstract expressionists Franz Kline, Willem de Kooning and the later Jackson Pollock
In the Florence and the early renaissance, we have the greatest master of art like Leonardo da Vinci, Michelangelo, Sandro Botticelli and others. In this period of time the painters almost never show their emotions or feelings, they were more focused on indulging the churches and the wealthy people. In The renaissance period the art provides the work of art with ideal, intangible qualities, giving it a beauty and significance greater and more permanent than that actually found in the modern art. Florence and the early renaissance, the art become very valued where every artist was trying to create art forms consistent with the appearance of the beauty or elegance in a natural perspective. However, Renaissance art seems to focus more on the human as an individual, while Wayne White art takes a broader picture with no humans whatsoever; Wayne, modern three dimensional arts often utilizes a style of painting more abstract than Renaissance art. At this point in the semester these two aspects of abstract painting and the early renaissance artwork have significant roles in the paintings. Wayne White brings unrealistic concepts that provoke a new theme of art, but nevertheless the artistic creations of the piece of art during early renaissance still represent the highest of attainment in the history of
During Vincent Van Gogh’s childhood years, and even before he was born, impressionism was the most common form of art. Impressionism was a very limiting type of art, with certain colors and scenes one must paint with. A few artists had grown tired of impressionism, however, and wanted to create their own genre of art. These artists, including Paul Gaugin, Vincent Van Gogh, Henri de Toulouse-Lautrec, and Paul Cezanne, hoped to better express themselves by painting ...
... shapes but could not understand the point it was trying to convey. Now that I have read and learned about Meadmore, I can distinguish the three goals that Meadmore intended for. I see the flexibility of simple geometry and how it can express dynamic movement through this sculpture. Overall, it is interesting how Meadmore’s life and ideas relate to his artistic design, “Always.”
Herring said: “I immediately realized that this was the perfect place to draw,” he recalled. “I went above ground to a card shop and bought a box of white chalk, went back down and did a drawing…”1 Furthermore, chalk itself proved an ideal medium for the “continuous line” that was the artist’s objective. Keith used Words like “flow” and “fluidity” reference to his own work. Those who watched him draw were regularly astonished by the speed and accuracy of his line, whether he was drawing on dollar bills, ersatz Greek vases, the body of Grace Jones, or a youthful fan’s skateboard. And like Matisse, he never erased or
I addition, the painter ability to convince portrays fabric of different types of the marks to make him a great painter. In a dimensional work of art, texture gives a visual sense of how an object depicted would feel in real life if touche...
Ultimately, it can be seen that all artists are influenced or incorporate issues and events of their time in their works, whether this is from the desire to portray Greek perfection to that of religious beliefs and the creation of the camera. To become renowned like Polykleitos, Michelangelo and Pablo Picasso, this statement must be followed.
· Penrose, Roland. Picasso at Work. With introduction and text. Photographs by Edward Quinn. New York: Doubleday & Company Inc., n.d.
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
In 1907, Picasso created a new type of art, Cubism. For those who don’t know what cubism is, it captured and exaggerated certain features of a subject. “Cubism is renowned as a groundbreaking artistic movement in and of its own right, yet it also influenced generations of artists to follow, shaping the very history of art.” (Unknown 6) This technique changed art all around the world. It helped people express more depths within a painting. To this day, artists look at Picasso’s pieces for inspiration.“There had been no prior artist to Picasso, who had such an impact on the art world, or had a mass following of fans and critics alike, as he did.” (McConell
Abstract art in comparison to realism, can be described as two art forms on opposite ends of the art style spectrum. Picasso and Pollock both had a massive impact on the outcome of modern art through their ability to challenge viewers as they interpret art, not for what the painting shows, but instead what the idea of it came from. Picasso’s painting is now an iconic symbol for an anti-war message, and Pollock’s painting now represent a form of freedom of speech and expression throughout America. Ultimately the reason artists moved from realism to abstract came from the invention of the camera, giving artist a reason to branch to new and edgy art forms, which will later create the modern art
His work is mostly famous with his Cubism events. As he enters its twenty-fifth year, Picasso changed his style of painting. It breaks down and reproduces objects in simple geometric shapes. Cézanne, African tribal art and Iberian sculpture would be the inspiration the painter when it turned to Cubism. (Picasso, P. (1970) With the Demoiselles d 'Avignon that this new style explodes in 1907. That same year, he met Georges Braque with whom he develops the power of Cubism. The two work closely together. To address the problem of representing what exists in three dimensions on a two dimensional surface, Braque and Picasso bring a new answer. They replace the usual codes of color, volume and perspective through a system of geometric signs. They will add to it, in a subsequent phase (synthetic cubism), the use of pieces of various materials (sand, paper, metal, wood, fabric, cardboard ...) to avoid falling into abstract art. Picasso abandons Cubism in 1915. (p25) It had been demonstrated that his work had given a big importance in our current historical events and how it was also given a big importance in his times such as in the support of the cubism
In the early 20th century several movements occurred in America and Europe, therefore it was an era that characterized by the imperialism industrialization which polarized the nation into two categories of high and the low class. And the western culture dominated most of the world possessions. The U.S was able to have power over their land and they gained high economic and political power. The American did not allow other countries free trade to enter their lands. Furthermore, the Modernism Cultural movements allow many artists to present their styles in a unique form of expression. Modernism is characterized radically by breaking down the trends which occurred in the past of the 19th century. Moreover, Pablo Picasso, he was a phenomenal modern artist; Picasso was very famous for all of his work of art especially the cubism arts. Therefore, some viewers consider his art to be disturbing because they...
Art is an expression of feelings, body language, culture produced by humans. Art can be expressed in many different ways, and in many different forms from times periods way before you think! You’d be amazed with the different type of skilled work artist come up with each day and it’s all just someone, one person expressing how they feel or what they believe. One form of art that I find very interesting particular is Fauvism. Fauvism is an expressionism that is expressed by art, music literature. This type of art is the spiritually and emotional vision of the world in Artist eyes. Fauvism was a short-lived movement; it lasted only from the time period of 1905-1908. In my opinion based off of how appealing it was it could have been longer. It originated in France. Artist who produced this type of art work were called fauves, French for “wild beast” because they were described to use intense colors, uncontrollably.
During the 19th century, a great number of revolutionary changes altered forever the face of art and those that produced it. Compared to earlier artistic periods, the art produced in the 19th century was a mixture of restlessness, obsession with progress and novelty, and a ceaseless questioning, testing and challenging of all authority. Old certainties about art gave way to new ones and all traditional values, systems and institutions were subjected to relentless critical analysis. At the same time, discovery and invention proceeded at an astonishing rate and made the once-impossible both possible and actual. But most importantly, old ideas rapidly became obsolete which created an entirely new artistic world highlighted by such extraordinary talents as Vincent Van Gogh, Eugene Delacroix, Paul Gauguin, Paul Cezanne, Toulouse-Lautrec, and Claude Monet. American painting and sculpture came around the age of 19th century. Art originated in Paris and other different European cities. However, it became more popular in United States around 19th century.
Other points to be noted in the execution of the sculptor's idea than those of relating the proportions, preserving the perfect body, and suggesting depths. A cardinal requirement, and one which is made much of in any discussion of Greek sculpture, is truth.