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Racism in music
Hip hop and the african american community
Music racism
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Chris Gastauer Tara Dickerson ENC1102 1 Feb. 2016 Poetry Essay #1 Wasalu Muhammad Jaco or as most of his fans know him Lupe Fiasco is an American rapper, record producer, and entrepreneur. Fiasco is known mostly for his conscious hip hop style of music, which focuses on social issues including terrorism, racism, religion, prostitution, child warfare and crime among others. “Little Weapon,” “All Black Everything,” and “Prisoner 1 & 2” are a few of his more famous songs. “Little Weapon” takes the listener on a journey which focuses on children and fire arms. “All Black Everything” considered one of Lupe’s most inspiring songs explores the idea that racism was non-existent and African American people were never enslaved or segregated. “Prisoner …show more content…
“Little Weapon” one of Fiasco’s earliest works, begins with a segment describing varied ‘little’ children who have acquired weapons, in order to highlight the idea of children and firearms. In the first verse Fiasco is speaking from the first person perspective of a child soldier “well I’m like ten, eleven been fighting since I was like six or seven Now I don’t know much about where I’m from” (Fiasco n.p.). Children are usually taken at an extremely young age when they are most impressionable making them easier to train “well I’m like ten, eleven been fighting since I was like six or seven” (Fiasco n.p.). Killing becomes their only reason to live because they are not told otherwise “Now I don’t know much about where I’m from” (Fiasco n.p.). In the second verse Fiasco speaks of “gangsters” who have shot a gun “Think you gangsta, popped a few rounds?” (Fiasco n.p.). On the other hand these children not only have fired weapons they have killed and think nothing of it “These kids'll come through and murder a whole town Then sit back and smoke and watch it burn down” (Fiasco n.p.). Verse three is from the first person perspective of a child playing a violent video game, summarizing the different ways children around the world view killing. To many it is as easy as a trigger pull on a controller “I, aim my hole, …show more content…
“All Black Everything” considered Fiasco’s most thought producing songs, begins with the same hook heard throughout the work pursuing the concept that Africans hadn’t been enslaved, never having to leave the continent of Africa. “Malcolm Little dies as an old man Martin Luther King read the eulogy for him” (Fiasco n.p) Fiasco brings in an interesting point to mind with this lyric in a world without racism Malcom Little and Martin Luther King would have not been involved in the battle for black rights and both been assassinated at the age of 39. He also makes an ironic point by having Martin read the Eulogy at Malcolm’s funeral being that did not work together and chose completely different approaches to the black rights movement. Fiasco finishes with this work with the image of no matter what race we are, we are all the same when we close our eyes “We just close our eyes till its all black everything” (Fiasco
Every hip-hop/rap generation a lot new fresh upcoming aspiring rappers who wishes to go down in hip-hop culture as one of the greatest. Some of them are merely one hit wonders; others go on to silicify their mark in the Hip-Hop culture becoming great artists. In the year 2006 the hip-hop world was introduced to a future superstar by the named of Lupe Fiasco. Lupe Fiasco has become one of hip-hop fastest rising superstar ever since releasing his first album. Although many listeners find some of his music very controversial, yet Fiasco is one of the few artists whose music teaches people about current events that the world has turned the blind eye to, and Lupe lyrical trickster, story teller.
