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Feminism and Contemporary Art
Feminism and Contemporary Art
Feminism and Contemporary Art
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Bill Viola was one of the first visual artists to make use of new video technologies. As a pupil he experimented enthusiastically which new portable recording devices, with which he created short video performances that explored a range of sounds, gestures and expressions.
During the 1970s and 1980s, he was an artist-in-residence at a number of media laboratories and television stations, while also serving as an assistant keeper at Everson museum of Art where he exposed to the work of Nam June Paik and Peter Campus, artists who were early innovators in the emerging field of video art.
Eventually, Viola developed of multi-channel and captivating installations where viewers are surrounded by carefully arranged screens and projections, sometimes
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During her studies in video art Pipilotti began by making super 8 films, her works only last for a few minutes and had alterations made to their colours, speed and sound. Her works are usually related around gender, sexuality and the human body.
They seem to come across to the audience with a sense of happiness and simplicity and her works are held by many important art collectors in the world. Her works though are regarded as feminist by some major art critics.
“I’m not the girl who misses much”
This picture refers to a Beatles song; it was done in 1986, where Pipilotti dances in front of the camera in a black dress with her breasts showing. The picture is fuzzy and blurred looking .She repeatedly sings ‘I’m not the girl who misses much “, which is the first line of the song “Happiness is a warm gun “by the Beatles.
As the video nears the ending the image becomes blue and fuzzy and the song stops.
Pipilotti reached her fame and notoriety for her works
This is a work about the female body and the way it excites the body sexually.
She uses a fish eye camera which she moves over the body of 2 people. The image has intense colour and is strange and
...t way, like Varley’s 1930 Vera, she remains a mystery, a forgotten artist, best known for he work as a muse, model, and wife. It is often wondered what kind of work she would have done if she had remained single mindedly focused on her art like the famous Emily Carr
Since 1914, Canadian Human Rights laws have had a positive impact on helping to shape Canadian identity as one that is welcoming to various minority groups. Being a Canadian citizen provides you with the freedoms to travel, and settle in Canada at your own will and desire. Also, the freedom to express your sexual orientation is welcomed and well supported in many communities. Modern discrimination against categorizing human beings is very slim and everyone of all ethnic or cultural backgrounds are welcome with respect and good intentions. Canada is an extremely welcoming and protective place, in which nearly everything is done to promote equality, and a safe country.
Art could be displayed in many different forms; through photography, zines, poetry, or even a scrapbook. There are many inspirational women artists throughout history, including famous women artists such Artemisia Gentileschi and Georgia O’Keeffe. When searching for famous female artists that stood out to me, I found Frida Kahlo, and Barbara Kruger. Two very contrasting type of artists, though both extremely artistic. Both of these artists are known to be feminists, and displayed their issues through painting and photography. Frida Kahlo and Barbara Kruger’s social and historical significance will be discussed.
"Visual Pleasure and Narrative Cinema" Laura Mulvey asserts the fact that in mainstream films, women are simultaneously looked at and displayed. That is to say, the woman is both an object of desire and a spectacle for the male voyeuristic gaze. The male's function is active; he advances the story and controls the gaze onto the women. Interestingly, the spectator identifies with the male through camera technique and style. In an effort to reproduce the so-called natural conditions of human perception, male point-of-view shots are often used along with deep focus. In addition, camera movements are usually determined by the actions of the male protagonist. Consequently, the gaze is dominated by the active male while the passive female exists to support desire within the film. In an attempt to change this structure, Mulvey stresses the importance of challenging the "look." One way this is accomplished, is in the film Reassemblage, where the look of the camera is free from male perspective and dominated more by passionate detachment. In doing this, the filmmaker, Trinh Minh-Ha attempts to destroy the satisfaction and pleasure derived from images of women in film, by highlighting the ways Hollywood depends on voyeuristic and fetishi...
The pictures say a lot, however, with petite information. The artwork she displays are somehow complex, and one gets to understand their meaning over time as she uses vivid imagination to bring out facts and fiction together.
Saikaku, Ihara. Life of a Sensuous Woman. The Norton Anthology of World Literature. 3rd Ed. Volume D. Ed. Martin Puchner. New York: Norton, 2013. 591-611. Print.
