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Nighthawks analysis
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Realism and Attention to Detail in Edward Hopper's Night Hawks
In the following essay the painting Nighthawks by Edward Hopper will be analyzed to determine what messages the artist was trying to convey to the viewer, and the significance of the very detailed depiction of the figures occupying the diner. The realism style of the painting that contributes greatly to the intense effect on the viewer, chosen for this reason, will be explored as well. The somber and lonely mood of the painting will be analyzed as well as the aspects of the empty street and the sparsely populated diner. I will discuss how the painting accurately represents the Great Depression era it was painted to portray, why this specific medium was chosen and how it affects the painting itself.
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” Edward Hopper, a classic realist painter of the twentieth century, had a fascination for light. His plays on the mood of light stretch as a major theme throughout his works, and contribute to the intensifying effect he could inject into seemingly every day scenes. His works took a dramatic appeal through the “eerie stillness's” and lone figures sprinkled throughout his paintings. Although influenced by Edgar Degas and Edouard Maent, Edward Hopper easily added his own personal touches to the beautiful style of realism.1 Born in July of 1882 in New York, Hopper grew up interested in art and encouraged by his parents. After attending both the Correspondence School of Illustrating in New York City and the New York School of Art, Hopper experienced a shift in interest from illustrations to the fine arts1. While studying with the impressionist artist William Merritt Chase and the realistic painter Robert Henri, young Hopper traveled several times to Europe, especially
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
In the novel Fools Crow, by James Welch, several characters have visions and dreams. The dreams are so realistic that they are a vision of what's to come in the future. A lot of the visions and dreams become a message or some type of warning to the people so that they are aware of thing that are going to happen. Many of these dreams that the characters have affect them positively or in a disastrous way leading to misfortune.
Images that have the ability to induce physical sensations are often the most sought after. A painter that has the ability to induce these sensations is Jonas Lie, with his painting Dusk on Lower Broadway. The painting Dusk on Lower Broadway is a timely piece that exhibits a diverse mixture of artistic concepts and techniques, using quick short brushstrokes with dark, cold colors to create an atmosphere of Dusk on Lower Broadway. In Dusk on Lower Broadway, Lie depicts the average life of a New Yorker bustling down Lower Broadway on a winter’s afternoon. The painting was created so that the observer is looking at the tall buildings in the background of the painting which, from the viewer’s perspective, are towering above all of the other figures in the painting.
"Nighthawks" (1942), a famous painting from Edward Hopper, has been the subject of many poems. Most of the poems attempt to tell the story of the four people painted in the scene. The scene portrays a diner during the night or early morning before the sun comes up, and it is viewed outside on a dark street as someone is looking in. There is nothing threatening about this scene and it suggests there is no danger around the corner; it gives the people in this painting a kind of serenity. The painting is an oil and canvas work and set in the 1930’s or 1940’s. I can tell by the diner’s architecture, clothing, hairstyles and hats of the customers, also by the five-cent cigar sign. This diner looks like it should be
Edward Hopper exemplifies the zenith of 20th century American Realism. After training under Robert Henri at the New York School of Art, Hopper worked as a commercial illustrator for the first half of his life. In fact, although Hopper sold a variety of prints and watercolors on the side, he did not achieve his first artistic success until he was forty-three. At the Rehn Gallery in 1924, all of Hopper's works on display were purchased. From that point on, Hopper's use of light, isolation, and narrative in his works would define him. Hopper's impact was so dramatic that Alfred Hitchcock would later use his painting, The House by the Railroads, for inspiration on his classic film, Psycho ("Edward Hopper"). Nighthawks is Edward Hopper's most famous work. The title itself refers to the night-going characters that reside in the painting, sitting at the table of a diner. This painting is an American classic, appearing in the pop culture of its time and in examples that are more current. Just by doing a quick search on Google images, an abundance of parodies can be found, replacing the figures in the original with ones from Star Wars, The Simpsons, CSI, and more recently, The Walking Dead. There is no doubt that Hopper has affected the American art scene with this masterpiece, and there are numerous reasons it has become so prominent. Edward Hopper's distinguished painting, Nighthawks, is a representation of the pinnacle of the American realism, the attitude of Americans during the Second World War, and the expansion of New York City.
The first thing to notice about this painting is how incredibly involved and realistic the brushwork is. The couple’s faces are so delicately rendered. Every wrinkle is visible and every hair strand is in it’s place. The soft folds and patterns of their clothing, and the grain of the vertical boards on the house, are highly developed and reveal Wood’s incredible attention to detail. The man, especially, appears to be nearly photorealistic.
