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Art as communication of emotions
Emotion and perception of art
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The Kandinsky painting represents“ Chaos and control.” This quote is mentioned repetitively and strategically throughout the movie to illustrate the fluctuation of lifestyles and relationships the characters undergo throughout the film. In one scene they are relaxed, happy, and having a good time conversing with friends and in the next scene they are frantic, outraged and arguing. In other words, the Kittridges lives, like the Kandinsky painting, are out-of-balance and easily swing back-and-forth between a life of case and control. The Kandinsky two-sided painting also symbolizes human duality. Duality is the understanding reality by means of the opposites. The character, Paul, is a prime example of human duality and reflects the two aspects
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
Joseph Hirsch’s painting Daniel was painted in 1976-1977. In 1978 during the153rd Annual Exhibition of the National Academy of Design, it won the First Benjamin Altman (Figure) prize. It measures 38 inches by 45 inches (96.52 cm x 114.3 cm) with a five inch gold wood frame surrounding it. The medium is oil on canvas. Everything within the painting is centered to draw your eyes to the action of the turned head and the pointed finger. According to the placard next to the painting this is a modern day version of the biblical story of Belshazzar’s Feast following the sacking of Jesualism from the Book of Daniel. From this point on, each figure within the painting will be addressed as Hirsch intended. The painting depicts a seated king, a dozing courtesan and Daniel. The three figures are the focal point of the composition. Hirsch uses a strong color palette to give the painting a luxurious and wealthy feel. Although the detail is not miniscule, the composition as a whole is easily understood. The use of oil paint allowed Hirsch to play with the composition as it was created.
Gallery 19 of the Museum of Modern Art features Pop Art trailblazers of the early 1960s, ranging from Roy Lichtenstein’s “Girl with Ball” to Andy Warhol’s “Gold Marilyn Monroe.” Alongside these emblematic works of art, there hangs a more simplistic piece: a six foot square canvas with three yellow letters, entitled “OOF.” The work of art, created by Ed Ruscha in 1962, is a painting that leaves little room for subjective interpretation as does the majority of his work. Ruscha represented the culture in the 1960s through his contributions to the transition from Abstract Expressionism to Pop Art, efforts to redefine what it meant for a painting to be fine art, and interpretation of the Space Race.
The quote above, perfectly describes the kind of person Rodin was, and the type of art he produced. Rodin is known as a very proactive, persevering, and innovative man from history. One of Rodin’s most amazing sculptures, The Thinker, is renowned as one of the most innovative and inspiring art pieces ever created. This magnificent and fascinating sculpture was so influential because of its themes of mental creativity, intellect, and spirituality. Even though this piece is so well known and inspiring, many people still struggle to identify what exactly this piece says about human nature. In order for one to discover what this sculpture says about human nature, one must take into account the time period the art piece was created in, the author’s influence, and the analysis of the piece. All of the evidence found among these categories related to the sculpture suggest that The Thinker, created by the famous Auguste Rodin, depicts the creativity and spirituality of human nature.
The portrait. A single person immortalized forever on canvas. At first glance, you only see the subject. With a more analytical eye, though, you not only see the image but you begin to hear the voice of the painter and of his time. This is what I hope to do, to feel and understand the mind of the painter Ingres when he painted Louis-Francois Bertin and Reynolds when he painted General John Burgoyne.
Berger makes his attempt to inform an audience with an academic background that there is a subjective way that we see things all around us every day and based on our previous experiences, knowledge, and other things that occur in our lives, no two people may see or interpret something in the same way. In the essay Mr. Berger uses art as his platform to discuss that we should be careful about how people look at things. Mr. Berger uses rhetorical strategies such as ethos, pathos, and logos. These rhetorical strategies can really help an author of any novel, essay, or any literature to truly get the information they desire across to the audience in a clear and concise
Art is a very important part of humanity’s history, and it can be found anywhere from the walls of caves to the halls of museums. The artists that created these works of art were influenced by a multitude of factors including personal issues, politics, and other art movements. Frida Kahlo and Vincent van Gogh, two wildly popular artists, have left behind artwork, that to this day, influences and fascinates people around the world. Their painting styles and personal lives are vastly different, but both artists managed to capture the emotions that they were feeling and used them to create artwork.
Kandinsky’s paintings often reflected the things that were going on in his own life at the
When Rothko started painting, his work was more symbolic than anything else and he found the use of his new craft as a tool of emotional and religious expression.... ... middle of paper ... ... There are many interpretations in regard to the Rothko Chapel and the paintings that are at home there.
The painting, in its simplest form, consists of a naked woman lying elegantly upon stately and rich cloths, while a young, also nude boy, is holding a mirror which contains her reflection. Upon first glance of this work, I was quickly able to make out the identity of the two subjects. ...
What makes us human is the ability to recognize the good in other people and in turn recognize the good in ourselves. There is a saying that whatever you think about another person is just a reflection of what you think about yourself; it is like looking into a mirror. Paintings can act like mirrors as well; we can gaze into a painting and see the good of the subject being portrayed and in turn we can identify the same attributes within ourselves allowing us to relate to the subject matter. Both Rembrandt and Vermeer were able to capture intersubjectivity in their paintings. In The Return of the Prodigal Son (Fig. 1) and Aristotle (Fig. 2) by Rembrandt and The Milk Maid (Fig. 3) and Woman Weighing Pearls (Fig. 4) by Vermeer there is an autonomy that can be recognized in the painting as well as within us.
It is said that art is like a mirror to the soul, a way to see what
Introduction Upon my first encounter with Kandinsky's painting, my eyes and indeed my mind were overcome with a sense of puzzlement, as it seemed impossible to decipher what lay beneath his passionate use of colour and distorted forms. Kandinsky hoped by freeing colour from its representational restrictions, it, like music could conjure up a series of emotions in the soul of viewer, reinforced by corresponding forms. Throughout this essay, I will follow Kandinsky's quest for a pure, abstract art and attempt to determine whether his passionate belief in this spiritual art and his theories on its effects on the soul, can truly be felt and appreciated by the average viewer, who at first glance would most likely view Kandinsky's paintings as simply abstract. Kandinsky was indeed a visionary, an artist who through his theoretical ideas of creating a new pictorial language sought to revolutionize the art of the twentieth-century. Regarded as the founder of abstract painting, he broke free from arts traditional limitations and invented the first painting for paintings sake, whereby the dissolution of the object and subsequent promotion of colour and form became means of expression in their own right.
In order to familiarise myself with the above topic, I have invested much time reading vast selection of the portraiture art themes with aim to get acquainted with the knowledge and the language used in this particular subject. It was very challenging and entertaining to read comprehensive range of various critiques and analysis of the world best paintings stretching from ancient classic to contemporary western image. Developing understanding of the diverse art expressions and social and political influences tha...
Taking an even closer look at Gustav Klimt’s art work, the viewer may focus on the geometric shapes within the 2 forms. At first the viewer notices that rectangular shapes are juxtaposed within the male form, and a majority of the woman’s form is filled with circular shapes. However, towards the lower and upper parts of their bodies, juxtaposition and proximity are used to form a relationship between the rectangular and circular shapes. There are a few rectangles and circles placed so close to one another and in such a way that the onlooker can no longer distinguish between the man’s and the woman’s bodies.