Different time periods and different places throughout the world have their own ideas of beauty and perfection. Idealized style is what the artist sees as beautiful. “Women possess a lot of dynamic energy, they take care of a lot of responsibilities- they are wives, mothers, daughters, and friends. Women are dynamic in their trajectory of life: they are beautiful, inspiring and charismatic. The women in my life juggle a
I think that Frida's life greatly influenced her paintings. Most of her paintings have some form of nature or wildlife featured in them. Not only did she display a theme of nature, she also liked to wear indian women clothing. Her style is realistic and lifelike. She has many paintings that fall into the categories of symbolism, surrealism, cubism, modern art, and magical realism. Not only that, a lot of her paintings have herself in them. The color use of Frida Kahlo is very lifelike, she uses natural colors; she doesn't use many bright colors. She uses many primary colors. I have also noticed that a few of her paintings exhibit monkeys. Her paintings remind me of the Mexican culture that I studied in my two year Spanish class. Artemisia’s paintings are very feministic. I believe that Artemisia put her life into her paintings as well. The paintings of Artemisia Gentileschi that I have seen all have women displayed in them; whether they are her, or other women. I would recognize her paintings because almost all of her artwork features a woman reaching out for something. Women in these paintings have a facial expression, that is the same in almost all of her works. Artemisia had very lifelike paintings, they were beautiful but also displayed a tense mood. Her paintings were very striking as were Fridas. Artemisia's paintings are historical and display a tone of hurt. In comparison, both Fridas and Artemisia’s paintings
Paris provided great opportunities for the young artist and she met many famous figures of the movement. She became recognizable after modeling for Man Ray who produced a series of notable and controversial photographs that featured her in the nude. Additionally, Hans Arp and Alberto Giacometti invited her to display work at the Surrealist exhibition at...
... she addressed many problems of her time in her writings. She was an inspirational person for the feminism movements. In fact, she awoke women’s awareness about their rights and freedom of choice. She was really a great woman.
After reading a book on various feminist philosophies, I evaluated Annie Liebovitz's book and collection of photographs entitled Women according to my interpretation of feminist philosophy, then used this aesthetic impression to evaluate the efficacy of feminist theories as they apply toward evaluating and understanding art.
During the feminist movement women sought to gain gender equality and they turned to art to get their message out there. Feminist art set the bar higher for women so they can be seen more equal to men. It redefined the way women were seen and gained them a lot more power in the world. Women were able to use feminist art to be able to show the world that they were just as capable of being successful artists just like men were. Artist like Judy Chicago help set ideas of gender equality become a reality. “Inspired by the women 's movement and rebelling against the male-dominated art scene of the 1960s.” (the art story). Judy Chicago stood for women being equal to men and fought against how men were the ones in charge of the world. She used her art as a weapon to combat gender equality. Many other artists like Chicago used their art to fight gender equality. Feminist art helped explore ideas of gender equality and exchanged it around the world. Her art served as a way of breaking societal expectation by incorporating controversial
He started to explore female figures in the 1940’s but it was not till 1950 he started to do female figures exclusively. He had his work shown in the Sidney Janis Gallery in 1953 which caused a sensation because they were mainly figures of his fellow abstractionists and they were painted with blatant technique and imagery. He applied his medium in such a way that it looks as though it was vomited on but to reveal a woman in what would seam as some mens most widely held sexual fears.
SCOTT, T. (1996). Virtual Reality: A Historical Perspective. Available: http://ei.cs.vt.edu/~history/Tate.VR.html#2. Last accessed 8th January 2014.
She uses ceramic media, cloth, numerical symbolism, historical significance, sexuality, anatomy, and intricateness in a talented way to lure the viewer to her exhibit. All of the different styles and colors presented uniformly symbolizes the individuals within a collective group of feminists. Chicago did a tasteful job in regard to balancing the feminist “we” and incorporating individual diversity of the women featured in the exhibit. An issue that I have with Chicago’s work is that it is labeled “feminist art”. I am sure that in the 1970s it was empowering and gained positive attention for a feminist movement, but today I feel that it is very obviously an exhibit to honor and represent women. The mere fact of labeling art a “feminist work” takes away from the artist and dilutes the message. Its reminds me of the of the ongoing debate we discussed in lecture on whether a skilled female writer should be labeled a “good woman writer”, to bring awareness to the reader that the writer is female, or a “good writer”, to not mention gender because it is irrelevant. Labeling a good writer a “good female writer”, because they also happen to be female, belittles all women as writers. The same goes for “feminist artists” and “feminist artwork”. I understand the motive to have a feminist “we” to create a movement, but I am hesitant to say that labeling something as a “feminist X” is a