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Dualism vs. physicalism
The mind body problem physicalism vs dualism
The mind body problem physicalism vs dualism
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A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies? It is apparent that we are personified entities, but also, that we embrace “more” than just our bodies. “Human persons are physical, embodied beings and an important feature of God’s intended design for human life” (Cortez, 70). But, “human persons have an ‘inner’ dimension that is just as important as the ‘outer’ embodiment” (Cortez, 71). The “inner” element cannot be wholly explained by the “outer” embodiment, but it does give rise to inimitable facets of the human mental life such as human dignity and personal identity. The mind-body problem entails two theories, dualism and physicalism. Dualism contends that distinct mental and physical realms exist and they both must be taken into account. Its counterpart (weak) physicalism views the human as being completely bodily and physical, encompassing no non-physical, or spiritual, substances. It recognizes that there are “higher level” properties that cannot be explained in physical terms, but they are caused by a physical event. Within dualism and physicalism lie sub-theories that make specific the philosophies behind these fundamental beliefs. Spielberg’s film expresses the ideas of emergent physicalism through David, his journey to becoming a “real” boy, and his remaining eternally hopeful that he will receive the love of the one whom not only created his ability to love, but also the one whom he loves the most. Mechas are a new class of robots designed during the 22nd century in respon... ... middle of paper ... ...a-kind, comes into being. Since we are all unique, we all have a precise and specific “imprinting protocol” which makes us human. Finding our exact “imprint” is “the mystery of the human person” (Cortez, 93). But, “the emergence of higher-level properties and complex systems with novel properties… cannot be comprehensively understood on lower-level terms alone,” affirming that what defines a physical being as being “human,” or what delineates David as a “real boy” is ultimately abstract and unknown (Cortez, 94). It is ultimately up to God. Works Cited A.I.: Artificial Intelligence. Screenplay by Ian Watson. Prod. Steven Spielberg. Dir. Steven Spielberg. By Brian Aldiss. Perf. Haley Joel Osment and Jude Law. Warner Bros. Pictures, 2001. DVD. Cortez, Marc. Theological Anthropology: A Guide for the Perplexed. New York: T&T Clark International, 2010. Print.
Rolf de Herr’s 2002 film The Tracker represented some human beings in the past who have been extremely naïve, barbarous, and bigoted when it came to dealing with Indigenous Australians. This film portrayed white racism in the characters of the Fanatic, the Veteran, and at first the Recruit until he becomes stronger and eventually changes his demeanor towards the Aboriginal people. Even though the Tracker experiences immense hardship throughout the movie he was always two steps ahead of his bosses since he was very familiar with the land and was also able to outsmart his superior officers. The Tracker is a gloomy film which presents the dark past of Australia that must never be forgotten.
Higher Learning - Film Analysis Exposition: The Establishing Shot of the film is a full screen American Flag, the camera zooms out and points down, revealing a large crowd of people in a rally, being very patriotic. As the camera zooms off the flag we come across a statue of Columbus- indicating it to be Columbus University. The speaker on the stage gives us another indication of the setting by Shouting'Columbus University'. They are in front of a stage with Band music playing and chants rising out. Whilst this continues in the background three characters are established:
poster typically has the white cowboy large, presented front and center, with the antagonists and co-stars all behind him. An iconic western, The Good, The Bad, and the Ugly, has a poster picturing the white cowboy alone. Clint Eastwood stands there tall, stoic, and singular. Typical of most other westerns, the white cowboy is the center of attention. Here, however, there are two non-white figures presented: Bart, the Black cowboy, and a large Native American chief. This movie poster has the same style as other westerns with the color and layout, but is unique in the fact that a black man is presented where a white man would normally be dominating. Once again, this makes a statement about racial improvements. Previously having a black man at
I,Robot. Dir. Alexander Proyas. Screenplay by Jeff Vintar and Akiva Goldsman. Perf. WIll Smith. Twentieth Century Fox, 2004. DVD.
The Three Here’s for Cooking The romantic comedy, Today’s Special, expressed the worries of Indian parents becoming at ease. Also, expressed the struggles a parent faces in search of a better life, the passion and dedication going unnoticed in the work field, and the connection between friends, a lover, and family. However, the film centered its attention more on the development of Samir’s “cold” cooking within the Indian food, with the help of Akbar. In addition, the main actors in the film looked the part and associated with the main idea of the culture of an Indian family. For instance, Samir’s appearance showed he had drifted away from his family’s culture and developed a professional understanding and love for the cooking industry.
