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Concept of gender and gender and sexuality in literature
Sexuality in literature
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A QUEST FOR THE UNKNOWN: KAMALA DAS AS A POET OF BODY AND SEXUAL ASPIRATIONS Sex has been one of the most pre-dominant themes in the works of Kamala Das. Time and again she exploits this theme in delineating the relationship between her male female characters. Unlike other Indian women writers, she does not resort to oblique or indirect reference to sex or love-making, rather takes up a bold and hitherto unexploited approach towards sex. As once stated by Wordsworth that poetry is the spontaneous overflow of powerful feelings; Kamala Das epitomizes this utterance and let loose a series of emotions which find place not only in her poetic works but also her short stories and novel. For rendering colour and life to her expressions, Kamala Das chooses words and the language which has a uniqueness of their own. Though, for a first time reader, she may turn out to be more explicit and going little overboard in her treatment of sexual love, a careful and minute study of her works will leave her readers smitten with her charisma. When her autobiography was published in a serialised form in the newspapers, it took the prudish Kerala society by storm and created a lot of furore in the middle class social circles of the time. She was pressurised by the people around her including her father, then the Managing Director of Malayalam daily Mathrubhumi into stalling her publication but our writer was too courageous to be intimidated by these antics. She has a free and indomitable spirit which is truly bent upon asserting her own freedom and creating a considerable and substantial niche among contemporary Indo-Anglian writers. Kamala Das mentions in her autobiography ‘My Story’, ‘A writer’s raw material is not stone or clay; it is her personali... ... middle of paper ... ...shna, she begins to address her poems to Allah. Thus, we can easily observe that throughout her life, the poet seems to be searching for the ultimate lover, the unknown, who would provide her with the ultimate bliss but time and again fails in accomplishing her goal. R Works Cited eferences 1. Das, Kamala, My Story, New Delhi: Sterling Publishers, 1988. 2. Das, Kamala Das. “A Losing Battle” in Only the Soul Knows How to Sing. Kottayam: DC Books, 1996. 3. Das, Kamala. “Gino” in Old Playhouse and Other Poems. Madras: Orient Longman, 1973. 4. Das, Kamala. Padmavati, The Harlot & Other Stories. New Delhi: Sterling, 1992. 5. Das Kamala. “I Studied All Men” Love and Friendship (ed.) Khushwant Singh, New Delhi, 1973. 6. Dwivedi, A.N. Kamala Das and Her Poetry, New Delhi: Atlantic Publishers, 2000. 7. Kohli, Devendra. Kamala Das. New Delhi: Arnold- Heinemann, 1974.
In romantic words, the poet expresses how much she does think of love. She state it clear that she will not trade love for peace in times of anguish.
...fted them to be an experience and journey to the reader. Though the world may never know why she chose not to marry, her vast collection of love poems and her other poems of different matters is what she is remembered by and carry on her legacy of being one of the best poets of her generation.
of the difficulty in acceptance. In the first few stanzas the poet creates the impression that she
Nanda, Serena. Neither Man nor Woman: The Hijras of India. 2nd ed. Belmont, CA: Wadsworth Pub., 1990. Print.
Thokkadam, Seby V. Arundhati Roy, A Life Full of Beginnings and No Ends.2 Apr. 2003. 2 Oct. 2009
Though, taking care of their relationship to make it endure after death could also be closely related to her Puritan beliefs, as their eternal union would be the outcome of their love on Earth; what would be the future reward expected to obtain in Heaven. In this sense, even though she seems to prioritize her earthly feelings to her religious devotion, it would be throughout this love and care for her husband that she would receive recompense in Heaven. Nonetheless, she clearly feels that she is already accomplishing it in life, and her main objective would not be achieving the future treasure but enjoying her actual happiness. Therefore, her poetry unexpectedly manifests that her priority is not the heavenly future happiness, but the most immediate on
This is a work about the female body and the way it excites the body sexually.
But it can vigorously be said that what she has described in her writing is out and out “honest” and “authentic”. Because of her honesty and authenticity in approach, Das is always sincere to her writing which she chose as a vehicle to liberate her oppressed self from the patriarchal
Recent years have witnessed a large number of Indian English fiction writers who have stunned the literary world with their works. The topics dealt with are contemporary and populist and the English is functional, communicative and unpretentious. Novels have always served as a guide, a beacon in a conflicting, chaotic world and continue to do so. A careful study of Indian English fiction writers show that there are two kinds of writers who contribute to the genre of novels: The first group of writers include those who are global Indians, the diasporic writers, who are Indians by birth but have lived abroad, so they see Indian problems and reality objectively. The second group of writers are those born and brought up in India, exposed to the attitudes, morale and values of the society. Hence their works focus on the various social problems of India like the plight of women, unemployment, poverty, class discrimination, social dogmas, rigid religious norms, inter caste marriages, breakdown of relationships etc.
In her poem “To the fair Clarinda,” Aphra Behn writes of a companionship between the speaker and Clarinda. This paper will attempt to prove that Clarinda is a hermaphrodite instead of a woman as is popularly believed, thus completely changing the meaning of the poem.
Sandhu, Sarbjit K. The Image of Woman in the Novels of Shashi Deshpande. New Delhi: Prestige, 1991.
Bama, the Tamil Dalit woman writer, she wrote Karukku her autobiographical novel published in 1992, presents the text as a double-edged sword before the reader. Hailed as the first Dalit woman writer in India Bama’s Karukku is the first autobiography of its kind in Tamil Dalit Literature. Karukku is the first ever autobiography of a Tamil Christian Dalit woman. It is an eye-opener for those who are unaware of the discriminations that Dalits face, the oppression of religious institutions, and Bama’s painful journey to arrive at solutions for problems that plague her community.
Garg in ‘Hari Bindi’ discusses the story of a common woman and made it extraordinary by the active force she was experiencing in herself to live her life. The husband of the protagonist symbolises the power and control of patriarchy that had restricted her life in such a way
Mahasweta Devi, always writes for deprived section of people. She is a loving daughter, a clerk, a lecturer, a journalist, an editor, a novelist, a dramatist and above all an ardent social activist. Her stories bring to the surface not only the misery of the completely ignored tribal people, but also articulate the oppression of w...
Ed Misra, Tilottoma, The Oxford Anthology of Writings from North-East India-Poetry and Essays,Oxford University Press, 2011, New Delhi