The verses each deliver a message of equality and the chorus is repeated with the intention of the audience considering their input towards reconciliation. The chorus is repeated 3 times, which is usually done to reinforce the central idea within a song. There are two separate verses, one that starts with the words “black fella white fella” and the other, which starts with “all the people of different races”. This format is repeated to help emphasise the idea that equality is important, regardless of your skin colour. The text structure is ordered in a way that tells a story about equal opportunity, and the way it is formatted is important in communicating this
The Black Power Mixtape 1967-1975 is a documentary film, directed by Goran Hugo Olsson with footage compiled by multiple Swedish filmmakers and journalists. The film provides an alternate and compelling view of America during the Black Power Movement—from 1967-1975. All the footage is from 1967-1975 and features iconic black figures, such as Stokely Carmichael, Angela Davis, Huey P. Newton, Eldridge Cleaver and other activists, artists, and leaders pivotal to the movement. Commentary is provided by black figures from the past and present. The film documents a plethora of issues associated with the Black Power Movement including the anti-Vietnam war efforts, the Black Panther Party, and the War or Drugs—and features the aforementioned black
The Black Power Mixtape 1967-1975 (2011) is a 1 hour and 40 minute documentary that observes the black power movement in American history. This film is directed by Swedish director Goran Hugo Olson and has detailed footage that was shot during the 1960s and 1970s by Swedish journalists. The footage largely focuses on the black power movements. The film allows viewers to not only grasp a better understanding of this movement but allows us to understand why this movement appealed to Swedish journalists. The Black Power Mixtape: 1967-1975 includes vintage interviews with Stokely Carmichael, Bobby Seale, Angela Davis, Huey P. Newton, and other prominent leaders during the Black Power Movement. The documentary also contains contemporary audio interviews and commentaries from various entertainers, artists, activists, and scholars, including but not limited to: Harry Belafonte, Talib Kweli, Melvin Van Peebles, Erykah Badu, Abiodun Oyewele, and Questlove from The Roots.
This is an imagery for the life of Negro people and that blacks were living a life no better than a jail because they were labeled as “colored”. He also stated, “It is unfortunate that demonstrations are taking place in Birmingham, but it is even more unfortunate that the city’s white power structure left the Negro community with no alternative” (King). The white had taken over the power of the country, left the blacks with no choice but to
There is a belief that since America is unsegregated everyone is now equal and it is possible to achieve the American Dream. However, the passing of civil rights laws does not make up for the lost time during discrimination and segregation. Claudia Rankine clearly demonstrates that the black community continues to face discrimination, stereotypes, and prejudice. Additionally, she states that minor incidents are actually a part of the societal and political problem that needs to change. There are two messages Rankine sends. The first “It wasn’t a match, I say. It was a lesson.” Meaning that the purpose of the lyric is for the reader to gain insight into what it means to be black. The second message feels almost hopeless: “I don't know how to end what doesn't have an ending,” demonstrating that it has been decades of these events occurring, because there is no solution and questioning if there ever will
In Lupe Fiasco 's song "Words I Never Said," he collaborates with Skylar Grey to bring awareness to hard topics that no one wants to converse about, by expressing his own emotions, supplying factual evidence, and challenging the credibility to back up his statements. Throughout the song, Fiasco gives his opinion on subjects he finds important, like conspiracy theories, terrorism, and drugs. After rapping about all these issues and more, Fiasco explains, why it is important to stand up and talk about the unfair and unjust problems in the world, instead of being afraid of what people think. Fiasco 's purpose of the song is successful because he exemplifies the feelings that the audience can relate to and uses metaphors, alliteration, and facts to explain his reasoning. He succeeds in persuading his audience, by bringing up his own judgments on real life events, supporting those judgments with
In a reputable rap album an artist must tell a real-life story. The following three artist come from different but similar backgrounds. One artist from Detroit, one from Compton, another from Brooklyn. Sada Baby along with other Detroit rappers share their experiences living in different parts of the city. Throughout D.O.N. by Sada Baby, he references a lot of weapon use, gang activity, and drug use in his neighborhood. The songs on this album go into so much detail about these things, because this was the life he was born into. This is what he knows first hand. In Sada Baby’s song, ‘Guatemalan’, he goes through the steps of his daily life and even goes on to justify why he is the way that he is based off his experiences.