Smart, Ninian. "Blackboard, Religion 100." 6 March 2014. Seven Dimensions of Religion. Electronic Document. 6 March 2014.
Artificial Intelligence is a term not too widely used in today’s society. With today’s technology we haven’t found a way to enable someone to leave their physical body and let their mind survive within a computer. Could it be possible? Maybe someday, but for now it’s just in theory. The novel by William Gibson, Neuromancer, has touched greatly on the idea of artificial intelligence. He describes it as a world where many things are possible. By simply logging on the computer, it opens up a world we could never comprehend. The possibilities are endless in the world of William Gibson.
Some would choose to declare that every human being is both a body and a mind. Both being gelled together until death, than having the mind go on to exist and the body being lifeless. A person lives throughout two collateral histories, one having to do with what happens to the body and in it, and the other being what happens in and to the mind. What happens to the body is public and what happens to the mind is private. The events which reply to the body consist of the physical world, and the events of the mind consist of the mental world.
Jonathan Winchell wrote an essay called, “Latest 3-D Films Add Dimension, Not Appeal.” This essay’s claim is that 3D doesn’t make a movie better, it just makes it cost more in theatres without adding any extra value. I agree with his statements because of the success of movies like Avatar film makers believe they should make more 3D movies to make more money. So many live-action films are re-rendered into 3D, and almost every time it just does not improve or enhance the experience because you can tell the film wasn’t shot in 3D. I understand Winchell’s point wholeheartedly because studios need to realize that not every film needs to be presented 3D. When they do decide to use 3D they should ensure the whole film is actually made from the beginning using 3D.
In his work, Who is Man, Abraham J. Heschel embarks on a philosophical and theological inquiry into the nature and role of man. Through analysis of the meaning of being human, Heschel determines eight essential traits of man. Heschel believes that the eight qualities of preciousness, uniqueness, nonfinality, process and events, solitude and solidarity, reciprocity, and sanctity constitute the image of man that defines a human being. Yet Heschel’s eight qualities do not reflect the essential human quality of the realization of mortality. The modes of uniqueness and opportunity, with the additional singular human quality of the realization of mortality, are the most constitutive of human life as uniqueness reflects the fundamental nature of humanity,
...of the body, and no problem arises of how soul and body can be united into a substantial whole: ‘there is no need to investigate whether the soul and the body are one, any more than the wax and the shape, or in general the matter of each thing and that of which it is the matter; for while “one” and “being” are said in many ways, the primary [sense] is actuality’ (De anima 2.1, 12B6–9).Many twentieth-century philosophers have been looking for just such a via media between materialism and dualism, at least for the case of the human mind; and much scholarly attention has gone into asking whether Aristotle’s view can be aligned with one of the modern alternatives, or whether it offers something preferable to any of the modern alternatives, or whether it is so bound up with a falsified Aristotelian science that it must regretfully be dismissed as no longer a live option.
Eastman, Roger. The Ways of Religion: An Introduction to the Major Traditions. Third Edition. Oxford University Press. N.Y. 1999
Since human kind gained the ability of reflection we have questioned our purpose of existence. What makes a human, human? Four philosophers, representing four areas of Philosophy, attempt to answer this question. First is the Dutchman Soren Kierkegaard and his book Sickness unto Death, who is considered the “Father of Existentialism”. Prevalent through all of Kierkegaard’s work was his constant goal to move people closer to God and thus closer to discovering their authentic self. Therefore, our relationship with God is what makes us human. Next is Jeremy Rifkin and his book The Empathic Civilization: The Race to Global Consciousness in A World in Crisis who believes that humanity is defined by our ability to empathize with other humans whether
While the great philosophical distinction between mind and body in western thought can be traced to the Greeks, it is to the influential work of René Descartes, French mathematician, philosopher, and physiologist, that we owe the first systematic account of the mind/body relationship. As the 19th century progressed, the problem of the relationship of mind to brain became ever more pressing.
Winzeler R. L. 2012. Anthropology and religion what we know, think, and question. Rowman Littlefield Publsihers, AltaMira