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World War 2 and how it affected the film industry
Films influence on germany ww2
World War 2 and how it affected the film industry
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A Case Study of Hammer Films
Hammer began life in the 1930’s as a tiny production company attached
to a small British distributor called exclusive.
Exclusive was mainly concerned with purchasing less prestigious
American films and renting them to British cinemas.
Hammers name had first appeared before the war on two or three films,
like The Mystery of the Marie Celeste in 1936, but it was not until
1947 (when the post, war demand for features began to accelerate as
people regained the cinema- going habit) that Hammer was reformed and
began production in earnest to take to take advantage of the new
situation.
In may 1957, a British horror film called The Curse Of Frankenstein
opened in London, it was a film that would make international stars of
Christopher Lee and Peter Cushing and Hammer Films a household word.
At the time Hammer Film was making five films a year, no one at the
studio had any idea what a success this film would be. Costing under
70,000 pounds, The Curse Of Frankenstein was an overnight success.
The making of Hammer Films was done is several country houses of the
conventional studio, like in Hollywood. While filming The Lady Craved
Excitement in 1950 at Oakley Court, the studio became interested in
obtaining the neighbouring Down Place as a permanent home for their
studio.
Oakley Court had an historical background. It was built in 1859 by Sir
Richard Hall say. In the 1950’s Exclusive fell into the good fortune
of establishing important distribution rights with American companies.
The partnership was important because it allowed Hammer the rights to
use fading but recognizable American stars in their British
productions making them more accessible to the American Audiences.
A staple of Hammer Films was the BBC radio serials. Hammer secured the
rights to several of these productions and turned them into feature
films. After the purchase of Quatermass Experiment and with some
negotiation, the Quatermass series Quatermass Experiment began.
The film proved to be successful encouraging the studio to look for
While Mexican Americans were considered white by law, the documentary A Class Apart sheds light on the struggles and eventual triumph of Mexican Americans in the their journey for racial equality within the United States. Following the Mexican War, Mexican Americans were subjected to a Jim Crow style of discrimination. Despite retaining U.S. citizenship, Mexican Americans were treated as second class citizens. Frustrated by social, political, and economic disenfranchisement, Mexican Americans sought the assistance of the United States Supreme Court, in what would become a landmark case, to secure the full rights afforded to them as United States citizens.
In the biographical film Mabo the Audience is positioned by the filmmakers to see Eddie Koiki Mabo as a hardworking, tenacious and strong man.
I was raised on the movie The Sandlot. My my dad played baseball through college and my brother has played since he could hold a bat. My mom, sister, and I also played softball when we were little. One could say that we are a “baseball family.” My dad first introduced this movie to me, and I was attracted to it not only because it is a fun film about baseball, but also because it has an entertaining soundtrack. The music fits well with the storyline and makes you feel like you are playing baseball and hanging out with the boys in the sixties. I also was raised listening to this genre of music and more songs from some of these bands. Throughout this paper, I will critique the main songs in The Sandlot that make it popular, as well as give a short biography of each band.
Rolf de Herr’s 2002 film The Tracker represented some human beings in the past who have been extremely naïve, barbarous, and bigoted when it came to dealing with Indigenous Australians. This film portrayed white racism in the characters of the Fanatic, the Veteran, and at first the Recruit until he becomes stronger and eventually changes his demeanor towards the Aboriginal people. Even though the Tracker experiences immense hardship throughout the movie he was always two steps ahead of his bosses since he was very familiar with the land and was also able to outsmart his superior officers. The Tracker is a gloomy film which presents the dark past of Australia that must never be forgotten.
In his documentary Classified X, Martin Van Peebles describes three areas where African-Americans could be receive some sanctuary from the racism that pervaded almost all Hollywood films. These three places were: the Hollywood version of an all-Black film, the church, and entertainment. Black culture and music is prominent in mainstream society, but the people behind this culture don’t always receive recognition and respect for their creations. Mainstream White pop culture excitedly consumes and appropriates Black culture, but disrespects the source.
film, on such a low budget and most of it went to the one semi-famous
Before watching the movie the “The Hammer” I didn’t know what to expect. I had never seen a deaf movie before and I wasn’t sure if I was going to be able to understand the movie completely. Watching the movie wasn’t as hard as I expected it to be, and I enjoyed it. The best part about it was that it’s based on the true story about Matthew “The Hammer” Hamill.
The narrative set in 1923 takes place in Hollywood, land of the film, where directors are referred
For the next three decades, the movie industry in the United States and the rest of the world operated by according to these principles. Cultural, social and economic changes ensured the demise of this system after the Second World War. A new way to run Hollywood was required. Beginning in 1962, Lew Wasserman of Universal Studios emerged as the key innovator in creating a second studio system. He realized that creating a global media conglomerate was more important than simply being vertically integrated.
With this short but very interesting and informative class I have just scratched the surface of the what it takes to make a full fleged film. It takes much more than I had presumed to make a movie in Hollywood. The number of people that it takes to make a minute of a movie let alone the entire movie was astonishing to me. There are many things that it takes to start making a movie but without an idea of some sort there is no movie to be made.
I chose to analyze Despicable Me, an animated film geared towards a younger audience, because I was interested in examining underlying theories and messages that this film would be relaying to its viewers. Often times, when watching animated films, children are not aware of these messages, as they are absorbed by the characters, special effects, and humor. But as we have learned throughout this semester, our brains are subconsciously primed by the various surroundings we are exposed to. Since we also studied the impacts of entertainment, such as television and video games, on children, I wanted to see how a popular children’s film might also affect them.
The American motion picture studio was formed in 1912 by Carl Laemmle who was a film exhibitor, and producer. The studio started off creating low budget films, until it was purchased by the Music Corporation of America, which formed it into the most profitable and largest company for films and television in the world.
Christopher Nolan’s 2010 action thriller Inception provides a discerning outlook into the specificities of human thought processes and dream meaning through exceptional cinematography, labeling it an exemplar of filmmaking. The film follows the ambitious corporate thief Dom Cobb as he attempts to infiltrate a man’s mind and place an idea through the act of inception. Employing “dream sharing”, Cobb controls both the appearance and feel of the subconscious world, but at the alarming cost of being trapped should he fail his mission. Nolan brilliantly combines mise-en-scéne elements of setting and sound design, with inimitable cinematography and editing styles to project the dream world on a film medium, narrating a story that reveals the blurred line between fantasy and reality. By doing so, the film builds upon traditional conventions of moviemaking while developing its own style and motifs that are remarkably distinctive.
A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies?
Offering the unique ability to visually and audibly convey a story, films remain a cornerstone in modern society. Combined with a viewer’s desire to escape the everyday parameters of life, and the excitement of enthralling themselves deep into another world, many people enjoy what films stand to offer. With the rising popularity of films across the world, the amount of film makers increases every day. Many technological innovations mark the advancement of film making, but the essential process remains the same. Pre-production accounts for everything taken place before any shooting occurs, followed by the actual production of the film, post-production will then consist of piecing the film together, and finally the film must reach an audience. Each step of this process contributes to the final product, and does so in a unique right. The process of film making will now start chronologically, stemming from the idea of the story, producing that story into a film, editing that footage together, and finally delivering that story to its viewers.