Robert Frost’s poem Desert Places (1936) begins to stimulate the reader’s visual senses in the first stanza. The poem begins, “Snow falling and night falling fast/ground almost covered in smooth snow,” (Frost, 1936; pg. 654, line 1&2. The sunlight motion suggests a “balance of upward and downward, rising and falling” (Harris, J. 2004), resplendent in nature and indirectly influences the reader spiritually and emotionally. Jane Kenyon’s Let Evening Come (1990), uses sunlight to project an image of a slow moving late afternoon sun, which will soon slip into the darkness of night.
A Sunday Afternoon on the Island of La Grande Jatte, located in the Art Institute of Chicago, is one of the most recognizable paintings of the 19th century, a painting made by Frenchman Georges Seurat. Finished in 1886, it has gained much of its recognition over the time of its completion; the pop culture of today has played a pivotal role into the popularity of it. An example of that is being apart in one of the most recognizable scene in Ferris Bueller's Day Off, where one of the main characters is solely staring at the painting until he can’t even recognize the artwork. This painting also gets much attention because it was an early example of the style of pointillism, at the time; pointillism was becoming a new way of expressing one self with the new technique. It also brought upon about the way we saw paintings, and what we gained from the artwork as whole. In all this painting has become an icon in the art scene, due to the technique it used, and how much of an impact it has had in today culture.
The life span of 37 years saw Vincent Willem van Gogh (Vincent) in creating beautiful works he dearly loved. Painting was an avenue, which allowed him to express his inner thoughts or vent his struggles. My decision to research on Vincent’s painting, Starry Night (1889) came with the inspiration from Don Mclean’s Song, Starry Starry Night where his lyrics spoke about Vincent’s life that further intrigued me in writing this paper.
Van Gogh was born on March 30, 1853, in the rectory of Zundert in Barbant (Burra). His father was a soft-spoken Dutch clergyman. The only thing Van Gogh got from his father, was the desire to be involved in the family church. Even at an early age, Vincent showed artistic talent but neither he nor his parents imagined that painting would take him where it did later in life. One of his first jobs came at the age of sixteen, as an art dealer’s assistant. He went to work for Goupil and Company, an art gallery where an uncle had been working for some time. Three of his father’s brothers were art dealers, and he was christened after the most distinguished of his uncles, who was manager of the Hague branch of the famous Goupil Galleries (Meier-Graefe). His parents were poor, so his rich uncle offered to take him ...
Edgar Degas was born on the 19th of July, 1834, in Paris, France. His full name was Hilaire-Germain-Edgar Degas. A member of an upper-class family, Degas was originally intended to practice law, which he studied for a time after finishing secondary school. In 1855, however, he enrolled at the famous School of Fine Arts, in Paris, where he studied under Louis Lamothe, a pupil of the classical painter Jean-Auguste-Dominique Ingres.
Willie Cole was born on January 3, 1955 in Newark,New Jersey where he also grew up. He attended the Boston University School of Fine Arts and received his Bachelor of Fine Arts from the School of Visual Arts in New York in 1976, and he didn't stop there.He then went on to study at the Art Students League of New York.Willie Cole has been very successful in his artistic ideas ever since.
The French 1884 oil on canvas painting The Song of the Lark by Jules-Adolphe Breton draws grasps a viewer’s attention. It draws an observer in by its intense but subtle subject matter and by the luminous sun in the background. Without the incandescent sun and the thoughtful look of the young woman, it would just be a bland earth-toned farm landscape. However, Breton understood what to add to his painting in order to give it drama that would instantly grab an onlooker’s interest.
Archibald Motley Jr. was born in 1891 in New Orleans. Ever since, Archibald was a child he had the desire to be an artist. His family moved to a Chicago neighborhood in the 1890’s, but the family would take frequent trips back to New Orleans in the summer. Later we find out that these two similar settings were the determining factor for Archibald’s paintings. He decided to study art at the Institute of Chicago and was recognized by being one of the few African American artists during that time.
Vincent van Gogh’s development in stylized representations of nature, created by the application of dark colors, bold lines, and thick paint all show an expressionistic view of the natural world as seen through the eyes of the artist. While we will never find a definite answer for whether or not Vincent van Gogh intended for Wheat Fields with Crows to be any indication of his suicide, we continue to draw on conclusions of what this painting really meant. Even though we can say with certainty that this was not Vincent van Gogh’s last painting, the subject matter and formal elements suggest that it probably was - intended or not - some indication of van Gogh’s unhappiness.