When the speaker gets up the first thing she notices is that he is black, and she ends it with this quote, "We have come over a way that with tears has been wanted, we have come, treading our path through the blood of the slaughtered¨. Suddenly, she started to feel that blacks are back on top. She expresses that sentiment when she states, "we were on top again, as always again. we survived." She thinks that no matter what blacks always overcome any obstacle that comes in their way. This is a sharp contrast from what she was thinking earlier. At first she was thinking it wasn't beneficial to be black because of the racism she would have to face the rest of her life. Then its a sudden change when she hears the black speaker and she feel like blacks will always
Such as, how Tupac used his song “Changes” to refer to the institutionalized racism in America in regards to law enforcement and so forth. On example from his lyrics states, “Cops give a damn about a negro/ Pull the trigger, kill a nigga, he's a hero.” Another commonly known song that makes ties with Hill’s is Kanye’s song “When It All Falls Down.” Kanye wanted the ties of her lyrics incorporated into his song so much that after his failed attempted to get Lauryn Hills sample cleared he got a replacement singer to perform it on his song alternatively. However, his concept for this song was different as its purpose was more of a self-contemplation of his individualized battle with consumerism. Today society is affected by artists like Lauryn Hill and her lyrics and often quote lyrics like that of hers as references for equality and moral rights in modern society. Today more than ever the incarceration rates are raising extremely. Not to mention, in the past year we have seen some of the biggest out cries for our African American communities with people using the power of social media to come together on a common ground in regards to law enforcement unjustly killing African Americans and other minorities while in the attempt of arresting them. With that being said as Lauryn Hills lyrics state “Ya'll can't handle the truth in a courtroom of lies. Representing security/Holding the word of God
As Kendrick entered the stage shackled to his black comrades with a soulful saxophone playing in the background, it is obvious that the imagery of imprisonment was a commentary on incarceration in America and its similarities with slavery. By amplifying this modern twist on slavery, Kendrick provokes American viewers to reflect on the struggles that black Americans still go through today. At the start of his performance he goes on to rap “I’m African-American — I’m African” as if he was correcting himself. This isn’t surprising as black identity is hard to establish in a country that implicitly detests you, but explicitly fetishizes your culture. Stuart Hall discusses this in his text when he states, “’the primitive is a modern problem, a crisis in cultural identity’…the modernist construction of primitivism, the fetishistic recognition and disavowal of the primitive difference” (Hall 125). There is no wonder why Kendrick, like many African-Americans, finds comfort in placing his identity with the mother land rather than his true country of origin. How can the black multitude stand in solidarity with a country who will continuously praise black culture but refuse to recognize the black struggle? Kendrick Lamar then conjures imagery of Africa, where he danced and rapped in front of a raging bonfire, one of the most powerful imagery included in his entire performance. One can interpret
Malcolm begins the speech by elucidating the need for African-American’s, no matter your religious affiliation or status to come together as one in solidarity to fight against systems of oppression where he states that where he says that “we have a fight that’s common to all of us against an enemy who is common to all of us.” (Malcolm 1). After transitioning from this initial statement, Malcolm then begins to elucidate upon the ideology of Black Nationalism where he argues that African-Americans should control and govern the communities in which they live. In doing this, he argues that the social implementation of black nationalism will reform our communities in ways that would make them more livable and
Although Malcolm X and Danzy Senna have a lot of troubles because they are African American, both authors use very strong sentences and phrases to emphasize that they’re proud of their own identities. In The Mulatto Millennium, she affirms that “Black is beautiful”. She also insists that she chooses to be a Black American. Through these words, she wants says to all audiences that she’s proud of her identity. Her parents teach her that there’s nothing to be shame about their identities. They raise her as a Black American. Black or white, Mulatto or Caucasian does not define who you are but what you do for the society define it. Furthermore, she puts these words in italics which mean that they’re her main point in writing this essay. She hopes that everybody will understand her massage under these words. Similarily, Malcolm X keep repeating the phrase “I am not….” in the first paragraphs. He also says that “I’m one of the 22 million black people…” He infers that he does not t...
Throughout his song “Black or White,” he brings up the issue of racial discrimination. In the song he repeats in the refrain, “It don't matter if you're black or white” (Jackson). He wanted to create a song that would leave an impact and this line definitely met that goal. Not only did he meet a goal, but he brought to realization that it didn’t matter who you were, whether you were crippled, gay, atheist, anything, it was all in the eyes of the beholder.
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .